{"title":"Professional Video","description":"","products":[{"product_id":"blaswatemminibpriso","title":"Blackmagic Design ATEM Mini Pro ISO HDMI Live Stream Switcher","description":"\u003cp\u003eThe \u003cstrong\u003eATEM Mini Pro ISO HDMI Live Stream Switcher \u003c\/strong\u003efrom \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e, is a versatile four-input live production switcher equipped with a built-in control panel, specifically designed for multicamera live streaming in HD quality over the internet through an Ethernet connection. It includes a USB output that facilitates the recording of the program output, as well as the individual HDMI inputs onto an external USB drive (not provided). Beyond capturing the program stream and separate inputs, the ATEM Mini Pro ISO also records both embedded audio and analog audio inputs, creating a DaVinci Resolve project file of your live stream. This feature enables you to import your live production into DaVinci Resolve for further modifications or enhancements using the source material stored on your USB drive.\u003c\/p\u003e\r\n\u003cp\u003eThe ATEM Mini Pro ISO maintains the same dimensions, button arrangement, and rear panel connection interfaces as the ATEM Mini Pro, but it incorporates new electronics that facilitate ISO recording and the creation of DaVinci project files. This model supports all features available in the ATEM Mini Pro, including upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. Additionally, it offers media player support for fill and key images, accommodating up to 20 still images in formats such as PNG, TGA, BMP, JPEG, and TIFF. The ATEM Software Control Panel is utilized for control and configuration, enabling monitoring of data rates, audio levels, configuration settings, and the status of the live feed. Furthermore, the panel allows for the setup of streaming to an optional Blackmagic Design Streaming Bridge from any location worldwide, provided there is an internet connection.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eGeneral\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eConnecting a USB drive to the ATEM Mini Pro ISO's USB port enables capturing the switched program stream, as well as up to four isolated (ISO) recordings of input video, as well as embedded audio, analog input audio, graphics, and a DaVinci Resolve project file of your switched program\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe device has the same footprint, layout, and connections as the ATEM Mini Pro\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eStream video up to 1080p HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eQuick stream, on-air, and record buttons\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHardware encoder so there's no need for additional streaming software\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eControl and configure timecode, stream status\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFull support and control features for BMPCC 6K\/4K cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSimultaneous USB recording\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIntegration with MultiDock for live hard drive switching\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCustomize advanced settings with XML files\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSoftware multiview with program previews, graphics, record status, on-air status, and audio meters\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eProgram preview input and output buttons\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTally light control for BMPCC 6K\/4K cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAutomatic timecode sync for all cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eTransitions\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCut:\u003c\/strong\u003e When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eMix:\u003c\/strong\u003e The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDip:\u003c\/strong\u003e Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, a graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eWipe:\u003c\/strong\u003e Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDVE:\u003c\/strong\u003e With the powerful built-in digital video effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eUpstream Keyer\u003c\/h2\u003e\r\n\u003cp\u003eLayer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLuma key:\u003c\/strong\u003e Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLinear key:\u003c\/strong\u003e Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eChroma key:\u003c\/strong\u003e Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePattern key:\u003c\/strong\u003e Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eDownstream Keyers\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio Mixer\u003c\/h2\u003e\r\n\u003cp\u003eThe integrated audio mixer provides precise control over both camera and external audio, allowing for level and balance adjustments across all six audio inputs and two channels. This mixer includes options for selectable on\/off functionality and audio-follow-video for each channel. Additionally, it offers individual gain control for each channel, along with level and peak metering. Enhanced by Fairlight audio features, it incorporates a compressor, gate, limiter, six bands of parametric equalization, and master gain control.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMonitor Output\u003c\/h2\u003e\r\n\u003cp\u003eThe HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Player\u003c\/h2\u003e\r\n\u003cp\u003eEliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":32778345545774,"sku":"BLASWATEMMINIBPRISO-MAIN","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/747d8aec-f219-4f24-958f-890281c3da3c.jpg?v=1740780744"},{"product_id":"sonpxwfx9v","title":"Sony PXW-FX9 XDCAM 6K Full-Frame Camera System | Body Only","description":"\u003cp\u003eThe \u003cstrong\u003ePXW-FX9 XDCAM 6K Full-Frame Camera System\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is an exceptional choice for a variety of productions, including documentaries, events, reality television, educational content, and corporate projects. This versatile 4K interchangeable lens camera system is equipped with a full-frame, oversampled 6K Exmor R CMOS sensor, enabling the capture of 4K images that exhibit a cinematic depth of field. The camera's E-mount, crafted from stainless steel, facilitates the use of E-mount lenses.\u003c\/p\u003e\r\n\u003cp\u003eIn terms of connectivity, the PXW-FX9 offers a range of input and output options, including 12G\/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, as well as genlock and timecode capabilities for multicamera setups. The Fast Hybrid AF autofocus system ensures precise focusing, featuring facial detection technology that can identify human forms with 561 detection points. Additionally, the PXW-FX9 incorporates an internal gyroscope for advanced image stabilization, resulting in remarkably smooth shots that rival the use of a gimbal. Furthermore, its 4-channel audio recording capability allows for the simultaneous use of external microphones and internal mics to capture ambient sound.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fJNwwHJ0L58\" title=\"Product Feature | FX9 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e6K CMOS Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe PXW-FX9 features an oversampled full-frame 6K sensor that enables recording in DCI 4K, UHD, and HD formats. Its advanced image processing capabilities, including debayering and down-sampling, deliver image quality that surpasses that of traditional Super 35mm sensors. Additionally, the back-illuminated CMOS image sensor incorporates Sony's Exmor R technology, enhancing sensitivity and reducing noise. In comparison to a 4K Super 35mm sensor, the FX9's 6K sensor boasts more than double the surface area, offering a broader field of view and a shallower depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/15_Stops_of_Dynamic_Range.jpg?1192\" alt=\"\" style=\"float: left; width: 293px; height: 165.017px;\" width=\"293\" height=\"165.017\"\u003e15 Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 provides an outstanding dynamic range exceeding 15 stops and is compatible with dynamic HDR and hybrid log gamma mode (HLG). This capability allows for enhanced creative flexibility in color grading and post-production. Camera operators can focus on composing their desired shots, confident that the FX9 will accurately capture every subtlety and detail through its 4K 4:2:2 10-bit internal recording.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eS-Cinetone\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eFHZYl5ql5A\" title=\"S-Cinetone Sample footage | FX9 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eS-Cinetone represents the standard aesthetic of the FX9, specifically designed to cater to the needs of contemporary content creators. It features vibrant midrange colors, captivating skin tones, and a gentle tonal quality, all developed with the same level of expertise found in Sony's renowned VENICE digital cinematography camera. With S-Cinetone, your footage appears vibrant and striking directly from the camera, ensuring that subjects are prominently highlighted while still allowing for significant flexibility during post-production, attributed to the advanced full-frame image sensor.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Base ISO\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Dual_Base_ISO.jpg?4335\" alt=\"\" style=\"float: right; width: 281px; height: 251.701px;\" width=\"281\" height=\"251.701\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 not only boasts an extensive dynamic range but also features advanced color and lighting capabilities, including a dual base ISO of 800 and 4000, with a maximum ISO reaching 102,400. This is particularly advantageous in low-light environments or when utilizing slower lenses. The base sensitivity of ISO 800 is ideal for achieving optimal dynamic range in standard documentary settings, whether filming outdoors or in well-lit indoor spaces. Conversely, the higher base sensitivity of ISO 4000 performs exceptionally well in low-light scenarios, such as during early morning or evening shoots, while ensuring excellent image quality even with slower lenses. The FX9's ISO range extends from 320 to 102,400.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/3D_LUTs_and_HLG.jpg?4674\" alt=\"\" style=\"float: left; width: 246px; height: 162.021px;\" width=\"246\" height=\"162.021\"\u003e3D LUTs and HLG\u003c\/h2\u003e\r\n\u003cp\u003eTailor the appearance of your FX9 by importing and saving as many as 16 LUT files for previewing your desired look. The FX9 is capable of recording HDR in both S-Log3 and HLG (hybrid log gamma) formats. S-Log3 enables enhanced capture with the highest dynamic range and extensive color grading possibilities, whereas HLG facilitates rapid content delivery, eliminating the need for further color grading in everyday workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e16-Bit Raw via XDCA-FX9 Unit\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rXnrl_wrHfM\" title=\"FX9 16-bit RAW Output Sample Footage | FX9 | Sony |\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the FX9 in conjunction with the optional XDCA-FX9 unit to maximize the 15+ stops of dynamic range, offering 16-bit raw output in both 2K and 4K formats through a single BNC cable connected to a compatible external recorder. Additionally, the XDCA-FX9 extension unit enhances networking capabilities for streaming and file transfers, and includes a slot for a wireless audio receiver.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHDR\/SDR Dual Support\u003c\/h2\u003e\r\n\u003cp\u003eThe EVF of the FX9 allows for seamless switching between HDR and SDR emulation modes during the capture of HDR content. When the brightness of the image is modified in SDR emulation, the SDR gain dB is documented as metadata, facilitating its use in post-production for SDR content. These enhancements collectively simplify the process of shooting in HDR while ensuring a swift turnaround for SDR content.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronic ND Filter\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Electronic_ND_Filter.jpg?1987\" alt=\"\" style=\"float: right; width: 282px; height: 159.117px;\" width=\"282\" height=\"159.117\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe integrated 7-stop electronic variable neutral density (ND) filter in Sony devices can be configured to operate automatically or adjusted manually in gradual increments ranging from 1\/4 to 1\/128 during shooting. This feature allows for the creation of well-exposed images while maintaining depth of field, even as lighting conditions fluctuate. Utilizing higher-density settings in conjunction with a slower shutter speed can yield artistic effects.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia and Recording Formats\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is capable of recording in 10-bit 4:2:2 format to dual XQD media card slots, which facilitate both simultaneous and relay recording. It also offers various backup recording modes that incorporate proxy files. Depending on the specific requirements of the project, the FX9 provides a range of recording formats. It supports XAVC-I at a high quality of 422 10-bit with a bitrate of 600 Mb\/s at 60p, as well as XAVC-Long for extended recording durations with reduced file sizes. Additionally, the traditional MPEG HD codec is available. The camera can internally record in UHD (3840 x 2160) and HD (1920 x 1080) resolutions, with a selectable frame rate ranging from 1 fps to 60 fps across XAVC-I, XAVC-Long, and MPEG HD formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdjustable Frame Rates\u003c\/h2\u003e\r\n\u003cp\u003eSelect your preferred frame rate ranging from 1 to 60 fps to capture both quick and slow-motion footage. The FX9 delivers an engaging visual experience with its wide-angle perspective and reduced depth of field, thanks to its full-frame sensor, which enhances both fast and slow motion. Additionally, it features a quality priority option that optimizes Full HD slow-motion image quality through sophisticated oversampling technology.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Fast_Hybrid_AF.jpg?8788\" alt=\"\" style=\"float: left; width: 348px; height: 195.608px;\" width=\"348\" height=\"195.608\"\u003eFast Hybrid AF\u003c\/h2\u003e\r\n\u003cp\u003eEffortlessly monitor rapidly moving subjects with precise focus, even when utilizing wide aperture settings to achieve a shallow depth of field with the camera's full-frame sensor. The Enhanced Fast Hybrid AF integrates phase-detection AF for swift and accurate subject tracking alongside contrast AF for superior focus precision. Furthermore, the Face Detection feature intelligently identifies and locks onto human faces. The specialized 561-point phase-detection AF sensor encompasses approximately 94% of the image area width and 96% of the height, ensuring consistently accurate and responsive AF tracking, even for fast-moving subjects.\u003c\/p\u003e\r\n\u003cp\u003eThe system offers seven levels of AF transition speeds, ranging from rapid switching between subjects to a slower pace that accommodates a more deliberate shooting style, such as in historical television dramas.\u003c\/p\u003e\r\n\u003cp\u003eAdditionally, the five levels of AF subject shift sensitivity vary from a locked-on mode that disregards other moving subjects in the frame to a responsive mode that shifts focus from one subject to another—perfect for capturing the swift movement of race cars as they zoom past.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eThe advanced image stabilization capabilities enable even handheld recordings to be enhanced using Sony Catalyst Browse\/Catalyst Prepare software during post-production, resulting in footage that appears as smooth as if it had been captured with a gimbal. In contrast to in-camera or lens stabilization, the metadata produced by the FX9's integrated gyro provides the flexibility to creatively adjust the trade-off between shake compensation and the resolution of cropped 4K images. This functionality is also compatible with all E-mount lenses and offers significantly quicker processing compared to traditional non-linear editing stabilization methods.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4-Channel Audio Recording\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/4-Channel_Audio_Recording.jpg?8764\" alt=\"\" style=\"float: right; width: 230px; height: 166.464px;\" width=\"230\" height=\"166.464\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with audio functionalities that feature separate control dials for each channel. In scenarios like interviews, the 4-channel audio recording allows for the concurrent use of an external microphone to capture ambient sounds, while the built-in microphone can be utilized for both ambient sound and voice memos recorded by the operator.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInputs and Outputs\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 features multiple output options, including a 12G-SDI and an HDMI port for 4K output. Additionally, it is equipped with a 3G-SDI for HD output, enhancing its monitoring capabilities. For multicamera setups, it provides Genlock and TC In\/Out terminals.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecording Modes\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 offers various backup recording modes designed to safeguard recordings effectively. The Simul Rec feature facilitates simultaneous HD recording on two separate media cards. The 4K\/HD Sub Rec mode permits 4K recording on one card while simultaneously capturing MPEG HD on another. Additionally, the XAVC Proxy Rec option provides a 9 Mb\/s proxy file that is compact and can be transmitted easily over a network. Furthermore, a Cache Rec function with a maximum duration of 28 seconds is available to ensure that no shot is overlooked.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Interface (MI) Shoe\u003c\/h2\u003e\r\n\u003cp\u003eThe adaptable Multi-Interface (MI) Shoe from Sony facilitates power supply, signal connections, and synchronized on\/off switching with compatible accessories. As an illustration, it allows for the connection and control of optional Sony UWP-D wireless microphone systems.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K Multicamera Remote Operation\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with the S700 protocol over Ethernet, facilitating straightforward and user-friendly multicamera management for local events and television studio productions. The optional XDCA-FX9 extension unit, featuring an RJ45 jack, allows for the reception of S700 protocol control through a single RCP unit. Alternatively, multiple FX9 cameras can be managed using a PoE Switch, with one RCP unit dedicated to each FX9. Audio\/visual output can be directed through a standard SDI switcher, and a monitor like the PVM-X2400 is capable of displaying up to four HD inputs concurrently.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eNetworked for High Mobility\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Networked_for_High_Mobility.jpg?7604\" width=\"350\" height=\"519\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with internal 2.4 and 5 GHz Wi-Fi, facilitating wireless functionalities such as control via smartphones or tablets through the Content Browser Mobile application, FTP file transfers, and clip trimming to eliminate unnecessary content. Additionally, it provides access to the C3 Portal for uploading both high-resolution and proxy footage to the cloud. Furthermore, the FX9 includes a wired LAN port, dual-link cellular capabilities for a stable connection, and supports Sony QoS live streaming through an optional Network RX Station.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe Content Browser Mobile™ application enables remote control of the PXW-FX9 using a smartphone or tablet through a Wi-Fi connection. Users can modify exposure settings, control zoom, and manage recording functions directly from their mobile devices, making it particularly suitable for solo operators. Additionally, smartphones equipped with NFC technology can facilitate one-touch authentication.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFTP Transfer facilitates the transmission of content files over the Internet for remote storage on an FTP server, even during the process of shooting. Should there be a disruption in the signal, the system is designed to automatically resume once the connection is reestablished.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTrimming enables the specification of start and end points within a clip, thereby removing unnecessary segments and preventing the inefficient transfer of superfluous content.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe C3 Portal enables multiple camera operators in the field to upload high-resolution and proxy footage to the cloud, allowing for immediate commencement of the editing process. The uploaded materials can be securely accessed from any location. Furthermore, production teams have the capability to begin logging clips while filming is still in progress, thereby conserving precious time during critical story developments.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eProven Ergonomics and Accessory Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 chassis represents an enhancement of the ergonomic design found in the FS7, facilitating comfortable shooting from nearly any angle. It is compatible with a significant number of FS7 accessories, such as U-series batteries, chargers, E-mount lenses, and additional components. Constructed from magnesium, the FX9's chassis is both durable and lightweight. Its control arm and intelligent grip can be conveniently adjusted, while the buttons, dials, and other elements are sealed to protect against dust and water spray.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Touchscreen_Quick_Menu_Control.jpg?3911\" alt=\"\" style=\"float: left; width: 275px; height: 155.39px;\" width=\"275\" height=\"155.39\"\u003eTouchscreen Quick Menu Control\u003c\/h2\u003e\r\n\u003cp\u003eEasily navigate frequently utilized features through the touchscreen of the FX9's LCD viewfinder. The control menu will be recognizable to VENICE users and provides options for codec, scan mode, base ISO\/sensitivity, shooting mode, audio levels, and various other settings.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812052709422,"sku":"SONPXWFX9V-MAIN","price":10998.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/54a50850-a08f-491e-b843-0f11e1d26a80.jpg?v=1758126066"},{"product_id":"sonpxwfx9vk","title":"Sony PXW-FX9K XDCAM 6K Full-Frame Camera System with 28-135mm f\/4 G OSS Lens","description":"\u003cp\u003eThe \u003cstrong\u003ePXW-FX9 XDCAM 6K Full-Frame Camera System\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is an exceptional choice for a variety of productions, including documentaries, events, reality television, educational content, and corporate projects. This versatile 4K interchangeable lens camera system is equipped with a full-frame, oversampled 6K Exmor R CMOS sensor, enabling the capture of 4K images that exhibit a cinematic depth of field. The camera's E-mount, crafted from stainless steel, facilitates the use of E-mount lenses.\u003c\/p\u003e\r\n\u003cp\u003eIn terms of connectivity, the PXW-FX9 offers a range of input and output options, including 12G\/6G-SDI and HDMI outputs for 4K video, a 3G-SDI output for HD, as well as genlock and timecode capabilities for multicamera setups. The Fast Hybrid AF autofocus system ensures precise focusing, featuring facial detection technology that can identify human forms with 561 detection points. Additionally, the PXW-FX9 incorporates an internal gyroscope for advanced image stabilization, resulting in remarkably smooth shots that rival the use of a gimbal. Furthermore, its 4-channel audio recording capability allows for the simultaneous use of external microphones and internal mics to capture ambient sound.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fJNwwHJ0L58\" title=\"Product Feature | FX9 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e6K CMOS Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe PXW-FX9 features an oversampled full-frame 6K sensor that enables recording in DCI 4K, UHD, and HD formats. Its advanced image processing capabilities, including debayering and down-sampling, deliver image quality that surpasses that of traditional Super 35mm sensors. Additionally, the back-illuminated CMOS image sensor incorporates Sony's Exmor R technology, enhancing sensitivity and reducing noise. In comparison to a 4K Super 35mm sensor, the FX9's 6K sensor boasts more than double the surface area, offering a broader field of view and a shallower depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/15_Stops_of_Dynamic_Range.jpg?1192\" alt=\"\" style=\"float: left; width: 293px; height: 165.017px;\" width=\"293\" height=\"165.017\"\u003e15 Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 provides an outstanding dynamic range exceeding 15 stops and is compatible with dynamic HDR and hybrid log gamma mode (HLG). This capability allows for enhanced creative flexibility in color grading and post-production. Camera operators can focus on composing their desired shots, confident that the FX9 will accurately capture every subtlety and detail through its 4K 4:2:2 10-bit internal recording.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eS-Cinetone\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eFHZYl5ql5A\" title=\"S-Cinetone Sample footage | FX9 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eS-Cinetone represents the standard aesthetic of the FX9, specifically designed to cater to the needs of contemporary content creators. It features vibrant midrange colors, captivating skin tones, and a gentle tonal quality, all developed with the same level of expertise found in Sony's renowned VENICE digital cinematography camera. With S-Cinetone, your footage appears vibrant and striking directly from the camera, ensuring that subjects are prominently highlighted while still allowing for significant flexibility during post-production, attributed to the advanced full-frame image sensor.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Base ISO\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Dual_Base_ISO.jpg?4335\" alt=\"\" style=\"float: right; width: 281px; height: 251.701px;\" width=\"281\" height=\"251.701\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 not only boasts an extensive dynamic range but also features advanced color and lighting capabilities, including a dual base ISO of 800 and 4000, with a maximum ISO reaching 102,400. This is particularly advantageous in low-light environments or when utilizing slower lenses. The base sensitivity of ISO 800 is ideal for achieving optimal dynamic range in standard documentary settings, whether filming outdoors or in well-lit indoor spaces. Conversely, the higher base sensitivity of ISO 4000 performs exceptionally well in low-light scenarios, such as during early morning or evening shoots, while ensuring excellent image quality even with slower lenses. The FX9's ISO range extends from 320 to 102,400.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/3D_LUTs_and_HLG.jpg?4674\" alt=\"\" style=\"float: left; width: 246px; height: 162.021px;\" width=\"246\" height=\"162.021\"\u003e3D LUTs and HLG\u003c\/h2\u003e\r\n\u003cp\u003eTailor the appearance of your FX9 by importing and saving as many as 16 LUT files for previewing your desired look. The FX9 is capable of recording HDR in both S-Log3 and HLG (hybrid log gamma) formats. S-Log3 enables enhanced capture with the highest dynamic range and extensive color grading possibilities, whereas HLG facilitates rapid content delivery, eliminating the need for further color grading in everyday workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e16-Bit Raw via XDCA-FX9 Unit\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rXnrl_wrHfM\" title=\"FX9 16-bit RAW Output Sample Footage | FX9 | Sony |\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the FX9 in conjunction with the optional XDCA-FX9 unit to maximize the 15+ stops of dynamic range, offering 16-bit raw output in both 2K and 4K formats through a single BNC cable connected to a compatible external recorder. Additionally, the XDCA-FX9 extension unit enhances networking capabilities for streaming and file transfers, and includes a slot for a wireless audio receiver.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHDR\/SDR Dual Support\u003c\/h2\u003e\r\n\u003cp\u003eThe EVF of the FX9 allows for seamless switching between HDR and SDR emulation modes during the capture of HDR content. When the brightness of the image is modified in SDR emulation, the SDR gain dB is documented as metadata, facilitating its use in post-production for SDR content. These enhancements collectively simplify the process of shooting in HDR while ensuring a swift turnaround for SDR content.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronic ND Filter\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Electronic_ND_Filter.jpg?1987\" alt=\"\" style=\"float: right; width: 282px; height: 159.117px;\" width=\"282\" height=\"159.117\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe integrated 7-stop electronic variable neutral density (ND) filter in Sony devices can be configured to operate automatically or adjusted manually in gradual increments ranging from 1\/4 to 1\/128 during shooting. This feature allows for the creation of well-exposed images while maintaining depth of field, even as lighting conditions fluctuate. Utilizing higher-density settings in conjunction with a slower shutter speed can yield artistic effects.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia and Recording Formats\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is capable of recording in 10-bit 4:2:2 format to dual XQD media card slots, which facilitate both simultaneous and relay recording. It also offers various backup recording modes that incorporate proxy files. Depending on the specific requirements of the project, the FX9 provides a range of recording formats. It supports XAVC-I at a high quality of 422 10-bit with a bitrate of 600 Mb\/s at 60p, as well as XAVC-Long for extended recording durations with reduced file sizes. Additionally, the traditional MPEG HD codec is available. The camera can internally record in UHD (3840 x 2160) and HD (1920 x 1080) resolutions, with a selectable frame rate ranging from 1 fps to 60 fps across XAVC-I, XAVC-Long, and MPEG HD formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdjustable Frame Rates\u003c\/h2\u003e\r\n\u003cp\u003eSelect your preferred frame rate ranging from 1 to 60 fps to capture both quick and slow-motion footage. The FX9 delivers an engaging visual experience with its wide-angle perspective and reduced depth of field, thanks to its full-frame sensor, which enhances both fast and slow motion. Additionally, it features a quality priority option that optimizes Full HD slow-motion image quality through sophisticated oversampling technology.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Fast_Hybrid_AF.jpg?8788\" alt=\"\" style=\"float: left; width: 348px; height: 195.608px;\" width=\"348\" height=\"195.608\"\u003eFast Hybrid AF\u003c\/h2\u003e\r\n\u003cp\u003eEffortlessly monitor rapidly moving subjects with precise focus, even when utilizing wide aperture settings to achieve a shallow depth of field with the camera's full-frame sensor. The Enhanced Fast Hybrid AF integrates phase-detection AF for swift and accurate subject tracking alongside contrast AF for superior focus precision. Furthermore, the Face Detection feature intelligently identifies and locks onto human faces. The specialized 561-point phase-detection AF sensor encompasses approximately 94% of the image area width and 96% of the height, ensuring consistently accurate and responsive AF tracking, even for fast-moving subjects.\u003c\/p\u003e\r\n\u003cp\u003eThe system offers seven levels of AF transition speeds, ranging from rapid switching between subjects to a slower pace that accommodates a more deliberate shooting style, such as in historical television dramas.\u003c\/p\u003e\r\n\u003cp\u003eAdditionally, the five levels of AF subject shift sensitivity vary from a locked-on mode that disregards other moving subjects in the frame to a responsive mode that shifts focus from one subject to another—perfect for capturing the swift movement of race cars as they zoom past.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eThe advanced image stabilization capabilities enable even handheld recordings to be enhanced using Sony Catalyst Browse\/Catalyst Prepare software during post-production, resulting in footage that appears as smooth as if it had been captured with a gimbal. In contrast to in-camera or lens stabilization, the metadata produced by the FX9's integrated gyro provides the flexibility to creatively adjust the trade-off between shake compensation and the resolution of cropped 4K images. This functionality is also compatible with all E-mount lenses and offers significantly quicker processing compared to traditional non-linear editing stabilization methods.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4-Channel Audio Recording\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/4-Channel_Audio_Recording.jpg?8764\" alt=\"\" style=\"float: right; width: 230px; height: 166.464px;\" width=\"230\" height=\"166.464\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with audio functionalities that feature separate control dials for each channel. In scenarios like interviews, the 4-channel audio recording allows for the concurrent use of an external microphone to capture ambient sounds, while the built-in microphone can be utilized for both ambient sound and voice memos recorded by the operator.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInputs and Outputs\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 features multiple output options, including a 12G-SDI and an HDMI port for 4K output. Additionally, it is equipped with a 3G-SDI for HD output, enhancing its monitoring capabilities. For multicamera setups, it provides Genlock and TC In\/Out terminals.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecording Modes\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 offers various backup recording modes designed to safeguard recordings effectively. The Simul Rec feature facilitates simultaneous HD recording on two separate media cards. The 4K\/HD Sub Rec mode permits 4K recording on one card while simultaneously capturing MPEG HD on another. Additionally, the XAVC Proxy Rec option provides a 9 Mb\/s proxy file that is compact and can be transmitted easily over a network. Furthermore, a Cache Rec function with a maximum duration of 28 seconds is available to ensure that no shot is overlooked.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Interface (MI) Shoe\u003c\/h2\u003e\r\n\u003cp\u003eThe adaptable Multi-Interface (MI) Shoe from Sony facilitates power supply, signal connections, and synchronized on\/off switching with compatible accessories. As an illustration, it allows for the connection and control of optional Sony UWP-D wireless microphone systems.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K Multicamera Remote Operation\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with the S700 protocol over Ethernet, facilitating straightforward and user-friendly multicamera management for local events and television studio productions. The optional XDCA-FX9 extension unit, featuring an RJ45 jack, allows for the reception of S700 protocol control through a single RCP unit. Alternatively, multiple FX9 cameras can be managed using a PoE Switch, with one RCP unit dedicated to each FX9. Audio\/visual output can be directed through a standard SDI switcher, and a monitor like the PVM-X2400 is capable of displaying up to four HD inputs concurrently.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eNetworked for High Mobility\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Networked_for_High_Mobility.jpg?7604\" width=\"350\" height=\"519\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 is equipped with internal 2.4 and 5 GHz Wi-Fi, facilitating wireless functionalities such as control via smartphones or tablets through the Content Browser Mobile application, FTP file transfers, and clip trimming to eliminate unnecessary content. Additionally, it provides access to the C3 Portal for uploading both high-resolution and proxy footage to the cloud. Furthermore, the FX9 includes a wired LAN port, dual-link cellular capabilities for a stable connection, and supports Sony QoS live streaming through an optional Network RX Station.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe Content Browser Mobile™ application enables remote control of the PXW-FX9 using a smartphone or tablet through a Wi-Fi connection. Users can modify exposure settings, control zoom, and manage recording functions directly from their mobile devices, making it particularly suitable for solo operators. Additionally, smartphones equipped with NFC technology can facilitate one-touch authentication.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFTP Transfer facilitates the transmission of content files over the Internet for remote storage on an FTP server, even during the process of shooting. Should there be a disruption in the signal, the system is designed to automatically resume once the connection is reestablished.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTrimming enables the specification of start and end points within a clip, thereby removing unnecessary segments and preventing the inefficient transfer of superfluous content.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe C3 Portal enables multiple camera operators in the field to upload high-resolution and proxy footage to the cloud, allowing for immediate commencement of the editing process. The uploaded materials can be securely accessed from any location. Furthermore, production teams have the capability to begin logging clips while filming is still in progress, thereby conserving precious time during critical story developments.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eProven Ergonomics and Accessory Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eThe FX9 chassis represents an enhancement of the ergonomic design found in the FS7, facilitating comfortable shooting from nearly any angle. It is compatible with a significant number of FS7 accessories, such as U-series batteries, chargers, E-mount lenses, and additional components. Constructed from magnesium, the FX9's chassis is both durable and lightweight. Its control arm and intelligent grip can be conveniently adjusted, while the buttons, dials, and other elements are sealed to protect against dust and water spray.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Touchscreen_Quick_Menu_Control.jpg?3911\" alt=\"\" style=\"float: left; width: 275px; height: 155.39px;\" width=\"275\" height=\"155.39\"\u003eTouchscreen Quick Menu Control\u003c\/h2\u003e\r\n\u003cp\u003eEasily navigate frequently utilized features through the touchscreen of the FX9's LCD viewfinder. The control menu will be recognizable to VENICE users and provides options for codec, scan mode, base ISO\/sensitivity, shooting mode, audio levels, and various other settings.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eSony FE PZ 28-135mm f\/4 G OSS Full-Frame Power Zoom Lens\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX9\/Sony_FE_PZ_28-135mm.jpg?8607\" alt=\"\" style=\"float: right; width: 239px; height: 239px;\" width=\"239\" height=\"239\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eEngineered to meet the demands of professional 4K and higher resolution capture, the Sony FE PZ 28-135mm f\/4 G OSS Lens delivers exceptional cine-style visuals when used with a high-performance 35mm full-frame camera or a Super35 format camcorder. This lens is equipped with a powered, variable-speed zoom mechanism that includes direction reversal, while minimizing breathing, aberration, and image shift.\u003c\/p\u003e\r\n\u003cp\u003eThis discreet and smoothly operating powered zoom offers a focal length range of 28-135mm, encompassing both wide-angle and telephoto views. It is equipped with separate rings that allow for independent control of focus, iris, and zoom, each designed with optimal torque levels to ensure a comfortable and responsive user experience.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812062769198,"sku":"SONPXWFX9VK-MAIN","price":13498.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/e7a0730c-2287-4427-838d-5eac2fcaa821.jpg?v=1758125989"},{"product_id":"sonpxwz190","title":"Sony PXW-Z190 4K 3-CMOS 1\/3\" Sensor XDCAM Camcorder","description":"\u003cstrong\u003eSony's PXW-Z190 4K 3-CMOS 1\/3\" Sensor XDCAM Camcorder\u003c\/strong\u003e continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1\/3\" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video.\u003cp\u003eThe camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812068175918,"sku":"SONPXWZ190-MAIN","price":3748.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/5905d109-460c-4473-8341-0a383919f37f.jpg?v=1716474270"},{"product_id":"sonpxwz90v","title":"Sony PXW-Z90V 4K HDR XDCAM with Fast Hybrid AF","description":"\u003cp\u003eThe\u003cstrong\u003e Sony PXW-Z90V 4K HDR XDCAM\u003c\/strong\u003e camcorder offers phase-detection autofocus (AF) and HDR capabilities in a compact, palm-style body. Suitable for corporate events, broadcast news, and television production, the PXW-Z90V camcorder features a stacked 1\" Exmor RS CMOS sensor with UHD 4K (3840 x 2160) resolution, a 12x Zeiss optical zoom, an OLED viewfinder, and 3.5\" touchscreen LCD monitor. It can record 4K in XAVC Long at 4:2:0, HD in XAVC Long at 4:2:2 10-bit, as well as MPEG HD at 4:2:2 (requires optional license key). S-Log3\/S-Gamut3 functions offer users additional image control. Additional features include built-in 2.4\/5 GHz for multiple streaming via RTMP\/RTMPS protocols and FTP options.\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-Z90V's Fast Hybrid AF uses high-density placement of autofocus points and a newly developed AF algorithm to offer highly accurate focusing and tracking—a boon when shooting UHD 4K, especially for individual operators. In movie recording mode, use the appearance of phase-detection AF frames to monitor your subject's focus. The PXW-Z90V's 3.5\" touchscreen is used to quickly switch focus among subjects. AF Drive Speed, Tracking Depth Range, and Subject Switching Sensitivity can each be configured to suit different subjects and content styles. Hybrid Log-Gamma (HLG) enables you to future-proof your output by smoothly integrating your 4K recordings into an HDR workflow without the need for color grading during post-production. Capture images with high-quality contrast and resolution using the PXW-Z90V's 12x optical Zeiss zoom, and 18x 4K digital zoom (24x in HD). An integrated ND filter function enables greater exposure and depth-of-field control.\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-Z90V camera supports Sony's Slow and Quick Motion for shooting HD video at variable frame rates, including 120 fps. Recording to a variety of formats, frame rates, and codecs, the camcorder supports 100 Mb\/s XAVC Long recording of 4K UHD video at up to 29.97p, and 50 Mb\/s capture of HD up to 59.94p. Footage is recorded to two SD memory card slots, either simultaneously to both cards or in relay mode to create a backup. The PXW-Z90V's 3G-SDI output offers integration with professional studio environments.\u003c\/p\u003e\r\n\u003cp\u003eThe PXW-Z90V provides external microphone support via two 3-pin XLR audio inputs (line, mic, mic +48V phantom) and a 3.5mm mini input. You can also use the PXW-Z90V's built-in microphone to record audio when shooting. For multicamera productions, the PXW-Z90V integrates seamlessly with Sony's MCX-500 live switcher (available separately).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLive Streaming\u003c\/h2\u003e\r\n\u003cp\u003eThe camera supports RTMP\/RTMPS live streaming protocols. This is included with the camera and as a free upgrade if your camera does not have this functionality. You can stream directly from the camera using Wi-Fi or via Ethernet with optional converters such as the Sony VMC-UAM2 or CBK-NA1. No computer is required for streaming.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIntegration\u003c\/h2\u003e\r\n\u003cp\u003eThe camera is compatible with Sony's XDCAM air, so you can upload proxy footage to the cloud, and editors can start working with your footage remotely. You can even control the camera from your smartphone or tablet using Sony's free Content Browser Mobile app.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e1\" Exmor RS CMOS Sensor\u003c\/h2\u003e\r\n\u003cp\u003e1.0\"-type Exmor RS CMOS sensor with approximately 14.2 million effective pixels provides optimal image quality.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFast Hybrid Autofocus\u003c\/h2\u003e\r\n\u003cp\u003eOffers highly accurate focusing and tracking, especially useful when shooting sharp UHD 4K footage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eZeiss T* Lens with 12x Optical Zoom\u003c\/h2\u003e\r\n\u003cp\u003eThe PXW-Z90V's fixed 12x optical wide-angle zoom with 18x Clear Image Zoom technology in UHD 4K (24x in HD).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFrame Rate Flexibility\u003c\/h2\u003e\r\n\u003cp\u003eRecord up to UHD 4K video (3840 x 2160p) at 29.97, 25, and 23.98 fps, in XAVC Long in a choice of 100 Mb\/s or 60 Mb\/s, or HD at frame rates up to 59.94p.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSuper Slow Motion\u003c\/h2\u003e\r\n\u003cp\u003eOffers slow-motion recording up to 960 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSlow \u0026amp; Quick Recording\u003c\/h2\u003e\r\n\u003cp\u003eUses Sony's Slow \u0026amp; Quick Motion for recording 1080p\/i60 HD video at 1, 2, 4, 8, 15, 30, 60, and 120 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiple-Codec Choice\u003c\/h2\u003e\r\n\u003cp\u003eRecord in XAVC Long (UHD 4K), MPEG-4 HD at 4:2:0, XAVC Long (HD) 4:2:2, HD 2.0, or XVAC Proxy at 4:2:0, at a variety of data rates (license key required for some codecs).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In ND Filters\u003c\/h2\u003e\r\n\u003cp\u003eThe PXW-Z90V incorporates an ND filter function with Clear, 1\/4ND, 1\/16ND, and 1\/64ND for optimal exposure and depth-of-field control.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Slots\u003c\/h2\u003e\r\n\u003cp\u003eThe PXW-Z90V is equipped with two memory card slots—one for SDHC\/SDXC cards only, and one compatible with both SDHC\/SDXC and Memory Stick PRO Duo (Mark 2) \/ Memory Stick PRO-HG Duo cards.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Output\u003c\/h2\u003e\r\n\u003cp\u003e3G-SDI output integrates with professional studio environments.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWi-Fi\/NFC\u003c\/h2\u003e\r\n\u003cp\u003eUse the PXW-Z90V camcorder's built-in Wi-Fi capability to send FTP files directly from the camcorder or live stream over Wi-Fi. NFC compatibility allows you to connect compatible devices with one touch.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812075778094,"sku":"SONPXWZ90V-MAIN","price":3048.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/af02fbd5-5c9b-42a4-84d4-8350c91da070.jpg?v=1716475373"},{"product_id":"sonrm30bp","title":"Sony RM-30BP Wired Remote Controller","description":"\u003cp\u003eThe \u003cstrong\u003eRM-30BP Remote Controller\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is designed with a compact structure and is capable of managing a wide range of functions for compatible cameras such as the NX5R, FS7 (v4.0), and FX6, along with various other Sony cameras and camcorders. This remote facilitates control over features including one-push auto focus, manual focus, iris, and zoom adjustments for your lens. Additionally, it provides access to recording and display functions, as well as adjustments for shutter speed and white balance. Users can assign functions to six buttons on the controller, enabling the management of playback and operations for up to three cameras, either individually or simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eThe device includes an adjustment knob that can be configured to control focus, iris, or electronic ND selection, provided that the camera supports electronic ND. At the base of the remote is a zoom rocker equipped with a protective bar to minimize the risk of unintentional activation. Furthermore, it is possible to daisy-chain two RM-30BP units, allowing either remote to operate the camera. The remote can also be connected to a Sony MCX-500 switcher, which enables control over three cameras.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStatus LEDs\u003c\/h2\u003e\r\n\u003cp\u003eA green status display on the unit indicates the condition of the connected and selected cameras. The unit also incorporates red\/green record LEDs for each of the three cameras you may be connected to.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePre-Programmed Buttons\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe remote incorporates the following pre-programmed buttons:\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHold (slide switch)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCamera selector keys\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIris toggle\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eND toggle\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFocus toggle\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3-Position slide switch (focus, iris, ND)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRec Start\/Stop\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAssign key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThumbnail key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSelect\/Set lever\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMenu key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCancel\/Back key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDisplay key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePreset key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWB Preset A\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWB Preset B\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWB set\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShutter key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWB key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eGain key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSelect key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eAdjustment Knob\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eFocus\u003c\/strong\u003e: Pressing the center of the adjustment knob temporarily activates autofocus adjustment (PUSH AUTO FOCUS). Please note that the rotation and speed of the focus adjustment will vary depending on the camcorder being used. You can change the direction of the focus knob if you wish.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eElectronic ND\u003c\/strong\u003e: If the connected camcorder has an electronically switchable ND filter you can adjust the density of the ND filter by using the adjustment knob.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eIris\u003c\/strong\u003e: Please note that the rotation and speed of the iris adjustment will vary depending on the camcorder being used. You can change the direction of the iris knob if you wish.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eZoom Rocker\u003c\/h2\u003e\r\n\u003cp\u003eThe zoom rocker is protected from incidental activation by a protective bar. You can adjust the speed and direction of the zoom lever on the unit.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eConnection Ports\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eCamera: The remote features three camera ports, allowing you to control up to three cameras either individually or simultaneously. Additional cables, not included, are required for this configuration.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe option connector enables connecting the RM-30BP to an MCX-500.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRemote: This connector allows you to daisy-chain two units together.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812078989358,"sku":"SONRM30BP-MAIN","price":925.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/ac15fe8d-aa9f-4352-9433-08c9b6652bcb.jpg?v=1741643855"},{"product_id":"sonilmefx6v","title":"Sony FX6 Full-Frame Cinema Camera | Body Only","description":"\u003cp\u003eThe \u003cstrong\u003eSony FX6 Full-Frame Camera\u003c\/strong\u003e has been designed to provide flexible, cinematic imaging within a remarkably compact package. It boasts the capability to capture over 15 stops of dynamic range, incorporates Sony's S-Cinetone gamma for achieving natural skin tones, and supports 10-bit, 4:2:2 XAVC-I recording. This makes the FX6 an excellent choice for enhancing your FX9 or VENICE setups, while also being adept at handling documentary, gimbal, and drone filming independently.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XukIzJs6iY4\" title=\"Introducing Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122451\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4K_Full-Frame_Exmor_R_Sensor.jpg?9978\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003e4K Full-Frame Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments. It operates with a base ISO of 800 and includes a high-sensitivity mode at ISO 12800, ideal for capturing intricate details in low-light conditions. This 10.2 MP image sensor is designed with back-side illumination, ensuring superior performance in dim lighting. It boasts 627 focal plane points for rapid phase-detection autofocus and is compatible with full-frame lenses, delivering a rich and immersive visual experience. Additionally, the sensor's rapid scan speed reduces rolling shutter effects and facilitates high frame rates along with swift autofocus capabilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompact, Single-Operator Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Compact_Single-Operator_Design.jpg?4632\" width=\"288\" height=\"237\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body weighs slightly less than 2 lb, making it a full 2 lb lighter than the FX9. With dimensions of 6 x 4.6\", it incorporates a full-frame sensor within a body size similar to that of the S35-sensor Sony FS5. While the FX6 integrates effortlessly into a professional cinema on-set workflow, it also provides numerous features advantageous for single-operator use. These features include rapid and precise phase-detection autofocus, which encompasses both Face Detection and real-time Eye autofocus, as well as both automatic and manual ND filter settings for swift exposure adjustments. Additionally, the 3.5\" LCD monitor offers time-efficient touchscreen access to essential menu settings and allows for flexible positioning to enhance user comfort. Furthermore, firmware update v1.10 enhances the camera's overall stability and introduces 100p and 120p options in the Slow and Quick Motion frame rate menu when the codec is configured to RAW or RAW and XAVC-I.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultifunctional Enhancement to the Sony Cinema Series\u003c\/h2\u003e\r\n\u003cp\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003c\/p\u003e\r\n\u003cp\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eIt matches the FX9's video capture up to DCI 4K60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOutputs 16-bit raw like the FX9\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony E lens mount\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAlso provides 2-channel XLR audio inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e4K capture vs 6K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/15_Stops_of_Dynamic_Range.jpg?9273\" alt=\"\" style=\"float: left; width: 227px; height: 186.802px;\" width=\"227\" height=\"186.802\"\u003e15+ Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6, with a base sensitivity of ISO 800, provides an ideal dynamic range for shooting in well-illuminated indoor environments and outdoor documentary settings. For more demanding low-light conditions, particularly during dawn and dusk, an improved ISO sensitivity of 12800 is available. This camera boasts an impressive dynamic range of over 15 stops, surpassing the capabilities of the human eye in numerous scenarios, thereby granting filmmakers remarkable creative flexibility in color grading and post-production processes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWide ISO Range\u003c\/h2\u003e\r\n\u003cp\u003eSelect from a standard ISO of 800, a high-sensitivity ISO of 12,800 for capturing images in dim lighting, and a maximum ISO of 409,600 for optimal performance in extremely low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronically Variable ND Filters\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AKB--2Hx7_s\" title=\"Variable ND Filter Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122452\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eConfigure the FX6's built-in neutral density (ND) filter system to automatic mode to ensure accurate exposure in varying lighting conditions. You may also manually adjust the ND filter density in increments ranging from 1\/4 to 1\/128 while capturing images. Both methods will yield well-exposed photographs without altering your selected depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced XAVC Codec Options\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 represents the inaugural compact full-frame camera capable of UHD 4K 4:2:2 recording utilizing the high-quality and efficient XAVC-I codec. Additionally, it provides the option to select from various professional XAVC Intra and XAVC Long codecs, with bit rates varying from 35 to 600 Mb\/s.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHigh Frame Rate Selections\u003c\/h2\u003e\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e100 or 120 fps in HD through UHD 4K \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e150, 180, 200, or 240 fps in Full HD \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60, 100, and 120 fps in Full HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eExpressive Cinematic Look\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Expressive_Cinematic_Look.jpg?7376\" alt=\"\" style=\"float: right; width: 249px; height: 204.042px;\" width=\"249\" height=\"204.042\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eSony's S-Cinetone gamma curve provides a cinematic aesthetic characterized by film-like colors, gentle tones, and attractive skin tone reproduction. This cinematic appearance is not only accessible for in-camera monitoring but can also be recorded and outputted with little to no grading, thereby facilitating a more efficient post-production workflow. The options of S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine further simplify the integration of FX6 footage with your VENICE or FX9 videos, while also offering extensive color grading possibilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Fast_Hybrid_Phase_Detection_Autofocus.jpg?4436\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 supports over 50 native Sony E-mount lenses. Enhanced autofocus options feature Face Detection and Eye Autofocus modes. This allows for swift focusing with remarkable precision, even in dimly lit environments. The phase detection autofocus incorporates seven transition-speed levels and five subject-sensitivity settings.\u003c\/p\u003e\r\n\u003cp\u003eThe advanced features of real-time Eye AF and Face Detection provide reliable and precise focus acquisition during interviews, events, and any situation where accurate focus on individuals is crucial. The sophisticated real-time processing technology enables precise eye focus, even when subjects are gazing downward or upward at sharp angles, thereby allowing the operator to dedicate their attention entirely to framing the optimal shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImage Stabilization and More with Catalyst and Metadata\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Image_Stabilization_and_More_with_Catalyst_and_Metadata.jpg?2299\" alt=\"\" style=\"float: right; width: 173px; height: 142.365px;\" width=\"173\" height=\"142.365\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eCombine the FX6 with Sony's Catalyst Prepare\/Browse software to utilize metadata for stabilizing your images, automatically adjusting gimbal footage orientation, and incorporating flags for more efficient clip filtering during postproduction.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Touchscreen_3-5_LCD_Control.jpg?2925\" alt=\"\" style=\"float: left; width: 184px; height: 140.556px;\" width=\"184\" height=\"140.556\"\u003eTouchscreen 3.5\" LCD Control\u003c\/h2\u003e\r\n\u003cp\u003eThe 3.5-inch LCD monitor of the FX6 provides high-resolution viewing capabilities along with the convenience of touchscreen control for the camera. The quick menu on the LCD allows for easy adjustments to essential settings such as Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eReliable Design and Construction\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Reliable_Design_and_Construction.jpg?6281\" alt=\"\" style=\"float: right; width: 167px; height: 137.427px;\" width=\"167\" height=\"137.427\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body is designed with a magnesium alloy chassis that is both lightweight and robust, ensuring optimal reliability while effectively dissipating heat to support prolonged recording sessions. The exterior seams, buttons, and interfaces have been enhanced with advanced sealing techniques, which significantly bolster the camera's resistance to dust and moisture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4-Channel_Audio_Recording.jpg?3607\" alt=\"\" style=\"float: left; width: 197px; height: 150.486px;\" width=\"197\" height=\"150.486\"\u003e4-Channel Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 provides the capability for up to 4-channel audio recording by integrating inputs from its dual XLR connections, the 2-channel multi-interface shoe input, and the stereo microphone located in the camera's top handle. This functionality allows for the concurrent use of an external microphone to capture the primary audio source while utilizing the built-in microphone for ambient sound or operator voice memos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input\/Output Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features input and output ports that offer a selectable 12G\/6G\/3G-SDI output, allowing for versatile monitoring options. It is equipped with an HDMI output and supports 12-bit raw output through SDI. Additionally, it includes timecode input and output capabilities to facilitate synchronization among multiple cameras. Furthermore, the device is integrated with a built-in Wi-Fi module.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCFexpress Media Slots and Multiple Recording Modes\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/CFexpress_Media_Slots_and_Multiple_Recording_Modes.jpg?5981\" alt=\"\" style=\"float: right; width: 210px; height: 160.417px;\" width=\"210\" height=\"160.417\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 is equipped with dual media slots that accommodate both durable, high-performance CFexpress Type A cards and the more commonly accessible UHS-II\/UHS-1 SDXC cards. It is important to note that CFexpress Type A cards are necessary for capturing UHD 4K at 100\/120 fps and for high-speed HD capture at 150\/180\/200\/240 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eModular, Grab-and-Go Design\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features a modular design that allows for a reduction to its compact form, making it suitable for use with gimbals or drones. Additionally, it can be equipped with optional accessories, including a smart grip and smart handle, which facilitate fingertip control during handheld shooting. The camera is also designed with a 3.5\" LCD screen that can be easily positioned at various locations, ensuring comfortable and ergonomic viewing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Content_Browser.jpg?5558\" alt=\"\" style=\"float: left; width: 213px; height: 174.542px;\" width=\"213\" height=\"174.542\"\u003eContent Browser Mobile Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eUtilize the independently available Content Browser Mobile application in conjunction with a compatible smartphone or remote control. The FX6's Wi-Fi capability allows for remote monitoring as well as control over focus, iris, and zoom functions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812113788974,"sku":"SONILMEFX6V-MAIN","price":6998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/db9dd113-6ce0-4d36-8928-8f6665b05273.jpg?v=1758125903"},{"product_id":"sonilmefx6vk","title":"Sony FX6 Digital Cinema Camera Kit with 24-105mm Lens","description":"\u003cp\u003eDesigned to provide adaptable, cinematic imaging in a remarkably compact package, the \u003cstrong\u003eFX6 Full-Frame Camera Kit\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e combines the FX6 camera with the 24-105mm f\/4 G OSS E-mount zoom lens. Capable of capturing over 15 stops of dynamic range, the camera features Sony's S-Cinetone gamma for achieving film-like skin tones and supports up to 10-bit, 4:2:2 XAVC-I recording. The FX6 is well-equipped to enhance your FX9 or VENICE workflows while also adeptly handling documentary, gimbal, and drone projects independently. This camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments, utilizing a base ISO of 800 and an ISO 12800 high-sensitivity mode for detailed low-light performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XukIzJs6iY4\" title=\"Introducing Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122547\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\u003cp style=\"text-align: left;\"\u003eThe \u003cstrong\u003eSony FX6 Full-Frame Camera\u003c\/strong\u003e has been designed to provide flexible, cinematic imaging within a remarkably compact package. It boasts the capability to capture over 15 stops of dynamic range, incorporates Sony's S-Cinetone gamma for achieving natural skin tones, and supports 10-bit, 4:2:2 XAVC-I recording. This makes the FX6 an excellent choice for enhancing your FX9 or VENICE setups, while also being adept at handling documentary, gimbal, and drone filming independently.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4K_Full-Frame_Exmor_R_Sensor.jpg?9978\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003e4K Full-Frame Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments. It operates with a base ISO of 800 and includes a high-sensitivity mode at ISO 12800, ideal for capturing intricate details in low-light conditions. This 10.2 MP image sensor is designed with back-side illumination, ensuring superior performance in dim lighting. It boasts 627 focal plane points for rapid phase-detection autofocus and is compatible with full-frame lenses, delivering a rich and immersive visual experience. Additionally, the sensor's rapid scan speed reduces rolling shutter effects and facilitates high frame rates along with swift autofocus capabilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompact, Single-Operator Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Compact_Single-Operator_Design.jpg?4632\" width=\"288\" height=\"237\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body weighs slightly less than 2 lb, making it a full 2 lb lighter than the FX9. With dimensions of 6 x 4.6\", it incorporates a full-frame sensor within a body size similar to that of the S35-sensor Sony FS5. While the FX6 integrates effortlessly into a professional cinema on-set workflow, it also provides numerous features advantageous for single-operator use. These features include rapid and precise phase-detection autofocus, which encompasses both Face Detection and real-time Eye autofocus, as well as both automatic and manual ND filter settings for swift exposure adjustments. Additionally, the 3.5\" LCD monitor offers time-efficient touchscreen access to essential menu settings and allows for flexible positioning to enhance user comfort. Furthermore, firmware update v1.10 enhances the camera's overall stability and introduces 100p and 120p options in the Slow and Quick Motion frame rate menu when the codec is configured to RAW or RAW and XAVC-I.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultifunctional Enhancement to the Sony Cinema Series\u003c\/h2\u003e\r\n\u003cp\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003c\/p\u003e\r\n\u003cp\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eIt matches the FX9's video capture up to DCI 4K60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOutputs 16-bit raw like the FX9\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony E lens mount\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAlso provides 2-channel XLR audio inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e4K capture vs 6K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/15_Stops_of_Dynamic_Range.jpg?9273\" alt=\"\" style=\"float: left; width: 227px; height: 186.802px;\" width=\"227\" height=\"186.802\"\u003e15+ Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6, with a base sensitivity of ISO 800, provides an ideal dynamic range for shooting in well-illuminated indoor environments and outdoor documentary settings. For more demanding low-light conditions, particularly during dawn and dusk, an improved ISO sensitivity of 12800 is available. This camera boasts an impressive dynamic range of over 15 stops, surpassing the capabilities of the human eye in numerous scenarios, thereby granting filmmakers remarkable creative flexibility in color grading and post-production processes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWide ISO Range\u003c\/h2\u003e\r\n\u003cp\u003eSelect from a standard ISO of 800, a high-sensitivity ISO of 12,800 for capturing images in dim lighting, and a maximum ISO of 409,600 for optimal performance in extremely low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronically Variable ND Filters\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AKB--2Hx7_s\" title=\"Variable ND Filter Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122548\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eConfigure the FX6's built-in neutral density (ND) filter system to automatic mode to ensure accurate exposure in varying lighting conditions. You may also manually adjust the ND filter density in increments ranging from 1\/4 to 1\/128 while capturing images. Both methods will yield well-exposed photographs without altering your selected depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced XAVC Codec Options\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 represents the inaugural compact full-frame camera capable of UHD 4K 4:2:2 recording utilizing the high-quality and efficient XAVC-I codec. Additionally, it provides the option to select from various professional XAVC Intra and XAVC Long codecs, with bit rates varying from 35 to 600 Mb\/s.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHigh Frame Rate Selections\u003c\/h2\u003e\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e100 or 120 fps in HD through UHD 4K \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e150, 180, 200, or 240 fps in Full HD \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60, 100, and 120 fps in Full HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eExpressive Cinematic Look\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Expressive_Cinematic_Look.jpg?7376\" alt=\"\" style=\"float: right; width: 249px; height: 204.042px;\" width=\"249\" height=\"204.042\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eSony's S-Cinetone gamma curve provides a cinematic aesthetic characterized by film-like colors, gentle tones, and attractive skin tone reproduction. This cinematic appearance is not only accessible for in-camera monitoring but can also be recorded and outputted with little to no grading, thereby facilitating a more efficient post-production workflow. The options of S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine further simplify the integration of FX6 footage with your VENICE or FX9 videos, while also offering extensive color grading possibilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Fast_Hybrid_Phase_Detection_Autofocus.jpg?4436\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 supports over 50 native Sony E-mount lenses. Enhanced autofocus options feature Face Detection and Eye Autofocus modes. This allows for swift focusing with remarkable precision, even in dimly lit environments. The phase detection autofocus incorporates seven transition-speed levels and five subject-sensitivity settings.\u003c\/p\u003e\r\n\u003cp\u003eThe advanced features of real-time Eye AF and Face Detection provide reliable and precise focus acquisition during interviews, events, and any situation where accurate focus on individuals is crucial. The sophisticated real-time processing technology enables precise eye focus, even when subjects are gazing downward or upward at sharp angles, thereby allowing the operator to dedicate their attention entirely to framing the optimal shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImage Stabilization and More with Catalyst and Metadata\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Image_Stabilization_and_More_with_Catalyst_and_Metadata.jpg?2299\" alt=\"\" style=\"float: right; width: 173px; height: 142.365px;\" width=\"173\" height=\"142.365\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eCombine the FX6 with Sony's Catalyst Prepare\/Browse software to utilize metadata for stabilizing your images, automatically adjusting gimbal footage orientation, and incorporating flags for more efficient clip filtering during postproduction.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Touchscreen_3-5_LCD_Control.jpg?2925\" alt=\"\" style=\"float: left; width: 184px; height: 140.556px;\" width=\"184\" height=\"140.556\"\u003eTouchscreen 3.5\" LCD Control\u003c\/h2\u003e\r\n\u003cp\u003eThe 3.5-inch LCD monitor of the FX6 provides high-resolution viewing capabilities along with the convenience of touchscreen control for the camera. The quick menu on the LCD allows for easy adjustments to essential settings such as Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eReliable Design and Construction\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Reliable_Design_and_Construction.jpg?6281\" alt=\"\" style=\"float: right; width: 167px; height: 137.427px;\" width=\"167\" height=\"137.427\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body is designed with a magnesium alloy chassis that is both lightweight and robust, ensuring optimal reliability while effectively dissipating heat to support prolonged recording sessions. The exterior seams, buttons, and interfaces have been enhanced with advanced sealing techniques, which significantly bolster the camera's resistance to dust and moisture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4-Channel_Audio_Recording.jpg?3607\" alt=\"\" style=\"float: left; width: 197px; height: 150.486px;\" width=\"197\" height=\"150.486\"\u003e4-Channel Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 provides the capability for up to 4-channel audio recording by integrating inputs from its dual XLR connections, the 2-channel multi-interface shoe input, and the stereo microphone located in the camera's top handle. This functionality allows for the concurrent use of an external microphone to capture the primary audio source while utilizing the built-in microphone for ambient sound or operator voice memos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input\/Output Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features input and output ports that offer a selectable 12G\/6G\/3G-SDI output, allowing for versatile monitoring options. It is equipped with an HDMI output and supports 12-bit raw output through SDI. Additionally, it includes timecode input and output capabilities to facilitate synchronization among multiple cameras. Furthermore, the device is integrated with a built-in Wi-Fi module.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCFexpress Media Slots and Multiple Recording Modes\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/CFexpress_Media_Slots_and_Multiple_Recording_Modes.jpg?5981\" alt=\"\" style=\"float: right; width: 210px; height: 160.417px;\" width=\"210\" height=\"160.417\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 is equipped with dual media slots that accommodate both durable, high-performance CFexpress Type A cards and the more commonly accessible UHS-II\/UHS-1 SDXC cards. It is important to note that CFexpress Type A cards are necessary for capturing UHD 4K at 100\/120 fps and for high-speed HD capture at 150\/180\/200\/240 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eModular, Grab-and-Go Design\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features a modular design that allows for a reduction to its compact form, making it suitable for use with gimbals or drones. Additionally, it can be equipped with optional accessories, including a smart grip and smart handle, which facilitate fingertip control during handheld shooting. The camera is also designed with a 3.5\" LCD screen that can be easily positioned at various locations, ensuring comfortable and ergonomic viewing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Content_Browser.jpg?5558\" alt=\"\" style=\"float: left; width: 213px; height: 174.542px;\" width=\"213\" height=\"174.542\"\u003eContent Browser Mobile Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eUtilize the independently available Content Browser Mobile application in conjunction with a compatible smartphone or remote control. The FX6's Wi-Fi capability allows for remote monitoring as well as control over focus, iris, and zoom functions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eSony FE 24-105mm f\/4 G OSS Lens\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Sony_FE_24-105mm.jpg?9935\" alt=\"\" style=\"float: right; width: 254px; height: 254px;\" width=\"254\" height=\"254\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eSony FE 24-105mm f\/4 G OSS Lens\u003c\/strong\u003e is engineered for adaptability, serving as a wide-angle to short-telephoto zoom that presents an optimal single-lens solution for daily photography needs. Its versatile focal length range, combined with a consistent maximum aperture, exceptional optical performance, and user-friendly handling, makes it an excellent choice for casual shooting, street photography, travel, and event coverage.\u003c\/p\u003e\r\n\u003cp\u003eThe optical design incorporates four aspherical elements, which include two Advanced Aspherical elements, effectively diminishing spherical aberrations and distortion across the entire zoom range, thereby enhancing sharpness and clarity. Additionally, three extra-low dispersion elements are utilized to reduce color fringing and chromatic aberrations, resulting in improved color accuracy. Furthermore, a Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting, leading to enhanced contrast and color rendering in challenging lighting conditions.\u003c\/p\u003e\r\n\u003cp\u003eThe constant f\/4 maximum aperture ensures uniform performance across the entire zoom range, providing enhanced control over focus positioning for techniques that require a shallow depth of field. The rounded nine-blade diaphragm enhances the aesthetic quality of bokeh when utilizing selective focus methods. With a lightweight design of approximately 1.5 lb, this lens is an adaptable option for daily photography needs.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812119752750,"sku":"SONILMEFX6VK-MAIN","price":8298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/25a97bc9-ad69-4a4e-ab98-8aacae26cea7.jpg?v=1758125826"},{"product_id":"atomshg701","title":"Atomos Shogun 7 HDR Pro\/Cinema Monitor-Recorder-Switcher","description":"\u003cp\u003eThe \u003cstrong\u003e7\" Shogun HDR Classic Cinema Monitor-Recorder-Switcher\u003c\/strong\u003e represents one of the newest additions to the Atomos Shogun series of onboard camera video monitor-recorders. This versatile device combines monitoring, recording, and switching functionalities into a single, compact unit. With an exceptionally bright display of 3000 cd\/m², it supports input of DCI\/UHD 4K60 video and is equipped with both HDMI and SDI input and output options, making it an ideal choice for cinema capture, live events, and broadcast productions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741630797.jpeg\" style=\"margin: 0 auto; display: block; width: 626px; height: 349.666px;\" width=\"626\" height=\"349.666\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eUltrabright Screen\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e7.2\" large 1920 x 1200 resolution display\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e1,000,000:1 contrast ratio\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3000 cd\/m² brightness\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePlay back your recently captured shots on the same pristine screen for reviewing\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMulticamera Switching\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFour SDI inputs transform the Shogun Classic into a portable, quad-view live switcher and recorder on your multicamera shoots\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRecord a fifth program channel of your switched feed and display the resulting mixed output (via HDMI or SDI) live \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eYou can even output the switched feed for live streaming\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSwitching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eHDR I\/O and Color Management\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eDeliver content via live HDMI out, in real time, from any HDR camera to a compatible HDR TV or monitor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMonitor every pixel of SDR or HDR as it's captured and view it in 10-bit HDR\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAdd the monitor to a high-end ARRI, RED, or Sony VENICE, and you'll get accurate HDR monitoring and all the tools you need to get your job done\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eRecording\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUse with your DSLR or mirrorless camera via HDMI to record up to 4K60 Apple ProRes and AVID DNx codecs for easy editing and archival quality\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRecord up to four 1080p60 streams simultaneously as separate ISOs while cueing and switching in real time with a simple touch of the screen\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eAdditional Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eLTC input via BNC\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e2-pin XLR audio input for 2-channel input and output\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual L-series battery plates\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e1\/4\"-20 mounting thread\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFan and heat sink cooling\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRemote start\/stop trigger via 2.5mm LANC jack\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3.5mm headphone output\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncludes Master Caddy II; supports Master Caddy II and SSDmini\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMonitoring Tools\u003c\/h2\u003e\r\n\u003cp\u003eThe 7\" Shogun Classic features numerous built-in monitoring tools, including:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eCustom 3D LUTs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFalse color\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFocus peaking\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHDR exposure\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePixel magnification (1:1, 2:1)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRGB parade\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eVectorscope\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFrame guides\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eZebra\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWaveform\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSafe areas\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMarkers\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eVertical flip\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAtomos Calibrator with Display Pro HL and Display Plus HL\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDownscaling to HD and crop\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eInterlaced and PSF to progressive\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAnamorphic de-squeeze\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":39279253323822,"sku":"ATOMSHG701-MAIN","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/c87799c3-0d73-4a70-a7d4-ffea5940e04d.jpg?v=1773685670"},{"product_id":"atomneo171us","title":"Atomos NEON 17\" 4K HDR Monitor\/Recorder","description":"\u003cp\u003eThe \u003cstrong\u003eAtomos NEON 17\" 4K HDR Monitor\/Recorder\u003c\/strong\u003e is a member of the NEON series, specifically engineered to deliver precise and reliable monitoring solutions for both fieldwork and editing environments. Featuring profound blacks, outstanding contrast, and a 178° viewing angle, this monitor also supports ProRes and DNx recording, enabling on-site assessment of your visuals and the rapid duplication of footage without the need for an additional recorder. This 17\" device boasts a native resolution of 1920 x 1080 while accommodating DCI and UHD 4K, as well as 1080p\/i and 720p formats. The monitor ensures a sharp image capable of supporting HDR and presenting a 10-bit image that meets 100% of the DCI P3 standard. With a brightness of 1000 cd\/m² and 128 zones of backlighting, it achieves an impressive contrast ratio of 1,000,000:1.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sLI81UhlMT0\" title='Atomos NEON 17\" \u0026amp; 24\" SDR\/HDR Monitor-Recorder' frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe NEON is equipped with a Master Control Unit that operates the AtomosOS, which manages the monitor's functions. This Master Control Unit can be easily replaced by the user, allowing for the integration of the latest Atomos technology without necessitating the purchase of a new monitor. Remote operation of the NEON is facilitated through a downloadable application on your iOS mobile device. Video input for display can be achieved via HDMI or SDI, utilizing the included SDI expansion module, and the monitor will showcase your video accordingly. Additionally, it is capable of capturing ProRes and DNx formats onto a 2.5\" SSD (not included) within the Master Caddy II or onto a separately sold AtomX SSDmini. The monitor also provides loop-through and cross-conversion outputs, supporting both Rec 709 and Dolby Vision standards.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eThe NEON Lineup of Monitor\/Recorders\u003c\/h2\u003e\r\n\u003cp\u003eThe NEON line comprises a collection of high-precision 4K HDR monitor\/recorders designed for both on-set and in-studio use. These devices can be synchronized to ensure a uniform image display and recording system. Up to 1000 NEON monitors can be managed through the Atomos application on a single iOS mobile device. This setup enables each camera to output to its dedicated NEON, with the synchronized monitors recording footage that maintains consistent timecode.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBrightness\u003c\/h2\u003e\r\n\u003cp\u003eThe NEON features a brightness range of 0.002 to 1000 cd\/m2.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eThe App\u003c\/h2\u003e\r\n\u003cp\u003eNEON establishes a Bluetooth connection with your iOS mobile device that operates the Atomos iOS application, which manages the integrated AtomosOS. This application offers features such as controlled playback, slow-motion capabilities, frame-by-frame analysis, and preview tools. Additionally, multiple NEON units can synchronize with one another through sub-gigahertz RF technology, allowing for a communication range of up to 656 feet.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImaging Tools\u003c\/h2\u003e\r\n\u003cp\u003eImaging tools include focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vectorscope, and LUT selection.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSDR or HDR\u003c\/h2\u003e\r\n\u003cp\u003eRegardless of whether a project utilizes SDR or HDR, the NEON can be adjusted to align with the camera acquisition settings or specified delivery standards, such as Rec.709, Rec.2100 HLG, and PQ (ST.2084). When employing NEON for monitoring, color fidelity is maintained throughout every phase of the production pipeline. This guarantees that images appear at their finest, eliminating any unforeseen discrepancies during shooting, editing, grading, or quality control (QC).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatibility\u003c\/h2\u003e\r\n\u003cp\u003eThe NEON series is designed to be compatible with a wide range of HDMI and SDI cameras, as well as other SDI sources. It offers support for HD (1080) at frame rates of up to 120 fps through HDMI, and DCI 4K at up to 60 fps. Additionally, it accommodates 12G or Dual 6G, as well as lower resolutions and frame rates via 1.5\/3G SDI, supporting up to 2K60 with a maximum of 12 channels of embedded audio. The inclusion of SDI 3G and 12G input and output facilitates the easy looping of signals through a NEON to other devices, whether on set or in the editing suite. Furthermore, HDMI sources that do not utilize HDCP are supported at 4K up to 60 fps or HD up to 120 fps, with the capability of handling up to eight audio channels and automatically detecting HDR information frames to match the input signal type.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecording\u003c\/h2\u003e\r\n\u003cp\u003eEach recording can be accessed immediately on the NEON without requiring media offloading. The files are recorded in 10-bit 422 format, adhering to the industry-standard Apple ProRes or Avid DNxHR\/HD. AtomRemote provides functionalities to set up scene, shot, and take file naming, along with comprehensive metadata that can be utilized by editing software or asset management systems for effective orchestration.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRemovable Cover Glass\u003c\/h2\u003e\r\n\u003cp\u003eThe cover glass of the NEON is designed to be detachable, which aids in reducing reflections.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInputs and Outputs\u003c\/h2\u003e\r\n\u003cp\u003eThe NEON is fully equipped for your HDMI production immediately upon unboxing, compatible with HDMI 2.0b. The provided SDI Expansion Module offers 12G-SDI input, output, and loop-through capabilities, along with cross conversion between SDI and HDMI, and vice versa.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Output\u003c\/h2\u003e\r\n\u003cp\u003eThe monitor outputs to Rec.709, HLG, PQ, LUT, and it can display in SDR or HDR, converting as necessary to Rec.709, HLG, PQ, and LUT.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFlexibility\u003c\/h2\u003e\r\n\u003cp\u003eYou can record in online quality at 4Kp60 in real time with ProRes, and Avid DNx with playout to Dolby Vision.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupported Input Gamma\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSony: SLog \/ SLog2 \/ SLog3\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCanon: CLog \/ CLog2 \/ Clog3\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eARRI: Log CEI160 \/ LogCEI200 \/ LogCEI250 \/LogCEI320 \/LogCEI400 \/ LogCEI500 \/ LogCEI640 \/ LogCEI800\/ LogCEI1000 \/ LogCEI1280 \/ LogCEI1600\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePanasonic: Vlog\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eJVC: JLog1\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRED: RED Log3G10 \/ RED LogFilm\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFUJIFILM: F-log\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePQ10k\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHLG\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eSupported Input Gamut\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSony: SGamut \/ SGamut3 \/ SGamut3.cine\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCanon Cinema: \/ DCI P3 \/ DCI P3+\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNikon: NLog\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePanasonic: V Gamut\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eARRI: ALEXA Wide Gamut\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRec. 709 \/ BT.2020\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eJVC\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRED: WideGamut \/ DragonColor \/ DragonColor2 \/ Color2 \/ Color3 \/ Color4\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMounting\u003c\/h2\u003e\r\n\u003cp\u003eThe NEON comes with support feet and follows the following mounting protocols: ARRI compatible, 3 left, 3 right, 7 top, 7 bottom; VESA mount.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":39279289466926,"sku":"ATOATOMNEO171US-MAIN","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/5aa3daba-620a-431f-a267-897e37add2bb.jpg?v=1773683662"},{"product_id":"blacinecampochdef06p","title":"Blackmagic Design Pocket Cinema Camera 6K Pro | Canon EF","description":"\u003cp\u003eBuilding upon the success of the Pocket Cinema Camera 6K, \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e has introduced the \u003cstrong\u003ePocket Cinema Camera 6K Pro\u003c\/strong\u003e, a more advanced and compact Super35 camera within their cine-style lineup. The 6K Pro retains all the recording capabilities, sensor specifications, dynamic range, controls, and connectivity options of its predecessor, while incorporating several significant enhancements. These include a 5-inch tilting HDR capacitive touchscreen LCD with a brightness of 1500 cd\/m², an optional Pro EVF, integrated clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, a precise timecode clock, a slot for NP-F570 L-series batteries, and an upgraded Gen 5 color science.\u003c\/p\u003e\r\n\u003cp\u003eDespite its slightly larger size compared to the 6L, the 6K Pro is capable of recording resolutions up to 50 fps at 6144 x 3456 video quality. It also maintains the advantageous active Canon EF mount, allowing users to utilize a wide range of EF\/EF-S mount lenses. The EF mount facilitates electronic communication for iris, autofocus, and zoom functions when compatible lenses are employed.\u003c\/p\u003e\r\n\u003cp\u003eThe 6K Pro has the capability to transform a single frame into two by extracting a second shot from it, upscaling to 8K, or by capturing high-quality, detailed footage using your preferred EF\/EF-S-mount lens. The enhanced Gen 5 internal color processing facilitates seamless integration of 6K Pro, 6K, and BMPCC 4K footage. Recording options include the internal CFast 2.0 and SD\/UHS-II card slots, or through the full-size HDMI port to an optional ATEM Mini switcher for live streaming. Additionally, it allows output via the USB Type-C port for extended recording to an external SSD. The 6K Pro comes with a DaVinci Resolve Studio license and supports Blackmagic Raw capture directly from the sensor. Utilizing the Raw format along with the sensor's metadata streamlines the editing process for any project, enhancing the editing experience with DaVinci Resolve.\u003c\/p\u003e\r\n\u003cp\u003eThe compact design of the 6K Pro preserves the well-known controls and menu structure of the 6K model, featuring ISO capabilities up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output. The professional audio support has been upgraded to include two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and an integrated stereo microphone system.\u003c\/p\u003e\r\n\u003cp\u003eThe advanced professional features encompass support for lens metadata, the application of 3D LUTs for both monitoring and recording purposes, the capability to capture still images at resolutions up to 21.2MP, and a multifunction grip that facilitates single-handed operation. For multicamera shoots such as concerts or events, multiple cameras can be synchronized by connecting an external timecode generator to the internal timecode generator of the 6K Pro, which can be accessed through the 3.5mm audio port. This setup allows for efficient post-production, as Resolve can automatically synchronize the multicamera footage.\u003c\/p\u003e\r\n\u003cp\u003eAlongside the DaVinci Resolve Studio activation key, the 6K Pro is equipped with a 30W power supply that allows for concurrent battery charging, an MP-F570 battery, a lens port cap, and a camera strap. Additionally, optional accessories tailored for the 6K Pro, including the BMPCC Pro EVF and BMPCC Pro Battery Grip, are available for separate purchase\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e6K Pro Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBuilt-in clear\/2\/4\/6-stop IR ND filters\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual mini-XLR inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSuper-accurate timecode clock\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNP-F570 L-series battery slot\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUpdated Gen 5 color science\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eChoose from a wide array of Canon EF\/EF-S-mount lenses and automatically populate lens metadata with compatible lenses\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe 6K Pro camera uses a Super35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 50 fps\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCapture in Blackmagic Raw or ProRes 422 options depending on your project's needs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMultiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external SSD\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39282494865454,"sku":"BLACINECAMPOCHDEF06P-MAIN","price":3019.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/27a47855-00ed-4c3f-9e45-ed27c8d05a2a_702659ff-61c8-4254-8070-35177fb57006.jpg?v=1724188786"},{"product_id":"blaswatemminicextiso","title":"Blackmagic Design ATEM Mini Extreme ISO","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM SDI Extreme ISO Switcher\u003c\/strong\u003e serves as an 8-input live production switcher tailored for live streaming applications. It is equipped with an integrated control panel and a range of advanced broadcasting capabilities. Beyond live streaming via RTMP protocols, the device allows for program output as a webcam through USB connectivity. The ISO designation of the switcher enables the individual recording of each of the eight input videos in MP4 format, along with the program output through one of the USB-C ports. Additionally, the switcher automatically creates a DaVinci Resolve project file, facilitating post-production edits and enhancements. This adaptable switcher features eight independent 3G-SDI inputs that accommodate all widely used HD signals up to 1080p60. Each input is equipped with separate frame rate and format converters, and it offers re-syncing capabilities to ensure smooth transitions between various professional and consumer cameras, gaming consoles, and computer sources.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AJP1ujTMUXw\" title=\"ATEM Extreme Switchers | New Features\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the control surface's buttons or the software control panel to switch, apply effects, color grade, and key in real time. The CCU functions enable the management of Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras directly from the switcher. The ATEM Mini Extreme ISO accommodates up to nine layers, featuring four upstream and two downstream keyers, as well as up to four chroma keyers, four linear keyers, two DVEs with borders and drop shadows, five pattern generators, and two color generators. Tailored for live streaming or webcam use, the Mini Extreme ISO is equipped with four 3G-SDI outputs for monitor connections and supports a multiview of up to 16 screens.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStream Live\u003c\/h2\u003e\r\n\u003cp\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eControl Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe front panel is equipped with user-friendly buttons designed for selecting sources, applying video effects, and managing transitions. The source buttons are generously sized, enabling tactile operation. The ATEM Extreme ISO features dedicated buttons for audio mixing, recording, and streaming control, in addition to output selection buttons that facilitate switching the video output among cameras, the program feed, and multiview. On the rear panel, there are 3G-SDI connections available for cameras or computers, additional microphone inputs, a USB port for webcam output, and four 3G-SDI \"AUX\" outputs for program video.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOutput\u003c\/h2\u003e\r\n\u003cp\u003eYou can output using the Ethernet connection to your network or use the USB-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4G and 5G Phone Support\u003c\/h2\u003e\r\n\u003cp\u003eWhen conducting live production on-site, the ATEM Mini Extreme models allow for the connection of an Apple or Android smartphone to the USB port, enabling the use of mobile data. This feature serves as an excellent backup for the primary Ethernet connection, ensuring that your stream remains uninterrupted in the event of a disruption to the hardwired connection. The switcher will seamlessly transition to utilizing the phone as the main connection, and the USB port will simultaneously charge your phone, preventing battery depletion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiview Monitoring\u003c\/h2\u003e\r\n\u003cp\u003eYou can configure the 3G-SDI outputs for multiview with 4, 7, 10, 13, and up to 16 views, including Program, Preview, eight 3G-SDI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Pool\u003c\/h2\u003e\r\n\u003cp\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatibility\u003c\/h2\u003e\r\n\u003cp\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecording\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini Extreme models facilitate the direct recording of streaming data onto USB flash drives, utilizing the same H.264 video files accompanied by AAC audio that are streamed. Additionally, the Mini Extreme ISO variant enables the recording of eight input video channels as MP4 files. This feature allows for seamless uploads to various online video platforms, including YouTube and Vimeo. Furthermore, the system supports recording to multiple drives through a USB hub or the Blackmagic MultiDock, ensuring that when one drive reaches capacity, recording can seamlessly transition to a second drive for uninterrupted operation. Configuration of recording settings and disk selection is managed through the ATEM Software Control, and a recording status display is available in the integrated multiview. Moreover, recording can be initiated on connected Blackmagic Pocket Cinema Cameras.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDaVinci Resolve Integration\u003c\/h2\u003e\r\n\u003cp\u003eThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Effects\u003c\/h2\u003e\r\n\u003cp\u003eOne advantage of the ATEM Mini is its ability to deliver professional production quality through a variety of integrated video effects. The cut button facilitates an immediate switch between sources. The auto button, a term commonly used in large broadcast switchers, allows for seamless video effect transitions. Additionally, there are duration buttons for video effects that provide settings of 0.5, 1, 1.5, and 2 seconds. Users can also choose from different types of effects, such as mix, which creates a smooth transition between sources, and dip, which transitions by fading to a color. Alternatively, one can utilize engaging DVE effects that shift the image off-screen during source transitions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini is equipped with two independent 3.5mm stereo audio inputs, allowing for the connection of both desktop and lapel microphones. Additionally, a music player can be connected to provide introductory music that plays after the live stream begins but prior to the start of the program. The inclusion of two additional stereo audio inputs ensures that both the host and guest can utilize lapel microphones during interviews. Each audio input on the ATEM Mini is accompanied by buttons on the panel for adjusting audio levels and enabling inputs into the audio mixer. All models are equipped with a Fairlight audio mixer that integrates with all SDI inputs, and both microphone inputs are linked to the audio mixer, facilitating live mixing from various audio sources. Furthermore, the ATEM Mini Extreme model features a headphone output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBroadcast Features\u003c\/h2\u003e\r\n\u003cp\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39282497847342,"sku":"BLASWATEMMINICEXTISO-MAIN","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/2c1470dc-3aeb-4129-a19b-db5b4a30b02b.jpg?v=1740783627"},{"product_id":"ric910740","title":"Ricoh Theta SC Spherical Camera | White","description":"\u003cp\u003eA slim and stylish device for creating 360° spherical imagery, the \u003cstrong\u003ewhite Theta SC\u003c\/strong\u003e from \u003cstrong\u003eRicoh\u003c\/strong\u003e records both still images and Full HD 1080p30 video. The unique dual-lens design makes use of two 12MP 1\/2.3\" sensors which output 14.4MP stills and support a total sensitivity range from ISO 100 to 1600 for working in a broad variety of lighting conditions. Automated exposure control is available for both stills and video recording; however, manual exposure control can be used in photo mode for selecting shutter speeds up to 1\/8000 of a second or down to one minute. Additionally, HDR Composite and Dynamic Range Compensation modes enable a broader dynamic range to better retain highlight and shadow detail, a self-timer mode can be used for creative selfies, and interval shooting is possible for making time-lapse sequences.\u003c\/p\u003e\u003cp\u003eIn addition to the imaging capabilities, the Theta SC also sports enhanced sharing capabilities including the ability to wirelessly share both movies and photos to a mobile device for posting online. Built-in Wi-Fi also enables remote live view and camera settings adjustment from your smartphone or tablet. The Theta SC also has an internal rechargeable lithium-ion battery as well as 8GB of storage for saving imagery.\u003c\/p\u003e\u003cul\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/ul\u003e","brand":"Ricoh","offers":[{"title":"Default Title","offer_id":39347390906414,"sku":"RIC910740-MAIN","price":296.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/70c6915d-c0cf-42c7-9248-990b5eacf536.jpg?v=1740434308"},{"product_id":"ric910830","title":"Ricoh THETA Z1 51GB 360 Camera","description":"\u003cp\u003e\u003cstrong\u003eRicoh's\u003c\/strong\u003e premier \u003cstrong\u003eTHETA Z1 51GB 360° Camera\u003c\/strong\u003e delivers exceptional 360° imaging capabilities within a compact and user-friendly design, now enhanced with an increased internal flash drive capacity of 51GB. Equipped with dual 1\"-type back-illuminated CMOS sensors and an upgraded processing algorithm, the THETA Z1 produces remarkably lifelike spherical images, featuring enhanced noise reduction and superior performance in low-light conditions. The THETA Z1 51GB is capable of recording or live streaming video in up to 4K resolution, as well as capturing 23MP images in both raw and JPEG formats.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/grF6s2oGFfE\" title=\"RICOH THETA Z1 Official Promotion Video\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe THETA Z1 is equipped with dual 23MP sensors and twin lenses that capture two wide-angle images, which are then seamlessly stitched together to form a single comprehensive image. The device features automatic dynamic range compensation, which minimizes overexposed highlights while enhancing detail in darker areas. Its lens system allows users to select from f\/2.1, f\/3.5, and f\/5.6 apertures, thereby improving depth of field and overall resolution. Additionally, the optical system is designed to reduce ghosting, fringing, and lens flares, ensuring more precise image reproduction.\u003c\/p\u003e\r\n\u003cp\u003eImprovements in video capture include 3-axis image stabilization, which provides smoother footage, and built-in microphones that capture audio from four distinct directions for a more immersive sound experience. Users can take advantage of raw photo editing through Ricoh's THETA Stitcher in conjunction with Photoshop Lightroom Classic CC. The device supports live streaming to various social media platforms or the dedicated Theta 360 website, allows for the uploading of still images to Google Maps, and offers the Remote Playback plug-in along with a separate wireless receiver for displaying content on larger screens. Additional functionalities, such as USB data transfer, are accessible through optional Ricoh or third-party plug-ins.\u003c\/p\u003e\r\n\u003cp\u003eThe THETA Z1 boasts 51GB of internal memory, enabling the capture of up to 900 raw photos and 6,350 JPEG images, as well as recording video clips of up to 5 minutes in 4K resolution and 25 minutes in 2K resolution, with total storage capacities of 110 minutes and 360 minutes, respectively. Constructed from a durable magnesium alloy with a textured finish, the THETA Z1 also features a 0.93\" OLED status display panel accompanied by a function control button.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eKey Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eRecord or live stream 360° 4K or 2K video\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e51GB of internal memory\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCapture 23MP photos in raw or JPEG, or both simultaneously\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBuilt-in 4-channel microphone with high-quality and seamless transition recording\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e0.93\" OLED status display with a function button\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eEdit with THETA+ app for iOS\/Android or with Lightroom Classic CC and THETA plug-in\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCombines dual images with 4-mic spatial audio capture for realistic VR\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eTwin-Lens Optical System\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eTwo wide-angle lenses with 14 elements in 10 groups\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSelectable f\/2.1, f\/3.5, and f\/5.6 aperture settings for increased depth of field\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eRecording Maximums\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eStill photos: Approximately 900 photos in raw, 6350 in JPEG\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eEach video: Approximately 5 minutes in 4K, 25 minutes in 2K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTotal video: Approximately 110 minutes in 4K, 360 minutes in 2K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eBattery Life\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eStill photos: Approximately 300 photos\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eVideo: Approximately 60 minutes\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eCapture Modes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eVideo\/photo: Auto, Aperture Priority, Shutter Priority, ISO Priority, Manual\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eLive streaming: Auto\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eExposure Control Modes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eProgram AE\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAperture Priority AE\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShutter Speed Priority AE\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eISO Priority AE\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eManual Exposure\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Ricoh","offers":[{"title":"Default Title","offer_id":39350292938798,"sku":"RIC910830-MAIN","price":1146.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/9bcb25e5-fbdf-47be-8fa8-e4e6ff581e48.jpg?v=1755265163"},{"product_id":"ktekssa","title":"K-Tek K-SSA Shoe Step Adapter","description":"\u003cp\u003e\r\nThe \u003cstrong\u003eK-Tek K-SSA Shoe Step Adapter\u003c\/strong\u003e is an accessory mount that provides 2\" (5cm) of elevation above cameras.\u003c\/p\u003e","brand":"K-Tek","offers":[{"title":"Default Title","offer_id":39401635446830,"sku":"KTEKSSA-MAIN","price":29.45,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/6b3fc078-8e4d-4b4b-bf3d-fb5f0be20bb9.jpg?v=1741636284"},{"product_id":"blacinecampochdmft4k","title":"Blackmagic Design Pocket Cinema Camera 4K | Micro Four Thirds","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Pocket Cinema Camera 4K\u003c\/strong\u003e is equipped with a 4\/3\" sensor, enabling the capture of DCI 4K images at a resolution of 4096 x 2160 and frame rates reaching up to 75 fps. It supports a range of codecs, including Blackmagic Raw at various bit rates and multiple ProRes 422 options. With the introduction of the 6.6 update, the BMPCC 4K can now achieve frame rates of up to 80 fps in a 2.8K raw mode for 4:3 anamorphic recording, as well as maintaining 75 fps in a 4K raw mode with a 2.4:1 aspect ratio. Users can benefit from a 2x de-squeeze preview for 4:3 recordings and a 1.33x de-squeeze option. Additionally, slow-motion capabilities extend to 120 fps in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update enhances usability by adding support for the Pocket Battery Grip and incorporating a built-in horizon level feature. Other enhancements in the 6.6 update include support for more languages, USB PTP control, customizable frame guides, an 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Raw, among other improvements.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IN31ypg7jHc\" title=\"Blackmagic Pocket Cinema Camera 4K\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Micro Four Thirds lens mount is designed to support the original lightweight lenses of the Pocket Cinema Camera, and it is compatible with PL, C, EF, and various other lenses through the use of separately sold adapters. It features a dual-native ISO that reaches up to 25,600, enabling effective low-light performance, while its 13 stops of dynamic range ensure the production of vibrant HDR images.\u003c\/p\u003e\r\n\u003cp\u003eRecording can be accomplished via the internal CFast 2.0 and SD\/UHS-II card slots, or by utilizing the USB Type-C output for extended recording sessions to an external drive. The 5\" touchscreen LCD of the Pocket Cinema Camera 4K minimizes the necessity for an external monitor, and a full-sized HDMI port allows for signal output to larger displays. The menu system and interface mirror those of the URSA Mini camera, and 3D LUTs can be utilized for monitoring or for embedding your desired look during the finalization process.\u003c\/p\u003e\r\n\u003cp\u003eAudio capabilities include a mini-XLR input with phantom power suitable for professional microphones, a 3.5mm audio jack, and an internal stereo microphone. Additional functionalities encompass the same Blackmagic OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is provided, offering extensive post-production capabilities. The Pocket Cinema Camera 4K is constructed from a carbon fiber composite, ensuring both lightweight durability and strength, with power options that include the supplied Canon LP-E6 type battery or the included power supply.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39439655993390,"sku":"BLACINECAMPOCHDMFT4K-MAIN","price":1295.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/49a45d2c-a6a9-4f20-acee-4c5bc9614c8b.jpg?v=1758125338"},{"product_id":"blacineursamupro46kg2","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"\u003cp\u003eEnhancing the electronic and recording features of its predecessor, the Mini Pro, the \u003cstrong\u003eBlackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera\u003c\/strong\u003e offers an expanded set of controls and increased functionality. The G2 model introduces a revised Super 35 4.6K sensor that boasts 15 stops of dynamic range at 3200 ISO, supports high frame rate recording of up to 300 fps, and includes additional recording capabilities.\u003c\/p\u003e\r\n\u003cp\u003eThe incorporation of external camera controls enables users to navigate menus for adjusting exposure settings, activating slow or fast motion, and utilizing focus assist or other features. Furthermore, the camera's exterior is equipped with a monochrome LCD panel that provides essential shooting information at a glance. Another significant professional enhancement is the integrated ND (neutral density) filter wheel, which features four positions allowing for two, four, and six stops of neutral density, in addition to a clear filter that offers no exposure reduction.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wCNKrTOGOi4\" title=\"Blackmagic URSA Mini Pro 4.6K G2\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003ePositioned behind the display, two SD card slots are located adjacent to the CFast 2.0 slots, allowing for the use of more economical media for less demanding recording formats. The G2 features a USB-C expansion port, facilitating direct recording to external drives. The standard electronic EF lens mount is designed to be user-interchangeable and adjustable, ensuring the correct flange focal distance.\u003c\/p\u003e\r\n\u003cp\u003eCentral to the camera is Blackmagic Design's renowned Super 35mm 4.6K sensor block, celebrated for its capability to produce cinematic images with nuanced gradients and an extensive dynamic range of 15 stops. The G2 now supports the capture of Blackmagic RAW footage in both film and extended modes, enhancing its versatility to accommodate various production requirements. Notably, the G2's most remarkable enhancement is its ability to record 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps, making it particularly suitable for high-speed action shooting.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iFempfciYSU\" title=\"Blackmagic URSA Mini Pro 4.6K G2\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eSimilar to the URSA Mini, the URSA Mini Pro G2 is capable of recording high-resolution raw sensor data in the Blackmagic RAW format onto CFast 2.0 or SD memory cards at frame rates of up to 60 fps. The raw files maintain the complete dynamic range and color fidelity produced by the sensor, allowing for enhanced control over the visual aesthetics during post-production. However, handling large uncompressed raw files on set can be challenging; therefore, the URSA Mini Pro also offers compressed raw recording options at 3:1 and 4:1 compression ratios, which help conserve storage space while still providing flexibility in post-production.\u003c\/p\u003e\r\n\u003cp\u003eIf raw capture is not essential for your project, the URSA Mini Pro G2 provides industry-standard Apple ProRes files in various formats, including 444 and 422 chroma subsampling options tailored to your workflow. It can record in resolutions of 4.6K, 4K, 3K, 2K, and HD as ProRes files, utilizing either the \"Film\" dynamic range for a flatter image suitable for grading or the \"Video\" dynamic range for a polished look directly from the camera. ProRes recordings can be made on either CFast 2.0 or UHS-II SD cards (note that SD cards are limited to UHD 4K; please refer to the Blackmagic Design website for the latest compatibility and limitations).\u003c\/p\u003e\r\n\u003cp\u003eThe original URSA Mini's form factor has been preserved, ensuring that its ergonomic advantages remain intact. With optional accessories such as the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be configured for comfortable shooting over extended durations. For studio-style setups, the shoulder pad is compatible with 15mm LWS rods, allowing for the attachment of lens supports, follow focuses, lens drive motors, matte boxes, and additional equipment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePro Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUpdated Super 35 4.6K image sensor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e4608 x 2592 with 15 stops of dynamic range at 3200 ISO\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e4.6K images at up to 120 frames per second\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWindowed 4K DCI at up to 150 frames per second\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWindowed 1080 HD at 300 frames per second\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBlackmagic RAW images in both film and extended video modes\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRaw compression levels up to 12:1\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUSB-C expansion port for recording to external drives\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eBuilt-In ND Filters\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 is equipped with premium neutral density (ND) filters that allow for rapid adjustment of light intake into the camera. The clear filters, available in 2-, 4-, and 6-stop options, are meticulously crafted to align with the color science of the URSA Mini Pro G2, ensuring consistent image quality with minimal color deviation. These ND filters enable the use of various combinations of aperture and shutter angle, facilitating the achievement of a shallower depth of field or specific motion blur effects across a broader range of scenarios. Moreover, the internal infrared (IR) filters are engineered to evenly filter both optical and infrared wavelengths, effectively preventing IR contamination that may occur with standard ND filters. A precision mechanism secures the filters and swiftly positions them when the ND filter dial is adjusted. Additionally, the current filter settings can be conveniently displayed on the LCD as an ND number, stop reduction, or fraction.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eExternal Control Section\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 incorporates a design reminiscent of traditional broadcast cameras, offering a comprehensive selection of tactile physical controls that provide immediate access to essential camera settings. The arrangement of these controls follows a logical sequence, facilitating easy recall, allowing users to modify camera settings, engage ND filters, and alter frame rates without the need to glance at the buttons, navigate through on-screen menus, or remove the camera from their shoulder.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eUser-Interchangeable Lens Mounts\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 is equipped with a standard interchangeable EF mount. For those wishing to utilize lenses with F (Nikon), PL, or B4 mounts, additional interchangeable mounts can be acquired separately. This feature of interchangeable lens mounts enables the URSA Mini Pro G2 to adapt to a wide range of workflows, including documentary filmmaking, ENG\/EFP, and cinematic productions. Furthermore, for ENG lenses, a 12-pin Hirose connector is provided to supply power to the servo, ensuring full functionality of the lens.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eExternal LCD Status Display\u003c\/h3\u003e\r\n\u003cp\u003eThe status display consists of a highly visible black-and-white LCD screen, engineered for optimal visibility even in bright lighting conditions. It presents essential information such as record timecode, locked timecode, and reference timecode, in addition to the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris settings. Furthermore, it includes a battery status indicator, card recording status, and audio meters for level monitoring. The backlight of the screen can be activated for use in low-light environments and deactivated in bright outdoor settings to enhance contrast, ensuring readability across a wide range of shooting scenarios.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eAdvanced Image Processing\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro 4.6K G2 incorporates Blackmagic Design's Generation 4 Color Science, which enhances imaging capabilities to deliver exceptionally accurate skin tones and vibrant colors that compete with cameras priced significantly higher. Blackmagic RAW images are captured in a specialized nonlinear 12-bit format, optimized to maximize color data and dynamic range. Users of Blackmagic RAW have the flexibility to select compression ratios of up to 12:1 while still achieving professional-grade images suitable for feature films, documentaries, and broadcast content. These formats can be recorded onto CFast or SD cards, as well as directly onto flash drives via the USB-C expansion port.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCFast 2.0 and SD Media Support\u003c\/h3\u003e\r\n\u003cp\u003eThe device is equipped with two slots each for CFast 2.0 and SD cards, facilitating recording media options. High-end workflows that necessitate 4K or 4.6K raw recording, as well as high frame rate shooting, will benefit significantly from the high-bandwidth capabilities of CFast 2.0 cards. Additionally, raw HD and 4K ProRes footage can be recorded on SD cards that adhere to the UHS-II standard, which are both convenient and relatively cost-effective. With two slots for each format, uninterrupted recording is ensured, regardless of the chosen format.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eGeneral Features\u003c\/h2\u003e\r\n\u003ch3\u003eCompact Handheld Design\u003c\/h3\u003e\r\n\u003cp\u003eThe reduction in size of the original URSA design allows the URSA Mini Pro G2 to seamlessly integrate into various workflows, including feature films, independent films, television, commercials, documentaries, and music videos, accommodating crews of all sizes. By utilizing the optional shoulder mount equipped with a quick release plate, the URSA Mini Pro G2 can transition effortlessly from handheld to shoulder-mounted or tripod setups within seconds. Notably, despite its compact dimensions, the URSA Mini Pro G2 retains essential controls and input\/output options necessary for professional applications.\u003c\/p\u003e\r\n\u003cp\u003eConstructed from magnesium alloys, the URSA Mini Pro G2 maintains a lightweight profile, weighing just over five pounds. With the addition of the optional shoulder mount and side handgrip, the handgrip can be extended from the side of the camera, facilitating a documentary-style shooting configuration.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e4.6K Super 35 Sensor\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 features a sensor with a remarkable resolution of 4608 x 2592, enabling it to capture motion pictures exceeding 4K resolution while offering a cinematic dynamic range of 15 stops at an impressive ISO of 3200. This extensive exposure latitude provides enhanced control during post-production, facilitating highlight recovery while maintaining clean shadows free from artifacts.\u003c\/p\u003e\r\n\u003cp\u003eThe camera is capable of recording the full sensor at frame rates of up to 60 fps, making it suitable for television and other applications that demand higher frame rates. Additionally, by utilizing a smaller section of the sensor, the URSA Mini Pro G2 can produce slow-motion footage at 300 fps in 1080p resolution. When capturing at elevated frame rates, the camera automatically conforms the footage to the designated standard frame rate, ensuring smooth playback without the need for post-processing prior to editing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eTouchscreen Control\u003c\/h3\u003e\r\n\u003cp\u003eAlongside its conventional button-operated menus and numerous external controls, the URSA Mini Pro G2 is equipped with a foldable 4\" capacitive touchscreen LCD monitor. This user-friendly touchscreen interface allows for easy navigation of the camera settings, enabling users to view and adjust timecode, scopes, audio levels, and focus peaking, in addition to inputting shot metadata via an on-screen keyboard.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eProfessional Connections\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini G2 is equipped with a variety of connection options, including 12G-SDI output, HD-SDI monitoring output, two LANC inputs, balanced XLR audio with phantom power, timecode input, and reference input. Positioned conveniently on the front right side of the camera are the 4-pin XLR DC and HD-SDI monitoring output, facilitating easy connection to an optional viewfinder or on-set monitor. The 12G-SDI output supports resolutions up to 2160p60 via a single BNC cable and automatically adjusts to 6G-SDI or HD-SDI based on the selected shooting format.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eQuality Sound Recording\u003c\/h3\u003e\r\n\u003cp\u003eEquipped with superior built-in microphones and advanced audio recording capabilities, there is no need to transport additional sound equipment. The integrated stereo microphone allows for the recording of authentic ambient sound, while the two XLR mic inputs enable the connection of professional microphones. These XLR connections provide 48V of switchable phantom power, facilitating the use of shotgun microphones or wireless lavalier microphones for enhanced detail capture. Audio levels can be swiftly adjusted using the physical knobs, and monitoring is made easy through the on-screen audio meters and headphone output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eMultiple Power Options\u003c\/h3\u003e\r\n\u003cp\u003eThe URSA Mini Pro G2 is equipped with a 4-pin XLR power connector, adhering to industry standards, which accommodates external power supplies ranging from 12 to 30V. This feature facilitates seamless integration with existing professional power sources and batteries. Additionally, the camera retains the same battery power connector and mounting points located at the rear, as found in the original URSA model, allowing compatibility with a variety of battery plates from numerous manufacturers, including IDX, Frezzi, and Anton Bauer. Furthermore, users have the option to incorporate the Blackmagic URSA V-Lock Battery Plate, enabling the use of widely recognized V-mount batteries.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDaVinci Resolve Software Included\u003c\/h3\u003e\r\n\u003cp\u003eAccompanying the camera is a DaVinci Resolve USB dongle, which provides a license to access the complete range of features available in the software. The full version of DaVinci Resolve is compatible with both macOS and Windows operating systems, enabling users to perform editing, color grading, media management, mastering, and delivery tasks. This software is specifically engineered to manage the 12-bit log raw images produced by the URSA Mini Pro G2, allowing users to fully leverage the exceptional image quality and extensive dynamic range of the URSA Mini Pro G2. DaVinci Resolve offers sophisticated multilayer timeline editing capabilities, equipped with robust trimming tools, as well as a comprehensive suite of professional creative grading tools.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39439666774062,"sku":"BLACINEURSAMUPRO46KG2-MAIN","price":6595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/2cc1eb46-1be5-41ea-9202-f2846663b77b_5da4755c-ead2-48c3-a780-a04525fc2bda.jpg?v=1724248568"},{"product_id":"blahyperdavida035","title":"Blackmagic Design Video Assist 3G-SDI\/HDMI 5\" Recorder\/Monitor","description":"\u003cp\u003eAdd professional monitoring and high-quality recording to your camera with the \u003cstrong\u003eVideo Assist 3G-SDI\/HDMI 5\" Recording Monitor\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. It features a bright 5\" 1920 x 1080 display with 300 cd\/m² brightness to help you frame and focus your shots, and it provides 3G-SDI and HDMI inputs for recording the video output from professional and consumer cameras. You can monitor and record video resolutions up to 1080p60 10-bit 4:2:2 and up to 16 channels of embedded 24-bit 48 kHz audio. Firmware update 3.3.1 adds a video output via the USB Type-C port that can be used to convert your connected camera for webcam use. It also enables you to select channels for audio monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThe Video Assist 3G 5\" records to an SDXC\/SDHC memory card using a single UHS-I SD card slot. Use the USB Type-C port to record for configuring and upgrading the monitor. 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It features an integrated control panel tailored for multi-camera live streaming, capable of delivering HD video for internet or broadcast applications, including gaming consoles, corporate computer streams, and HD cameras. In addition to a software control update, the Mini Pro enhances the original model with several new features, including live stream data rate and status indicators, a built-in hardware encoder, the ability to record simultaneously to USB drives, hot swapping capabilities with the Blackmagic MultiDock, dedicated record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and compatibility with the Blackmagic Design Pocket Cinema Camera 6K and 4K for use as broadcast sources.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tgLW0fJuIMQ\" title=\"Blackmagic ATEM Mini Pro | Features\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe ATEM Mini Pro features an identical rear-panel configuration, providing four HDMI inputs capable of accommodating up to 1080p HD video. Additionally, it includes an HDMI output for connecting to a projector or for multiview monitoring, a USB Type-C output for recording HD video directly to a computer, and an RJ45 10\/100\/1000 Ethernet port that facilitates direct live streaming, system management, remote control, and software upgrades. Users can modify the frame rate based on the desired streaming quality, and there is no requirement for external streaming software, as the Pro is equipped with an integrated hardware encoder.\u003c\/p\u003e\r\n\u003cp\u003eThe revised ATEM Software Control Panel facilitates the management and configuration of the ATEM Mini Pro through USB-C or Ethernet connections. It provides comprehensive monitoring capabilities, including data rate, audio levels, configuration settings, and the status of your live broadcast. The integrated color control panel mirrors the layout of DaVinci Resolve, thereby eliminating any potential learning curve. Among its advanced functionalities is the option for engineers to upload an XML configuration file, streamlining the process of adjusting all settings simultaneously.\u003c\/p\u003e\r\n\u003cp\u003eThe control surface is equipped with easily visible, backlit buttons that simplify the selection of camera inputs, transitions, keyers, settings, and the DVE. The ATEM Mini Pro introduces additional buttons on the right side, including a quick record button that enables immediate recording of your live stream to the connected USB device. By holding this button, users can also hot-swap drives when utilizing the Blackmagic MultiDock, facilitating rapid editing. Furthermore, On-Air and Stream buttons have been incorporated to allow for the immediate initiation and cessation of streaming once configured in the software control. The newly added Video Out buttons on the right side enable the selection of program previews for each source, ensuring that all sources are prepared for broadcasting.\u003c\/p\u003e\r\n\u003cp\u003eThe ATEM Mini Pro retains the same upstream and downstream keyers, featuring an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. Additionally, it supports media players for fill and key images, accommodating up to 20 still images in formats such as PNG, TGA, BMP, JPEG, and TIFF.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eNew Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSame rear panel as ATEM Mini with added buttons and software features\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eStream video up to 1080p HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eQuick stream, on-air and record buttons\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHardware encoder, so there's no need for additional streaming software\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eControl and configure timecode, stream status\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFull support and control features for BMPCC 6K and 4K cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSimultaneous USB recording to computer via USB-C\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIntegration with MultiDock for live hard drive switching\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCustomize advanced settings with XML files\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSoftware multiview with program previews, graphics, record status, on air status, audio meters\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eProgram preview input and output buttons\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTally light control for BMPCC 6K\/4K cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAutomatic timecode sync for all cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eWebcam Option\u003c\/h2\u003e\r\n\u003cp\u003eIf you're streaming, then all models use USB as a webcam. The ATM Mini Pro connects via its USB-C to a computer, and your computer will recognize ATEM Mini Pro as a webcam and you can then select it as the webcam source in your streaming software, such as Skype.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTransitions\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eCut:\u003c\/strong\u003e when you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eMix:\u003c\/strong\u003e the mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDip:\u003c\/strong\u003e just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eWipe:\u003c\/strong\u003e built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDVE:\u003c\/strong\u003e with the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eUpstream Keyer\u003c\/h2\u003e\r\n\u003cp\u003eLayer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLuma key:\u003c\/strong\u003e luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eLinear key:\u003c\/strong\u003e get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eChroma key:\u003c\/strong\u003e used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePattern key:\u003c\/strong\u003e combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eDownstream Keyers\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini Pro switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio Mixer\u003c\/h2\u003e\r\n\u003cp\u003eThe built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable On\/Off\/Audio-Follow-Video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMonitor Output\u003c\/h2\u003e\r\n\u003cp\u003eThe HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Player\u003c\/h2\u003e\r\n\u003cp\u003eEliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39471102001198,"sku":"BLASWATEMMINIBPR-MAIN","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/702c65b2-a389-4c8c-a8c0-c8d29b0979dd.jpg?v=1740782408"},{"product_id":"blabdlkwebptrpro","title":"Blackmagic Design Web Presenter HD","description":"\u003cp\u003eIncorporate live streaming capabilities into your video production configuration with the \u003cstrong\u003eWeb Presenter HD\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact desktop unit enables you to connect any SDI video input and stream it live over the Internet via Ethernet or by tethering to your smartphone using a 5G or 4G connection. Additionally, the SDI and HDMI monitor outputs provide a comprehensive view of live status information alongside your broadcast.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741301949.jpeg\" width=\"800\" height=\"450\" style=\"margin: 0 auto; display: block; \"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe USB Type-C port facilitates the connection of any USB video source, including webcams and computers, enabling the transmission of both video and audio across various webcam-compatible platforms and software such as Skype, YouTube Live, Facebook Live, Twitch, Periscope, Teams, and others on Mac, Windows, Linux, and Chrome OS systems. It is compatible with the H.264 codec and supports streaming through RTMP and SRT protocols, with the capability to stream at resolutions up to 1080p60.\u003c\/p\u003e\r\n\u003cp\u003eThe SDI and HDMI monitor ports offer comprehensive status information regarding your feed, allowing you to verify whether you are ON AIR, as well as providing details on input status such as bit depth and stream quality, embedded audio input status, video and audio history, trend graphs, and meters for both video and audio. Additionally, basic status information can be viewed on the bright LCD screen located on the front of the device. An SDI loop output is also available for monitoring the original feed and routing it to a switcher or router.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFeatures\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe Web Presenter allows you to input any 12G\/6G\/3G\/HD-SDI video source up to UHD 4K.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eYou can stream H.264 video via RTMP streaming protocols to the internet via Ethernet or tether a 5G or 4G phone to use mobile data.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSend program output in 1080p to an HDMI or SDI monitor, or send the original video via an SDI loop output to a monitor or switcher.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe built-in USB Type-C input works like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe graphics-based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThere's a very-large ON AIR indicator on the top left of the monitor output, so it's always clear when you are online and streaming. Plus all your current streaming settings are displayed clearly.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAudio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16, 20, or 24 bit audio. You can even see which audio channels are present.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe audio and video technical displays also include a 6-second history display, so you can see the recent video input history. This ensures you can instantly see what's been happening.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus codec data rate is critical for ensuring you have enough internet speed from your ISP.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA large area is dedicated to the video input display, and the large multi-segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM, and more.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492767186990,"sku":"BLABDLKWEBPTRPRO-MAIN","price":515.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/1501d964-0e97-44cf-8b43-65df4f5a3fb5.jpg?v=1741357002"},{"product_id":"blahyperdstdg4p","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/strong\u003e represents an enhanced 1 RU file-based deck that incorporates the functionality and control typical of professional tape decks within a digital framework. This iteration improves upon earlier HyperDeck Studio models by introducing several new features, such as support for 12G-SDI, two additional SD card slots, USB-C recording output, timecode input and output, reference input and output, a reengineered jog\/shuttle wheel, 10G Ethernet connectivity, and a front-mounted speaker.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741378390.jpeg\" style=\"margin: 0 auto; display: block; width: 622px; height: 349.979px;\" width=\"622\" height=\"349.979\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Studio 4K Pro captures video in 10-bit 4:2:2 color using ProRes or DNxHD codecs, along with H.264 and H.265 compression formats. It is equipped with two SSD slots and two SD card slots, enabling nearly continuous recording; when one SSD reaches capacity, recording seamlessly transitions to the other, and the SD card slots support hot-swapping. The device includes one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, as well as one HDMI input and one HDMI output, all capable of delivering up to DCI 4K resolution. Additionally, the Studio 4K Pro can play ProRes 4444 files in true UHD for fill and key outputs. The ports automatically detect the signal and adjust to accommodate SD, HD, 6G-SDI, or 12G-SDI format inputs. The 3-pin XLR timecode input and output facilitate timecode synchronization with other devices, allowing for the creation of a timecode sync chain through daisy-chaining.\u003c\/p\u003e\r\n\u003cp\u003eThis unit is designed to fit in a 1 RU rack mount and comes with built-in rack mount ears. It features illuminated buttons on the front panel for control and a robust jog\/shuttle wheel for analog scrubbing. RS-422 control is available for external management via the Ref input and output ports. The USB-C port enables recording to external drives and can also connect to a computer for use as a source in web streaming. An integrated LCD on the front panel provides video monitoring and displays timecode and transport information.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eProfessional Broadcast Deck\u003c\/h2\u003e\r\n\u003cp\u003eThe latest HyperDeck Studio recorders have undergone a comprehensive redesign, incorporating numerous new features. The upgraded models now boast broadcast-style controls on the front panel and enhanced connectivity options on the rear panel. The LCD display is compatible with both light and dark modes, while the transport control buttons have been reinforced to provide a robust, professional tactile experience. The Pro models are equipped with a machined metal search dial that offers increased weight and a soft rubberized surface for a comfortable grip. Additionally, the search dial is designed with an active clutch, akin to traditional broadcast equipment. With dual media slots, users can swap cards seamlessly without disrupting the recording process. Furthermore, the advanced models are equipped with a front headphone jack and built-in speaker.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMastering Recorder\u003c\/h2\u003e\r\n\u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eISO Recording\u003c\/h2\u003e\r\n\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDigital Signage\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is ideally suited for digital signage applications, as every model is equipped with HDMI output, facilitating connections to large-screen televisions and projectors. The integrated sync generator allows for the synchronization of multiple HyperDeck units, enabling the creation of expansive multiscreen video walls. Additionally, it features FTP capabilities for file uploads and a protocol for remote operation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBroadcast Archive\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBright Color LCD Status Display\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is equipped with conventional deck-style transport controls, which feature a search dial for jog, shuttle, and scroll functions. The compact LCD provides timecode and transport details, as well as a full-color thumbnail preview of the currently recorded or played clip. Additionally, it presents information regarding the recording status of each card, including video format, frame rate, and audio levels, all within a single display. The LCD also supports video monitoring and includes audio level meters that can be switched between technically precise VU or PPM ballistics. This blend of familiar VTR-style controls and the integrated LCD screen ensures that HyperDeck Studio is exceptionally quick to operate and straightforward to master.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional Broadcast Deck Controls\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio features a conventional broadcast-style control panel designed for rapid operation. By simply pressing the record button, users can immediately begin recording the video input to a file. The record file format can also be adjusted through the menu options. Transport control buttons are available for playback, rewind, fast forward, previous clip, next clip, and additional functions. The Pro models are equipped with a machined metal search dial that facilitates shuttle, jog, and scroll functions, enabling quick access to clips. Any button activated on the front panel transmits a signal to the rear RS-422 remote output, allowing for looping control across multiple HyperDecks. Additionally, the Plus and Pro models come with a front panel speaker and a headphone socket for real-time audio monitoring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupports SD Cards, UHS-II Cards, or SSDs\u003c\/h2\u003e\r\n\u003cp\u003eAll models of the HyperDeck Studio are compatible with standard SD cards and UHS-II cards, eliminating the need for costly proprietary media. Additionally, the Pro models feature two SSD slots, allowing for the use of two distinct media types. SD cards and SSDs are ideal for broadcast applications due to their compact size and affordability. When utilizing H.264 compression, the resulting files are remarkably small, enabling extended recording times even on less expensive, smaller cards. Furthermore, recording to external USB drives is also an option. With H.265, it is possible to achieve up to 58 hours of recording in 2160p60 Ultra HD or as much as 157 hours of H.264 recording in 1080p59.94 on a 1TB card, which translates to over six days of HD recording on a single 1TB card.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Media Slots for Nonstop Recording\u003c\/h2\u003e\r\n\u003cp\u003eAll models of the HyperDeck Studio are equipped with dual media slots, allowing for uninterrupted recording. When one recording card reaches its capacity, the system seamlessly transitions to the next card. This feature is particularly advantageous for capturing lengthy live events, as it enables the \"hot swapping\" of a full card for an empty one while recording continues in the other slot. Each slot is equipped with a status indicator, displaying red for recording and green for playback. Additionally, all models now support extended file recordings to a single file, facilitating easier file distribution. The HyperDeck Studio is designed for straightforward repairs, with each card slot containing a separate PCB assembly that can be replaced if it becomes worn due to extensive use.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecord to External USB-C Media Disks\u003c\/h2\u003e\r\n\u003cp\u003eShould there be a need to record onto alternative media types, the USB-C expansion port facilitates the connection of an external flash drive for recording purposes. USB Type-C flash drives offer virtually limitless storage capacity, as they can be larger in size compared to an SD card or SSD. Furthermore, it is feasible to record directly onto a disk array intended for editing, eliminating the need to transfer files prior to commencing post-production. Simply transfer the disk to a computer and begin editing immediately. Additionally, one can incorporate a Blackmagic MultiDock 10G, which features four individual SSD media slots, thereby enhancing compatibility with SSD media for the HyperDeck Studio Mini and Plus models. The built-in LCD also includes menus for managing external disks.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePopular ProRes, DNx, and H.264 Files\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck is compatible with the most widely used codecs available today. Each model features DNx and ProRes file formats. Additionally, all models support H.264 with quality levels reaching up to full 10-bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. This capability allows for compression ratios ranging from 60:1 to 285:1, resulting in compact files that maintain full broadcast quality. Furthermore, users have the option to select uncompressed PCM audio or AAC audio for file uploads to YouTube. All models are compatible with both ExFAT and HFS+ disk formats and facilitate long-duration single-file recordings. The Plus and Pro models also offer support for ProRes 4444, enabling fill and key playback.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Broadcast Connections\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio offers a diverse array of video and audio connections, which vary depending on the specific model. These connections include options such as 3G-SDI, 6G-SDI, and 12G-SDI. Each model is equipped with HDMI ports for seamless connectivity to televisions and projectors. Additionally, the Pro and Plus models feature a dedicated SDI monitoring output that displays on-screen status. Both the Pro and Plus variants are designed with two SDI outputs, enabling the playback of ProRes 4444 files and facilitating simultaneous fill and key output for use in live production switchers. Furthermore, the internal timecode and reference generator connections can be looped to synchronize multiple units for ISO recording. All models are also provided with AC and locking DC power options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/h2\u003e\r\n\u003cp\u003eMulti-rate SDI provides compatibility with a wide range of widely used video standards. The SDI and HDMI interfaces will seamlessly adjust to the appropriate video standards, accommodating standard definition, high definition, and Ultra HD formats based on the specific model. Standard definition formats encompass NTSC and PAL. The 720p HD standards include 720p50 and 720p59.94p. For 1080i HD interlaced formats, the options are 1080i50 and 1080i59.94. The 1080p HD formats consist of 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. Additionally, HyperDeck is capable of supporting 1080PsF formats. HyperDeck Studio also accommodates both level A and level B when operating HD video at 3G-SDI rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFill and Key Outputs for Broadcast Animations\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio Plus and Pro models are capable of playing ProRes 4444 HD files through two distinct SDI fill and key outputs. This functionality allows the HyperDeck Studio to serve as a graphics clip player for broadcast animations, as the alpha channel of the ProRes 4444 file is automatically converted to the key SDI output, facilitating real-time keying in a live production switcher. This enables the execution of animated lower-third titles and stingers with key channel outputs, resulting in exceptionally clean multilayered titles. Furthermore, switchers like the Blackmagic Design ATEM models can connect to the HyperDeck Studio via Ethernet, allowing for playback to be triggered in sync with transitions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUSB Webcam Output for Video Software\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is designed to ensure compatibility with a diverse array of computer software by incorporating webcam support via a USB connection. When not recording to an external USB drive, users can connect the HyperDeck directly to a computer, allowing for live video input into any video application. The system simulates a standard webcam, while actually providing a broadcast-quality video feed. This functionality guarantees seamless compatibility with all video software, delivering full 1080 HD resolution. The USB webcam capability of HyperDeck Studio is compatible with various video applications, including Zoom, Microsoft Teams, and Skype, as well as live streaming platforms such as Open Broadcaster and XSplit Broadcaster, among others.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/h2\u003e\r\n\u003cp\u003eYou will be equipped for the most recent feature film workflows, benefiting from support for advanced HDR standards. All HDR status data is integrated into the SDI connections, enabling downstream equipment to recognize when HDR files are being played. During recording, the SDI and HDMI inputs will automatically identify HDR video standards and appropriately tag the files with the correct HDR information. Static metadata in PQ and HLG formats is managed in accordance with the ST2084 standard. Additionally, the front panel LCD offers an expanded color gamut for both Rec. 2020 and Rec. 709 color spaces. The HyperDeck Studio Plus and Pro models further provide the capability to load a 3D LUT into the monitoring output, allowing for the application of specific looks or the conversion of film to video gamma.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio offers professional-grade multi-channel SDI audio capabilities, allowing for the recording of up to 16 audio channels. When utilizing the SDI input for recording, users can choose from options to record 2, 4, 8, or 16 channels of audio in real time via the menu. The SDI monitoring status overlay provides additional space for the audio meter display, enabling it to indicate the number of active channels simultaneously, whether that be 2, 4, 8, or 16. The audio meters are engineered to utilize appropriate ballistics, and users have the option to switch between various VU and PPM meter displays through the LCD menu. HyperDeck Studio transcends the role of a mere video recorder by also delivering high-quality audio.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncredibly Fast Network File Transfers\u003c\/h2\u003e\r\n\u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional RS-422 Broadcast Deck Control\u003c\/h2\u003e\r\n\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In Timecode and Sync Generators\u003c\/h2\u003e\r\n\u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBlackmagic OS\u003c\/h2\u003e\r\n\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power-on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark modes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLocalized for 13 Popular Languages\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUse All Video Software and Streaming Sites\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio produces files that are compatible with nearly all post-production software. Additionally, recording in H.264 allows for direct uploads to streaming platforms such as YouTube, Facebook, Vimeo, Twitter, and others. You can utilize widely-used editing applications like DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer, as HyperDeck employs the same file formats utilized in post-production. Furthermore, visual effects software such as Fusion and Adobe After Effects can also work seamlessly with these files. Since HyperDeck records onto disks formatted for computers, you can easily mount the disk on any computer and commence editing without the need for transcoding or file conversion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In Redundancy Keeps You on Air\u003c\/h2\u003e\r\n\u003cp\u003eSerious broadcasters require redundancy to enhance reliability. The HyperDeck Studio is equipped with redundant features designed to ensure continuous operation. All models come with dual media slots, while the Pro models offer four media slots, allowing for uninterrupted broadcasting even if one slot is compromised. Additionally, the HyperDeck Studio HD Mini model provides three completely independent recorders within a single rack unit, whereas the HyperDeck Studio HD Plus model accommodates two independent recorders in one rack unit. Furthermore, all HyperDeck models are designed with both AC and a locking DC power connection, enabling the use of an external battery pack for redundant power supply.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDesigned for Both Portable or Rackmount Use\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Mini model offers a portable broadcasting solution that incorporates a majority of its features into a sleek, compact design measuring just 5 inches in width and occupying only one-third of a rack unit. This compactness allows for the installation of three recorders within a single rack unit. By utilizing the optional Teranex Mini Rack Shelf, you can arrange the three units side by side and securely mount them in a standard equipment rack. Additionally, the HyperDeck Studio Mini can be paired with other modules, such as the Teranex Mini Analog to 12G-SDI, facilitating the conversion of analog input to SDI, all within the same rack—ideal for archival purposes. The HyperDeck Studio HD Mini also presents an attractive option when used independently on a desktop, rather than being rack-mounted.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/h2\u003e\r\n\u003cp\u003eA diverse array of Blackmagic Design products is compatible with HyperDeck, including switchers, cameras, and streaming solutions. Since the Mini and Plus models lack SSD slots, the addition of a Blackmagic MultiDock 10G enables the use of standard SSDs, facilitating compatibility with media from other HyperDeck models. HyperDeck Studio will efficiently manage all disks, automatically recording to the disks housed in the MultiDock. Furthermore, the MultiDock can be utilized with HyperDeck Studio Pro models to provide additional SSDs for extended recording durations. Additionally, HyperDeck Studio serves as an excellent mastering recorder when paired with ATEM switchers, functioning as a clip player with fill and key, or for ISO recording through looped switcher inputs.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492785700910,"sku":"BLAHYPERDSTDG4P-MAIN","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/5fb79971-2b3c-4114-a4c3-8a734483a2e7.jpg?v=1741626086"},{"product_id":"blabdlkwebptr4k","title":"Blackmagic Design Web Presenter 4K","description":"\u003cp\u003eIncorporate live streaming capabilities into your video production configuration with the \u003cstrong\u003eWeb Presenter 4K\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact desktop unit enables you to connect any SDI video input and stream it live over the Internet, utilizing either an Ethernet connection or tethering via USB to your smartphone with a 5G or 4G network. The SDI and HDMI monitor outputs provide a comprehensive view of live status information alongside your broadcast.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741301038.jpeg\" width=\"800\" height=\"450\" style=\"margin: 0 auto; display: block; \"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe USB Type-C port facilitates the connection of various USB video sources, including webcams and computers, enabling the transmission of 4K video and audio across any platform and software that supports webcams, such as Skype, YouTube Live, Facebook Live, Twitch, Periscope, Teams, and others, compatible with Mac, Windows, Linux, and Chrome OS systems. It is compatible with the H.264 codec and supports streaming through RTMP and SRT protocols, allowing for resolutions of up to UHD 4K.\u003c\/p\u003e\r\n\u003cp\u003eThe SDI and HDMI monitor ports offer comprehensive status information regarding your feed, enabling you to verify whether you are ON AIR, as well as details about input parameters such as bit depth and stream quality, embedded audio input status, and historical data for both video and audio. Additionally, trend graphs and meters for video and audio are available. Basic status information can also be viewed on the bright LCD screen located on the front of the unit. Furthermore, an SDI loop output is provided for monitoring the original feed and routing it to a switcher or router.\u003c\/p\u003e\r\n\u003cp\u003eThe compact design enables seamless integration into your broadcasting configuration, and it is compatible with optional rack shelves for installation in a 1 RU rack. The dual AC\/DC redundant power input is particularly useful in the event of a power outage, and the 4-pin XLR input can be used for DC power. Additionally, the Web Presenter 4K works with the Blackmagic ATEM Streaming Bridge, allowing for the decoding of streams back into HDMI or SDI signals, thereby providing further routing possibilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFeatures\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe Web Presenter allows you to input any 12G\/6G\/3G\/HD-SDI video source up to UHD 4K.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe program and USB Type-C outputs supports UHD 4K video. The unit will downconvert 4K video if you are streaming in HD. When streaming 4K, it will pass 4K video as well as upscale HD to 4K video.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eYou can stream H.264 video via RTMP streaming protocols to the internet via Ethernet or tether a 5G or 4G phone to use mobile data.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe built-in USB Type-C input works like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. Stream in 4K over the USB Type-C connector, if your software supports 4K.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSDI and HDMI monitor outputs allow you to see the input video as well as display accurate audio levels, on air status, data rate, and cache levels.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eBuilt-In Technical Monitoring\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe graphics-based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates, and cache fill, plus a summary of the streaming settings and detailed SDI technical information.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThere's a very-large ON AIR indicator on the top left of the monitor output, so it's always clear when you are online and streaming. Plus all your current streaming settings are displayed clearly.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAudio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16-, 20-, or 24-bit audio. You can even see which audio channels are present.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe audio and video technical displays also include a 6-second history display, so you can see the recent video input history. This ensures you can instantly see what's been happening.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus, codec data rate is critical for ensuring you have enough internet speed from your ISP.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA large area is dedicated to the video input display, and the large multi-segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM, and more.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492789764142,"sku":"BLABDLKWEBPTR4K-MAIN","price":675.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/6ae47874-56dc-4426-85d5-56afd5f62ba7.jpg?v=1741301652"},{"product_id":"blahyperdstdahm","title":"Blackmagic Design HyperDeck Studio HD Mini","description":"\u003cp\u003eUtilize the \u003cstrong\u003eBlackmagic Design HyperDeck Studio HD Mini\u003c\/strong\u003e, a compact broadcast-quality record\/playback deck, for your on-location shoots, studio sessions, or as part of a rack setup. This 1 RU tall device occupies one-third of a rack width and operates on a power range of 100 to 240 VAC, or can be powered by an optional 12 VDC supply for enhanced portability. It is equipped with one 3G-SDI input, one HDMI output, one 3G-SDI output, and a USB-C webcam output, providing versatility for simultaneous input, recording, and output\/streaming. With support for both reference and timecode in\/out, this recorder seamlessly integrates into a broadcast setting, allowing for ISO recordings of each camera in perfect synchronization for both live and post-production applications.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741376218.jpeg\" style=\"margin: 0 auto; display: block; width: 707px; height: 397.688px;\" width=\"707\" height=\"397.688\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe device is equipped with two SD card slots, enabling nearly limitless recording duration. Additionally, it supports recording to USB drives through the USB-C output port. The HyperDeck Studio HD Mini includes a front-panel button interface and a jog\/shuttle wheel, providing an analog scrubbing experience. It also features RS-422 control for external management, and users can operate the unit via the USB port or through Ethernet at 1G speeds, facilitating quicker deck control and file transfers through the RJ45 connector. An integrated LCD on the front panel allows for video monitoring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Inputs\u003c\/h2\u003e\r\n\u003cp\u003eIt supports SD, HD, and select 3G signals over SDI\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupported Codecs\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProRes\u003c\/strong\u003e: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDNxHD\u003c\/strong\u003e: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eH.264\u003c\/strong\u003e: H.264 SDI 4:2:2 10-bit, H.264 High 4:2:0 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eVTR-Style Controls\u003c\/h2\u003e\r\n\u003cp\u003eFeatures VTR-style front-panel controls for recording and playback; a built-in jog\/shuttle wheel provides analog-style control over your playback\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRemote\u003c\/h2\u003e\r\n\u003cp\u003eThe unit is controllable via RS-422 control and over the Ethernet or USB port\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In LCD Monitor\u003c\/h2\u003e\r\n\u003cp\u003eThe unit's front panel also features a built-in LCD screen that allows you to monitor input or play back video\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncluded Software\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Mini includes Blackmagic OS and Blackmagic HyperDeck Setup\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492792254510,"sku":"BLAHYPERDSTDAHM-MAIN","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/f5357195-92e2-4aee-98b1-442f5dd43581.jpg?v=1741377355"},{"product_id":"blacinstudmftg24pdd","title":"Blackmagic Design Studio Camera 4K Plus","description":"\u003cp\u003eAdd a powerful studio camera to your 4K broadcast when using an ATEM Mini with the \u003cstrong\u003eBlackmagic Design Studio Camera 4K Plus\u003c\/strong\u003e. This updated compact and lightweight broadcast camera is designed for live production and provides a variety of options to record and broadcast your video, and it's designed to be used with the ATEM Mini switcher. This camera is similar to the Studio Camera 4K Pro model but it has pared down inputs, so you can control all the camera outputs using a separately available ATEM Mini video switcher. The main features added to the Studio 4K Plus model include a lighter carbon fiber body, up to 25,600 ISO, 13 stops of dynamic range, a bigger tally light, HDMI output, two USB Type-C ports for recording and control, built-in dual microphones, a 7\" HDR LCD, and a redesigned sun hood.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ExOd2xo3zcI\" title=\"Blackmagic Design | Studio Camera 4K Pro \u0026amp; Plus\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe camera offers UHD resolutions at frame rates up to 3840 x 2160p60. It is light for frequent travel, setup, and breakdown, yet durable for use in the field. It has a bright 7\" capacitive touchscreen display that allows you to control all the settings right from the screen, and it features a 1920 x 1200 resolution, and it has a detachable sun hood that was redesigned to fold down over the display for storage and protection. There are brightness, contrast, iris, and focus peaking control knobs on the sides of the display, and you can also program the F1-3 buttons on the side. The camera also features DaVinci Resolve built-in, so you can control the camera's color and brightness settings right from a computer when it's paired with a compatible ATEM switcher. Its Micro Four Thirds lens mount allows you to utilize a wide range of professional lenses, and you can also control the lens remotely with the optional Zoom Demand and Focus Demand lens controllers. To power the camera, it has a standard locking DC power input for external power sources.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eCompact and Lightweight Design\u003c\/h2\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they're not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there are knobs for brightness, contrast, and focus peaking. Plus, a tripod mount with 15mm LWS rod ports and mounting plate is included for fast setup.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eExceptional Low-Light Performance\u003c\/h2\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added, so it's possible to shoot in natural light, or even at night. The Blackmagic Studio Camera features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eCinematic Images in Live Production\u003c\/h2\u003e\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and UHD work. Plus, all models support from 23.98 up to 60 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eAffordable Photographic Lenses\u003c\/h2\u003e\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h2\u003e\n\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePhysical and Touchscreen Controls\u003c\/h2\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs, as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the menus. The touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eBuilt-In Tally for On-Air Status\u003c\/h2\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard (on SDI cameras) used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePowerful Broadcast Connections\u003c\/h2\u003e\n\u003cp\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control, and record trigger, so are perfect for ATEM Mini switchers. You also get headphone and mic connections and two USB Type-C expansion ports.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eGet Low-Cost Camera Control via HDMI\u003c\/h2\u003e\n\u003cp\u003eATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eUSB Expansion Port for Accessories\u003c\/h2\u003e\n\u003cp\u003eThe Blackmagic Studio Camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus, the USB port will power any phone or disk that's plugged in.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eBlackmagic RAW Quality\u003c\/h2\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed and add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eIncludes Built-In Microphones\u003c\/h2\u003e\n\u003cp\u003eBlackmagic Studio Cameras include built-in microphones, so you get sound included in the design, making the setup much faster. Plus, the built-in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones, as well as a 3.5mm headphone jack.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eMonitor Program Video\u003c\/h2\u003e\n\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus, the built-in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePowered by Blackmagic OS\u003c\/h2\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eSupports 3D LUTs for Film Looks\u003c\/h2\u003e\n\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic RAW files, so they can be used in later post-production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eLocalized in 11 Popular Languages\u003c\/h2\u003e\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 11 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492804804654,"sku":"BLACINSTUDMFTG24PDD-MAIN","price":1345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/9d6cfb33-75e4-4672-a74c-70a0057d76ea.jpg?v=1716476304"},{"product_id":"blahyperdstdfhp","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/strong\u003e represents an enhanced 1 RU file-based deck that retains the operational capabilities and control typical of professional tape decks, now presented in a digital format. This iteration improves upon earlier HyperDeck Studio models by incorporating several new features, such as support for 6G-SDI, two additional SD card slots, USB-C recording output, timecode input and output, reference input and output, a reengineered jog\/shuttle wheel, Gigabit Ethernet connectivity, and a front-mounted speaker.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741378390.jpeg\" style=\"margin: 0 auto; display: block; width: 622px; height: 349.979px;\" width=\"622\" height=\"349.979\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Studio HD Pro captures uncompressed video in 10-bit 4:2:2 color, utilizing either ProRes or DNxHD codecs, and supports H.264 compression when paired with an optional SSD drive that meets the necessary data transfer rates. With two SSD slots and two SD card slots, recording can continue almost indefinitely; as one SSD fills up, the system automatically switches to the other, and the SD card slots are designed for hot-swapping. The device is equipped with one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, and a dedicated SDI monitor output, along with one HDMI input and one HDMI output, all capable of outputting up to DCI 4K. The ports automatically detect the incoming signal and adjust accordingly to SD, HD, or 6G-SDI formats. Additionally, the 3-pin XLR timecode input and output facilitate synchronization with other devices, enabling the creation of a timecode sync chain through daisy-chaining.\u003c\/p\u003e\r\n\u003cp\u003eThe Studio HD Pro is designed as a 1 RU rack-mountable unit, complete with built-in rackmount ears. It features illuminated buttons on the front panel for control and a robust jog\/shuttle wheel for analog scrubbing. External control is supported via RS-422 using the Ref input and output ports. The USB-C port enables recording to external drives and can also connect to a computer for use as a source in web streaming. An integrated LCD on the front panel provides video monitoring and displays timecode and transport information.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Broadcast Deck\u003c\/h2\u003e\r\n\u003cp\u003eThe latest HyperDeck Studio recorders have undergone a comprehensive redesign, incorporating numerous new features. The upgraded models now boast broadcast-style controls on the front panel and enhanced connectivity options on the rear panel. The LCD display is compatible with both light and dark modes, while the transport control buttons have been reinforced to provide a robust, professional tactile experience. The Pro models are equipped with a machined metal search dial that offers increased weight and a soft rubberized surface for a comfortable grip. Additionally, the search dial is designed with an active clutch, akin to traditional broadcast equipment. With dual media slots, users can swap cards seamlessly without disrupting the recording process. Furthermore, the advanced models are equipped with a front headphone jack and built-in speaker.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMastering Recorder\u003c\/h2\u003e\r\n\u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eISO Recording\u003c\/h2\u003e\r\n\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDigital Signage\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is ideally suited for digital signage applications, as every model is equipped with HDMI output, facilitating connections to large-screen televisions and projectors. The integrated sync generator allows for the synchronization of multiple HyperDeck units, enabling the creation of expansive multiscreen video walls. Additionally, it features FTP capabilities for file uploads and a protocol for remote operation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBroadcast Archive\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBright Color LCD Status Display\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is equipped with conventional deck-style transport controls, which feature a search dial for jog, shuttle, and scroll functions. The compact LCD provides timecode and transport details, as well as a full-color thumbnail preview of the currently recorded or played clip. Additionally, it presents information regarding the recording status of each card, including video format, frame rate, and audio levels, all within a single display. The LCD also supports video monitoring and includes audio level meters that can be switched between technically precise VU or PPM ballistics. This blend of familiar VTR-style controls and the integrated LCD screen ensures that HyperDeck Studio is exceptionally quick to operate and straightforward to master.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional Broadcast Deck Controls\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio features a conventional broadcast-style control panel designed for rapid operation. By simply pressing the record button, users can immediately begin recording the video input to a file. The record file format can also be adjusted through the menu options. Transport control buttons are available for playback, rewind, fast forward, previous clip, next clip, and additional functions. The Pro models are equipped with a machined metal search dial that facilitates shuttle, jog, and scroll functions, enabling quick access to clips. Any button activated on the front panel transmits a signal to the rear RS-422 remote output, allowing for looping control across multiple HyperDecks. Additionally, the Plus and Pro models come with a front panel speaker and a headphone socket for real-time audio monitoring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupports SD Cards, UHS-II Cards, or SSDs\u003c\/h2\u003e\r\n\u003cp\u003eAll models of the HyperDeck Studio are compatible with standard SD cards and UHS-II cards, eliminating the need for costly proprietary media. Additionally, the Pro models feature two SSD slots, allowing for the use of two distinct media types. SD cards and SSDs are ideal for broadcast applications due to their compact size and affordability. When utilizing H.264 compression, the resulting files are remarkably small, enabling extended recording times even on less expensive, smaller cards. Furthermore, recording to external USB drives is also an option. With H.265, it is possible to achieve up to 58 hours of recording in 2160p60 Ultra HD or as much as 157 hours of H.264 recording in 1080p59.94 on a 1TB card, which translates to over six days of HD recording on a single 1TB card.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Media Slots for Nonstop Recording\u003c\/h2\u003e\r\n\u003cp\u003eAll models of the HyperDeck Studio are equipped with dual media slots, allowing for uninterrupted recording. When one recording card reaches its capacity, the system seamlessly transitions to the next card. This feature is particularly advantageous for capturing lengthy live events, as it enables the \"hot swapping\" of a full card for an empty one while recording continues in the other slot. Each slot is equipped with a status indicator, displaying red for recording and green for playback. Additionally, all models now support extended file recordings to a single file, facilitating easier file distribution. The HyperDeck Studio is designed for straightforward repairs, with each card slot containing a separate PCB assembly that can be replaced if it becomes worn due to extensive use.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecord to External USB-C Media Disks\u003c\/h2\u003e\r\n\u003cp\u003eShould there be a need to record onto alternative media types, the USB-C expansion port facilitates the connection of an external flash drive for recording purposes. USB Type-C flash drives offer virtually limitless storage capacity, as they can be larger in size compared to an SD card or SSD. Furthermore, it is feasible to record directly onto a disk array intended for editing, eliminating the need to transfer files prior to commencing post-production. Simply transfer the disk to a computer and begin editing immediately. Additionally, one can incorporate a Blackmagic MultiDock 10G, which features four individual SSD media slots, thereby enhancing compatibility with SSD media for the HyperDeck Studio Mini and Plus models. The built-in LCD also includes menus for managing external disks.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePopular ProRes, DNx, and H.264 Files\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck is compatible with the most widely used codecs available today. Each model features DNx and ProRes file formats. Additionally, all models support H.264 with quality levels reaching up to full 10-bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. This capability allows for compression ratios ranging from 60:1 to 285:1, resulting in compact files that maintain full broadcast quality. Furthermore, users have the option to select uncompressed PCM audio or AAC audio for file uploads to YouTube. All models are compatible with both ExFAT and HFS+ disk formats and facilitate long-duration single-file recordings. The Plus and Pro models also offer support for ProRes 4444, enabling fill and key playback.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Broadcast Connections\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio offers a diverse array of video and audio connections, which vary depending on the specific model. These connections include options such as 3G-SDI, 6G-SDI, and 12G-SDI. Each model is equipped with HDMI ports for seamless connectivity to televisions and projectors. Additionally, the Pro and Plus models feature a dedicated SDI monitoring output that displays on-screen status. Both the Pro and Plus variants are designed with two SDI outputs, enabling the playback of ProRes 4444 files and facilitating simultaneous fill and key output for use in live production switchers. Furthermore, the internal timecode and reference generator connections can be looped to synchronize multiple units for ISO recording. All models are also provided with AC and locking DC power options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/h2\u003e\r\n\u003cp\u003eMulti-rate SDI provides compatibility with a wide range of widely used video standards. The SDI and HDMI interfaces will seamlessly adjust to the appropriate video standards, accommodating standard definition, high definition, and Ultra HD formats based on the specific model. Standard definition formats encompass NTSC and PAL. The 720p HD standards include 720p50 and 720p59.94p. For 1080i HD interlaced formats, the options are 1080i50 and 1080i59.94. The 1080p HD formats consist of 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. Additionally, HyperDeck is capable of supporting 1080PsF formats. HyperDeck Studio also accommodates both level A and level B when operating HD video at 3G-SDI rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFill and Key Outputs for Broadcast Animations\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio Plus and Pro models are capable of playing ProRes 4444 HD files through two distinct SDI fill and key outputs. This functionality allows the HyperDeck Studio to serve as a graphics clip player for broadcast animations, as the alpha channel of the ProRes 4444 file is automatically converted to the key SDI output, facilitating real-time keying in a live production switcher. This enables the execution of animated lower-third titles and stingers with key channel outputs, resulting in exceptionally clean multilayered titles. Furthermore, switchers like the Blackmagic Design ATEM models can connect to the HyperDeck Studio via Ethernet, allowing for playback to be triggered in sync with transitions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUSB Webcam Output for Video Software\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio is designed to ensure compatibility with a diverse array of computer software by incorporating webcam support via a USB connection. When not recording to an external USB drive, users can connect the HyperDeck directly to a computer, allowing for live video input into any video application. The system simulates a standard webcam, while actually providing a broadcast-quality video feed. This functionality guarantees seamless compatibility with all video software, delivering full 1080 HD resolution. The USB webcam capability of HyperDeck Studio is compatible with various video applications, including Zoom, Microsoft Teams, and Skype, as well as live streaming platforms such as Open Broadcaster and XSplit Broadcaster, among others.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/h2\u003e\r\n\u003cp\u003eYou will be equipped for the most recent feature film workflows, benefiting from support for advanced HDR standards. All HDR status data is integrated into the SDI connections, enabling downstream equipment to recognize when HDR files are being played. During recording, the SDI and HDMI inputs will automatically identify HDR video standards and appropriately tag the files with the correct HDR information. Static metadata in PQ and HLG formats is managed in accordance with the ST2084 standard. Additionally, the front panel LCD offers an expanded color gamut for both Rec. 2020 and Rec. 709 color spaces. The HyperDeck Studio Plus and Pro models further provide the capability to load a 3D LUT into the monitoring output, allowing for the application of specific looks or the conversion of film to video gamma.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio offers professional-grade multi-channel SDI audio capabilities, allowing for the recording of up to 16 audio channels. When utilizing the SDI input for recording, users can choose from options to record 2, 4, 8, or 16 channels of audio in real time via the menu. The SDI monitoring status overlay provides additional space for the audio meter display, enabling it to indicate the number of active channels simultaneously, whether that be 2, 4, 8, or 16. The audio meters are engineered to utilize appropriate ballistics, and users have the option to switch between various VU and PPM meter displays through the LCD menu. HyperDeck Studio transcends the role of a mere video recorder by also delivering high-quality audio.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncredibly Fast Network File Transfers\u003c\/h2\u003e\r\n\u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional RS-422 Broadcast Deck Control\u003c\/h2\u003e\r\n\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In Timecode and Sync Generators\u003c\/h2\u003e\r\n\u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBlackmagic OS\u003c\/h2\u003e\r\n\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power-on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark modes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLocalized for 13 Popular Languages\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUse All Video Software and Streaming Sites\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Studio produces files that are compatible with nearly all post-production software. Additionally, recording in H.264 allows for direct uploads to streaming platforms such as YouTube, Facebook, Vimeo, Twitter, and others. You can utilize widely-used editing applications like DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer, as HyperDeck employs the same file formats utilized in post-production. Furthermore, visual effects software such as Fusion and Adobe After Effects can also work seamlessly with these files. Since HyperDeck records onto disks formatted for computers, you can easily mount the disk on any computer and commence editing without the need for transcoding or file conversion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In Redundancy Keeps You on Air\u003c\/h2\u003e\r\n\u003cp\u003eSerious broadcasters require redundancy to enhance reliability. The HyperDeck Studio is equipped with redundant features designed to ensure continuous operation. All models come with dual media slots, while the Pro models offer four media slots, allowing for uninterrupted broadcasting even if one slot is compromised. Additionally, the HyperDeck Studio HD Mini model provides three completely independent recorders within a single rack unit, whereas the HyperDeck Studio HD Plus model accommodates two independent recorders in one rack unit. Furthermore, all HyperDeck models are designed with both AC and a locking DC power connection, enabling the use of an external battery pack for redundant power supply.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDesigned for Both Portable or Rackmount Use\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Mini model offers a portable broadcasting solution that incorporates a majority of its features into a sleek, compact design measuring just 5 inches in width and occupying only one-third of a rack unit. This compactness allows for the installation of three recorders within a single rack unit. By utilizing the optional Teranex Mini Rack Shelf, you can arrange the three units side by side and securely mount them in a standard equipment rack. Additionally, the HyperDeck Studio Mini can be paired with other modules, such as the Teranex Mini Analog to 12G-SDI, facilitating the conversion of analog input to SDI, all within the same rack—ideal for archival purposes. The HyperDeck Studio HD Mini also presents an attractive option when used independently on a desktop, rather than being rack-mounted.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/h2\u003e\r\n\u003cp\u003eA diverse array of Blackmagic Design products is compatible with HyperDeck, including switchers, cameras, and streaming solutions. Since the Mini and Plus models lack SSD slots, the addition of a Blackmagic MultiDock 10G enables the use of standard SSDs, facilitating compatibility with media from other HyperDeck models. HyperDeck Studio will efficiently manage all disks, automatically recording to the disks housed in the MultiDock. Furthermore, the MultiDock can be utilized with HyperDeck Studio Pro models to provide additional SSDs for extended recording durations. Additionally, HyperDeck Studio serves as an excellent mastering recorder when paired with ATEM switchers, functioning as a clip player with fill and key, or for ISO recording through looped switcher inputs.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492809457710,"sku":"BLAHYPERDSTDFHP-MAIN","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/d7d9958f-9fa4-4a00-afeb-01d2b5c77155.jpg?v=1741625266"},{"product_id":"blahyperdstdchp","title":"Blackmagic Design HyperDeck Studio HD Plus","description":"\u003cp\u003eUtilize the\u003cstrong\u003e Blackmagic Design HyperDeck Studio HD Plus\u003c\/strong\u003e, a compact broadcast-quality record\/playback deck, for your on-location shoots, studio sessions, or as part of a rack setup. This 1 RU tall recorder occupies half a rack width and operates on a power range of 100 to 240 VAC or can be powered by an optional 12 VDC supply for enhanced portability. It is equipped with one 6G-SDI input, one HDMI 2.0 input, two 6G-SDI outputs, and one HDMI 2.0 output, making it a formidable recording and playout solution. Additionally, it features a loop-through output, a 3G-SDI monitor output, and reference and timecode in\/out capabilities, ensuring seamless integration into a broadcast environment.\u003c\/p\u003e\r\n\u003cp\u003eThe device is equipped with two SD card slots, enabling nearly limitless recording duration. Additionally, it supports recording to USB drives through the USB-C output port. The HyperDeck Studio HD Plus includes a front-panel button interface and a jog\/shuttle wheel, providing an analog scrubbing experience. It also supports RS-422 control for external management, and users can operate the unit via the USB port or through Ethernet at 1G speeds, facilitating quicker deck control and file transfers through the RJ45 connector. An integrated LCD on the front panel allows for video monitoring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUHD 4K Recording and Playback\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Plus records UHD and DCI 4K video at up to 30 fps. The 6G-SDI outputs allow fill and key playback up to 1080p60\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Inputs\u003c\/h2\u003e\r\n\u003cp\u003e6G-SDI and HDMI 2.0 inputs\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Outputs\u003c\/h2\u003e\r\n\u003cp\u003eTwo SDI outputs support 1080p60 and 2160p30, and a loop-through output sends the input signal downstream to monitors, switchers, or other devices\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHDR\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Plus supports HDR video and 33-point LUTS on the 3G-SDI output\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupported Codecs\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eProRes\u003c\/strong\u003e: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eDNxHD\u003c\/strong\u003e: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eH.264\u003c\/strong\u003e: H.264 SDI 4:2:2 10-bit, H.264 High 420 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eVTR-Style Controls\u003c\/h2\u003e\r\n\u003cp\u003eFeatures VTR-style front-panel controls for record and playback; a built-in jog\/shuttle wheel provides analog-style control over your playback. Broadcast-style deck control front-panel buttons connect to a dedicated RS-422 output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRemote\u003c\/h2\u003e\r\n\u003cp\u003eThe unit is controllable via RS-422 control and over the Ethernet or USB port\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In LCD Monitor\u003c\/h2\u003e\r\n\u003cp\u003eThe unit's front panel also features a built-in LCD screen that allows you to monitor input or play back video\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio Output\u003c\/h2\u003e\r\n\u003cp\u003eThe unit features a built-in speaker as well as a 1\/4\" headphone jack\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eIncluded Software\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Studio HD Plus includes Blackmagic OS and Blackmagic HyperDeck Setup\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39492812832814,"sku":"BLAHYPERDSTDCHP-MAIN","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/86477068-fa2c-417f-aea9-0d2fc4a7d233.jpg?v=1741378149"},{"product_id":"can5077c002","title":"Canon EOS R5C Mirrorless Cinema Camera | Body Only","description":"\u003cp\u003eFor wedding videographers, drone camera operators, and multimedia journalists seeking professional-grade photo and video production capabilities, the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e offers an innovative shooting experience. With a straightforward switch, the R5 C functions as a fully equipped still photo camera, incorporating all the features of the R5 EOS mirrorless model. Conversely, when switched in the opposite direction, it transforms into a full-frame 8K60 Cinema EOS camera, capable of internally recording 12-bit Cinema RAW Light footage. This eliminates the necessity of carrying an additional camera for your production, as both stills and video can be captured within a single, compact unit.\u003c\/p\u003e\r\n\u003cp\u003eThe R5 C boasts several enhancements over its counterparts, the R5 and C70, such as 4K120 recording, HDMI RAW output, support for Canon Log 3 HLG\/PQ, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-capacity LP-E6NH battery, 13 customizable buttons, and a multi-function shoe for XLR adapters. It also retains the dependable features of its predecessors, including Wi-Fi\/Bluetooth connectivity, compatibility with DaVinci Resolve and Canon applications, an electronic RF mount, CFexpress\/SD card slots, and a similar button layout. Additionally, the EOS R5 C is designed to be moisture and dustproof, matching the durability of its cinema counterpart, the EOS C70. All of these features are integrated into a lightweight 1.7 lb body, making it an ideal choice for drone camera applications.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AQblSxDTsEs\" title=\"Canon EOS R5 C: A True Hybrid Camera\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a 45MP full-frame CMOS imaging sensor, which is fundamental to its exceptional image quality and facilitates remarkable 8K60 RAW cinematic video recording. Emphasizing focus and speed, the EOS R5 C enables continuous still-image capture at rates of up to 20 frames per second. Its Dual Pixel CMOS AF II technology allows for precise tracking of rapid movements, even for the most elusive subjects. With 1053 Automatic AF zones, capturing images of people is simplified through Eye, Face, and Head Detection AF, while Animal Detection AF enables intuitive tracking of the entire body, face, or eyes of pets such as cats, dogs, and birds. For those requiring swift performance, Canon has incorporated vehicle subject detection for accurate tracking of cars and motorcycles. Additionally, the camera offers connectivity options, including 5 and 2.4GHz Wi-Fi and Bluetooth, facilitating the transfer of still images.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Control for the Dedicated Video Professional\u003c\/h2\u003e\r\n\u003cp\u003eWhen the main switch of the EOS R5 C is set to the \"video\" position, the well-known Cinema EOS menu system and interface are activated. This transition unlocks advanced video features, including waveform monitors, various video codec options, and comprehensive audio controls, significantly enhancing the video capabilities of the EOS R5 C for skilled camera operators and video content creators. In \"photo\" mode, the menus closely resemble those found on the EOS R5 camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Ergonomic_EOS_Design.jpg?1602\" alt=\"\" style=\"float: left; width: 303px; height: 190.637px;\" width=\"303\" height=\"190.637\"\u003eErgonomic EOS Design\u003c\/h2\u003e\r\n\u003cp\u003eThe body design of the EOS R5 C camera is remarkably compact and lightweight. When combined with a Canon RF lens or an EF lens via the Mount Adapter EF-EOS R, it delivers exceptional performance that fits comfortably in your hand, facilitating effortless handheld shooting for both video and still photography. Its electronic viewfinder is optically extended, providing an eye-level viewing experience akin to that of the traditional EOS R5 camera, and it features the same ergonomic grip design.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCMOS Sensor and DIGIC X Processor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/CMOS_Sensor_and_DIGIC_X_Processor.jpg?543\" alt=\"\" style=\"float: right; width: 287px; height: 162.167px;\" width=\"287\" height=\"162.167\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 8K CMOS sensor, combined with the DIGIC X processor, delivers exceptional video quality at resolutions reaching up to 8K60. The incorporation of the Cinema RAW Light format, particularly in its high-efficiency mode, allows for internal card recording without the necessity of an external recorder. The EOS R5 C camera is equipped to support HDR recording in both Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats, ensuring comprehensive color representation and extensive dynamic range from deep blacks to bright whites, making it ideal for livestreams, broadcasts, and post-production endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e8K60 RAW Recording\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eCQ1cqxvur4\" title=\"Introducing the Canon EOS R5 C Digital Camera\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eCinema RAW Light in 8K offers exceptional capabilities for post-production grading and archiving, while MP4 is tailored for enhanced online performance. The camera also supports internal recording in 5.9K using Super 35mm mode and 2.9K in Super 16mm mode, utilizing CFexpress cards. The Cinema RAW Light video files have been optimized for improved efficiency, enabling 12-bit recording across all frame rates. With the introduction of three newly developed Cinema RAW Light modes—High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT—users can choose the appropriate RAW video mode based on their specific shooting requirements. Additionally, lighter and smaller proxy video files can be recorded during 8K shooting.\u003c\/p\u003e\r\n\u003cp\u003eThe EOS R5 C camera facilitates RAW output through HDMI and ProRes RAW recording with compatible external recorders, such as Atomos devices. By connecting the EOS R5 C to a supported external recorder, users can capture Apple ProRes RAW at resolutions up to 8K30. Furthermore, proxy data can be recorded simultaneously to an SD card within the camera, streamlining post-production workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Different_File_Formats_and_Simultaneous_Recording.jpg?1027\" alt=\"\" style=\"float: left; width: 380px; height: 105.556px;\" width=\"380\" height=\"105.556\"\u003eDifferent File Formats and Simultaneous Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Cinema RAW Light, which facilitates lightweight data sizes for RAW recording. In addition, it supports MXF-based XF-AVC and the adaptable MP4 format. This camera has the capability to record two separate video files concurrently, such as Cinema RAW Light and MP4, across multiple resolutions including 4K and HD, as well as generating lightweight proxy files suitable for various professional applications. XF-AVC provides robust 10-bit 4:2:2 files encapsulated in a .MXF wrapper, ensuring seamless compatibility with non-linear editing systems (NLEs) and established workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with an integrated cooling fan that expels heat from within the device, allowing for continuous and nearly unlimited recording of high-definition 8K60 video without any interruptions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eExpanded Interface for Professional Needs\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Expanded_Interface_for_Professional_Needs.jpg?3971\" alt=\"\" style=\"float: right; width: 353px; height: 147.957px;\" width=\"353\" height=\"147.957\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a timecode input\/output terminal, facilitating seamless synchronization during multi-camera shoots and with various interfaces. Additionally, a cable protector is provided as a standard feature to safeguard against cable disconnection or damage to the terminal in the event of excessive force applied during the connection of interface or HDMI cables.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Function Shoe for Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe multi-function shoe from Canon, equipped with a digital audio interface, is compatible with the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter, allowing for up to 4-channel audio capabilities. This accessory provides two standard XLR inputs with phantom power and a shotgun microphone mount, facilitating digital 4-channel and 24-bit audio recording to satisfy the requirements of professional video production.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiple Power Options\u003c\/h2\u003e\r\n\u003cp\u003eThe incorporation of Cinema RAW Light recording at elevated resolutions and frame rates necessitates increased power to ensure complete functionality of the lenses. When operating in full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light, standard LP-E6NH, LP-E6, or LP-E6N battery packs will be insufficient to support the electronic components of RF lenses or EF lenses connected through an adapter. However, purely mechanical lenses can be utilized without any complications at these settings. To achieve full electronic lens functionality across all Cinema RAW Light resolutions and frame rates, one may employ the CA-946 power adapter in conjunction with the new DR-E6C DC coupler for mains or professional D-Tap battery power sources, or alternatively, a power bank may be used.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e13 Full-Featured Assignable Buttons\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is engineered to offer operational versatility, accommodating the unique workflows of professionals. It features 13 designated, assignable buttons that facilitate a user-friendly and personalized operating experience.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/4K_and_2K_Oversampling.jpg?7787\" alt=\"\" style=\"float: left; width: 258px; height: 145.483px;\" width=\"258\" height=\"145.483\"\u003e4K and 2K Oversampling\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera captures signals from all active pixels of its full-frame 8K sensor, facilitating 4:2:2 10-bit high-definition recording through oversampling in both 4K and 2K video formats. It incorporates an advanced debayering algorithm, and the 4K output derived from the extensive RGB data of the 8K sensor enhances imaging quality, significantly reducing the occurrence of moiré patterns, false colors, aliasing artifacts, and noise.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Up_to_4K120_Slow_and_Fast_Motion_Recording_Mode.jpg?5481\" alt=\"\" style=\"float: right; width: 256px; height: 144.533px;\" width=\"256\" height=\"144.533\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is capable of capturing High Frame Rate (HFR) films at a maximum of 120 frames per second in DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) with a 4:2:2 10-bit color depth, all without cropping the sensor. This feature is particularly advantageous for filming dynamic scenes filled with rapid action. Furthermore, the camera's swift and user-friendly autofocus system remains operational during HFR recording, making it exceptionally suitable for use with gimbals or drones, thereby ensuring remarkable focus precision whether at HFR or standard frame rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Simultaneous_Audio_Recording_Enabled_with_HFR.jpg?6930\" alt=\"\" style=\"float: left; width: 197px; height: 164.68px;\" width=\"197\" height=\"164.68\"\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/h2\u003e\r\n\u003cp\u003eIn contrast to certain other cameras that do not capture audio while shooting in high frame rate (HFR) mode, the EOS R5 C camera is capable of recording .WAV audio as a distinct file separate from the video. This feature significantly reduces the necessity for independent audio recording, allowing for the seamless delivery of both HFR video and audio files within a single, convenient device when capturing slow-motion or fast-motion footage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon Log 3 Expands Expressive Possibilities\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Canon_Log_3_Expands_Expressive_Possibilities.jpg?1148\" width=\"480\" height=\"270\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Canon Log 3, a feature commonly found in various Canon models, compatible with numerous Canon EOS and Cinema EOS cameras. This wide dynamic range facilitates extensive grading options post-capture. Canon Log 3 is specifically engineered for straightforward grading processes, allowing for enhancements in shadow detail and tone adjustments. It maintains the user-friendly characteristics of Canon Log while minimizing visible noise. Additionally, it is compatible with other Cinema EOS system cameras, including the EOS C300 Mark III and EOS C70.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Enhanced_Image_Stabilization.jpg?678\" alt=\"\" style=\"float: left; width: 260px; height: 199.875px;\" width=\"260\" height=\"199.875\"\u003eEnhanced Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eImproved image stabilization is realized through the synchronized control of Canon's RF lenses featuring optical image stabilization (IS) when paired with the electronic IS of the EOS R5 C camera during XF-AVC or MP4 recording. The combination of an RF lens equipped with optical IS and the electronic IS in the EOS R5 C facilitates coordinated control, resulting in superior correction of hand-shake effects. This configuration provides enhanced anti-vibration capabilities compared to traditional EF lenses with IS (utilizing the optional Mount Adapter EF-EOS R) in conjunction with electronic IS.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera serves as an outstanding companion to Canon's RF5.2mm F2.8 L Dual Fisheye Lens, enabling the capture of stereoscopic 3D 180° VR video (viewing in 3D necessitates a compatible Head Mount Display). Additionally, a plug-in for Adobe Premiere Pro, along with Canon's EOS VR Utility, is provided to facilitate a seamless workflow from shooting to editing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Pixel CMOS AF with iTR AF X\u003c\/h2\u003e\r\n\u003cp\u003eCanon's Dual Pixel CMOS AF technology employs each pixel on the imaging sensor to facilitate focus detection while simultaneously capturing image data, resulting in both precise focusing and superior image quality. When utilizing the majority of Canon RF and EF lenses, autofocus for video can be performed across roughly 80% of the vertical and horizontal dimensions of the screen.\u003c\/p\u003e\r\n\u003cp\u003eThe Touch AF feature enables users to position an autofocus (AF) point by simply tapping the LCD screen, in addition to facilitating rapid manual adjustments using the 8-way multi-controller located on the rear of the camera. This camera is equipped with Eye AF and Head Detection AF, which have been developed through deep learning technology to enhance subject tracking capabilities. Furthermore, it offers human detection for eyes, faces, and heads, ensuring precise tracking of subjects even in situations where AF control may be limited. Users have the flexibility to adjust focus according to their specific subject or shooting conditions. A diverse range of AF modes allows for autofocus shooting that adapts seamlessly to the movement of the subject, enabling users to delegate focusing tasks to the camera and focus on their photographic endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStill Imaging Features\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor\u003c\/h3\u003e\r\n\u003cp\u003eThe still imaging capabilities and functionality of the EOS R5 C camera closely resemble those of Canon's EOS R5 model. It is equipped with the same Canon-engineered CMOS sensor, which boasts approximately 45 effective megapixels, along with a DIGIC X Image Processor that significantly improves operational speed. As a result, users can expect rapid and efficient performance, along with exceptional image quality suitable for large prints, outstanding video, and additional applications.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera offers superior quality and extended ISO capabilities for still images, along with a wide array of features designed to improve performance in diverse and rapidly changing lighting conditions. It is capable of shooting at expanded sensitivities ranging from ISO 50 (L) to ISO 102400 (H).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eHigh-Speed Continuous Shooting\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/h3\u003e\r\n\u003cp\u003eThe Canon EOS R5 Camera features identical subject detection and tracking autofocus capabilities, allowing for shooting speeds of up to 20 frames per second.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eHead and Eye Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Head_and_Eye_Detection.jpg?9883\" alt=\"\" style=\"float: right; width: 206px; height: 116.733px;\" width=\"206\" height=\"116.733\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose \"People\" as the subject detection option for the EOS R5 C, and similar to the EOS R5, it is capable of focusing on a person's eyes, face, or head (in cases where the face is obscured), as well as the entire body if the head is not identifiable.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAnimal Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe innovative Animal Detection AF featured in the EOS R5 is also available for still images, enabling the identification and focusing on the eyes, faces, or bodies of birds, cats, and dogs. This capability extends across nearly the entire image area when used with various Canon lenses. Such advancements present transformative opportunities for capturing wildlife photography, even with subjects that pose significant challenges, such as birds in flight.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eVehicle Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C incorporates Vehicle Detection AF, a feature inherited from the high-performance Canon EOS R3 camera, enhancing subject detection capabilities during still-image photography. This functionality allows for the identification and tracking of cars and motorcycles, particularly in racing scenarios, even at elevated speeds. Additionally, the user-selectable Spot Detection enables the R5 C's autofocus system to focus on the helmets of visible riders or drivers, rather than solely on the front of the vehicle.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAF Area Flexibility\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Flexibility.jpg?7329\" alt=\"\" style=\"float: right; width: 195px; height: 129.458px;\" width=\"195\" height=\"129.458\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose the dimensions of the active autofocus (AF) region, ranging from a specific single AF point to the complete available AF area, and swiftly adjust a user-defined area using the 8-way multi-controller located on the rear of the camera. The EOS R5 C offers the same options for still-image autofocus method selection as the EOS R5 model.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Coverage_of_Approx-_100_x_100_for_Still_Images.jpg?2666\" alt=\"\" style=\"float: left; width: 231px; height: 154px;\" width=\"231\" height=\"154\"\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a broad focus area, covering nearly 100% both horizontally and vertically when utilized with certain RF and EF lenses during still-image capture. In contrast, when using older EF lenses or EF Extender types I and II, the focus area is approximately 80% horizontally and 80% vertically. This capability ensures rapid and remarkable focusing, even when the subject is positioned far from the center of the frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/EV_-6_Low-Light_Autofocus.jpg?1809\" alt=\"\" style=\"float: right; width: 253px; height: 168.667px;\" width=\"253\" height=\"168.667\"\u003eEV -6 Low-Light Autofocus\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera excels in night photography and extremely low-light environments, as its exceptional autofocus (AF) system can function effectively for still images in lighting conditions as low as EV -6, where many other AF systems may struggle or become unresponsive. Additionally, still-image autofocus is achievable with combinations of lenses and Canon RF tele extenders that have maximum effective apertures as narrow as f\/22, allowing for autofocus capabilities even with the RF 800mm f\/11 IS STM paired with the RF 2x Extender.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39711188221998,"sku":"CAN5077C002-MAIN","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/fe2d14a3-a4b6-4917-855d-778f476cb722.jpg?v=1733861088"},{"product_id":"can5077c010","title":"Canon EOS R5C Mirrorless Cinema Camera with 24-105 f\/4L Lens","description":"\u003cp\u003eFor wedding videographers, drone camera operators, and multimedia journalists seeking professional-grade photo and video production capabilities, the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e offers an innovative shooting experience. With a straightforward switch, the R5 C functions as a fully equipped still photo camera, incorporating all the features of the R5 EOS mirrorless model. Conversely, when switched in the opposite direction, it transforms into a full-frame 8K60 Cinema EOS camera, capable of internally recording 12-bit Cinema RAW Light footage. This eliminates the necessity of carrying an additional camera for your production, as both stills and video can be captured within a single, compact unit.\u003c\/p\u003e\r\n\u003cp\u003eThe R5 C boasts several enhancements over its counterparts, the R5 and C70, such as 4K120 recording, HDMI RAW output, support for Canon Log 3 HLG\/PQ, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-capacity LP-E6NH battery, 13 customizable buttons, and a multi-function shoe for XLR adapters. It also retains the dependable features of its predecessors, including Wi-Fi\/Bluetooth connectivity, compatibility with DaVinci Resolve and Canon applications, an electronic RF mount, CFexpress\/SD card slots, and a similar button layout. Additionally, the EOS R5 C is designed to be moisture and dustproof, matching the durability of its cinema counterpart, the EOS C70. All of these features are integrated into a lightweight 1.7 lb body, making it an ideal choice for drone camera applications.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AQblSxDTsEs\" title=\"Canon EOS R5 C: A True Hybrid Camera\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"105341\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a 45MP full-frame CMOS imaging sensor, which is fundamental to its exceptional image quality and facilitates remarkable 8K60 RAW cinematic video recording. Emphasizing focus and speed, the EOS R5 C enables continuous still-image capture at rates of up to 20 frames per second. Its Dual Pixel CMOS AF II technology allows for precise tracking of rapid movements, even for the most elusive subjects. With 1053 Automatic AF zones, capturing images of people is simplified through Eye, Face, and Head Detection AF, while Animal Detection AF enables intuitive tracking of the entire body, face, or eyes of pets such as cats, dogs, and birds. For those requiring swift performance, Canon has incorporated vehicle subject detection for accurate tracking of cars and motorcycles. Additionally, the camera offers connectivity options, including 5 and 2.4GHz Wi-Fi and Bluetooth, facilitating the transfer of still images.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Control for the Dedicated Video Professional\u003c\/h2\u003e\r\n\u003cp\u003eWhen the main switch of the EOS R5 C is set to the \"video\" position, the well-known Cinema EOS menu system and interface are activated. This transition unlocks advanced video features, including waveform monitors, various video codec options, and comprehensive audio controls, significantly enhancing the video capabilities of the EOS R5 C for skilled camera operators and video content creators. In \"photo\" mode, the menus closely resemble those found on the EOS R5 camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Ergonomic_EOS_Design.jpg?1602\" alt=\"\" style=\"float: left; width: 303px; height: 190.637px;\" width=\"303\" height=\"190.637\"\u003eErgonomic EOS Design\u003c\/h2\u003e\r\n\u003cp\u003eThe body design of the EOS R5 C camera is remarkably compact and lightweight. When combined with a Canon RF lens or an EF lens via the Mount Adapter EF-EOS R, it delivers exceptional performance that fits comfortably in your hand, facilitating effortless handheld shooting for both video and still photography. Its electronic viewfinder is optically extended, providing an eye-level viewing experience akin to that of the traditional EOS R5 camera, and it features the same ergonomic grip design.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCMOS Sensor and DIGIC X Processor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/CMOS_Sensor_and_DIGIC_X_Processor.jpg?543\" alt=\"\" style=\"float: right; width: 287px; height: 162.167px;\" width=\"287\" height=\"162.167\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 8K CMOS sensor, combined with the DIGIC X processor, delivers exceptional video quality at resolutions reaching up to 8K60. The incorporation of the Cinema RAW Light format, particularly in its high-efficiency mode, allows for internal card recording without the necessity of an external recorder. The EOS R5 C camera is equipped to support HDR recording in both Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats, ensuring comprehensive color representation and extensive dynamic range from deep blacks to bright whites, making it ideal for livestreams, broadcasts, and post-production endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e8K60 RAW Recording\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eCQ1cqxvur4\" title=\"Introducing the Canon EOS R5 C Digital Camera\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"105342\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eCinema RAW Light in 8K offers exceptional capabilities for post-production grading and archiving, while MP4 is tailored for enhanced online performance. The camera also supports internal recording in 5.9K using Super 35mm mode and 2.9K in Super 16mm mode, utilizing CFexpress cards. The Cinema RAW Light video files have been optimized for improved efficiency, enabling 12-bit recording across all frame rates. With the introduction of three newly developed Cinema RAW Light modes—High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT—users can choose the appropriate RAW video mode based on their specific shooting requirements. Additionally, lighter and smaller proxy video files can be recorded during 8K shooting.\u003c\/p\u003e\r\n\u003cp\u003eThe EOS R5 C camera facilitates RAW output through HDMI and ProRes RAW recording with compatible external recorders, such as Atomos devices. By connecting the EOS R5 C to a supported external recorder, users can capture Apple ProRes RAW at resolutions up to 8K30. Furthermore, proxy data can be recorded simultaneously to an SD card within the camera, streamlining post-production workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Different_File_Formats_and_Simultaneous_Recording.jpg?1027\" alt=\"\" style=\"float: left; width: 380px; height: 105.556px;\" width=\"380\" height=\"105.556\"\u003eDifferent File Formats and Simultaneous Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Cinema RAW Light, which facilitates lightweight data sizes for RAW recording. In addition, it supports MXF-based XF-AVC and the adaptable MP4 format. This camera has the capability to record two separate video files concurrently, such as Cinema RAW Light and MP4, across multiple resolutions including 4K and HD, as well as generating lightweight proxy files suitable for various professional applications. XF-AVC provides robust 10-bit 4:2:2 files encapsulated in a .MXF wrapper, ensuring seamless compatibility with non-linear editing systems (NLEs) and established workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with an integrated cooling fan that expels heat from within the device, allowing for continuous and nearly unlimited recording of high-definition 8K60 video without any interruptions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eExpanded Interface for Professional Needs\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Expanded_Interface_for_Professional_Needs.jpg?3971\" alt=\"\" style=\"float: right; width: 353px; height: 147.957px;\" width=\"353\" height=\"147.957\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a timecode input\/output terminal, facilitating seamless synchronization during multi-camera shoots and with various interfaces. Additionally, a cable protector is provided as a standard feature to safeguard against cable disconnection or damage to the terminal in the event of excessive force applied during the connection of interface or HDMI cables.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Function Shoe for Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe multi-function shoe from Canon, equipped with a digital audio interface, is compatible with the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter, allowing for up to 4-channel audio capabilities. This accessory provides two standard XLR inputs with phantom power and a shotgun microphone mount, facilitating digital 4-channel and 24-bit audio recording to satisfy the requirements of professional video production.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiple Power Options\u003c\/h2\u003e\r\n\u003cp\u003eThe incorporation of Cinema RAW Light recording at elevated resolutions and frame rates necessitates increased power to ensure complete functionality of the lenses. When operating in full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light, standard LP-E6NH, LP-E6, or LP-E6N battery packs will be insufficient to support the electronic components of RF lenses or EF lenses connected through an adapter. However, purely mechanical lenses can be utilized without any complications at these settings. To achieve full electronic lens functionality across all Cinema RAW Light resolutions and frame rates, one may employ the CA-946 power adapter in conjunction with the new DR-E6C DC coupler for mains or professional D-Tap battery power sources, or alternatively, a power bank may be used.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e13 Full-Featured Assignable Buttons\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is engineered to offer operational versatility, accommodating the unique workflows of professionals. It features 13 designated, assignable buttons that facilitate a user-friendly and personalized operating experience.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/4K_and_2K_Oversampling.jpg?7787\" alt=\"\" style=\"float: left; width: 258px; height: 145.483px;\" width=\"258\" height=\"145.483\"\u003e4K and 2K Oversampling\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera captures signals from all active pixels of its full-frame 8K sensor, facilitating 4:2:2 10-bit high-definition recording through oversampling in both 4K and 2K video formats. It incorporates an advanced debayering algorithm, and the 4K output derived from the extensive RGB data of the 8K sensor enhances imaging quality, significantly reducing the occurrence of moiré patterns, false colors, aliasing artifacts, and noise.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Up_to_4K120_Slow_and_Fast_Motion_Recording_Mode.jpg?5481\" alt=\"\" style=\"float: right; width: 256px; height: 144.533px;\" width=\"256\" height=\"144.533\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is capable of capturing High Frame Rate (HFR) films at a maximum of 120 frames per second in DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) with a 4:2:2 10-bit color depth, all without cropping the sensor. This feature is particularly advantageous for filming dynamic scenes filled with rapid action. Furthermore, the camera's swift and user-friendly autofocus system remains operational during HFR recording, making it exceptionally suitable for use with gimbals or drones, thereby ensuring remarkable focus precision whether at HFR or standard frame rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Simultaneous_Audio_Recording_Enabled_with_HFR.jpg?6930\" alt=\"\" style=\"float: left; width: 197px; height: 164.68px;\" width=\"197\" height=\"164.68\"\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/h2\u003e\r\n\u003cp\u003eIn contrast to certain other cameras that do not capture audio while shooting in high frame rate (HFR) mode, the EOS R5 C camera is capable of recording .WAV audio as a distinct file separate from the video. This feature significantly reduces the necessity for independent audio recording, allowing for the seamless delivery of both HFR video and audio files within a single, convenient device when capturing slow-motion or fast-motion footage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon Log 3 Expands Expressive Possibilities\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Canon_Log_3_Expands_Expressive_Possibilities.jpg?1148\" width=\"480\" height=\"270\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Canon Log 3, a feature commonly found in various Canon models, compatible with numerous Canon EOS and Cinema EOS cameras. This wide dynamic range facilitates extensive grading options post-capture. Canon Log 3 is specifically engineered for straightforward grading processes, allowing for enhancements in shadow detail and tone adjustments. It maintains the user-friendly characteristics of Canon Log while minimizing visible noise. Additionally, it is compatible with other Cinema EOS system cameras, including the EOS C300 Mark III and EOS C70.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Enhanced_Image_Stabilization.jpg?678\" alt=\"\" style=\"float: left; width: 260px; height: 199.875px;\" width=\"260\" height=\"199.875\"\u003eEnhanced Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eImproved image stabilization is realized through the synchronized control of Canon's RF lenses featuring optical image stabilization (IS) when paired with the electronic IS of the EOS R5 C camera during XF-AVC or MP4 recording. The combination of an RF lens equipped with optical IS and the electronic IS in the EOS R5 C facilitates coordinated control, resulting in superior correction of hand-shake effects. This configuration provides enhanced anti-vibration capabilities compared to traditional EF lenses with IS (utilizing the optional Mount Adapter EF-EOS R) in conjunction with electronic IS.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera serves as an outstanding companion to Canon's RF5.2mm F2.8 L Dual Fisheye Lens, enabling the capture of stereoscopic 3D 180° VR video (viewing in 3D necessitates a compatible Head Mount Display). Additionally, a plug-in for Adobe Premiere Pro, along with Canon's EOS VR Utility, is provided to facilitate a seamless workflow from shooting to editing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Pixel CMOS AF with iTR AF X\u003c\/h2\u003e\r\n\u003cp\u003eCanon's Dual Pixel CMOS AF technology employs each pixel on the imaging sensor to facilitate focus detection while simultaneously capturing image data, resulting in both precise focusing and superior image quality. When utilizing the majority of Canon RF and EF lenses, autofocus for video can be performed across roughly 80% of the vertical and horizontal dimensions of the screen.\u003c\/p\u003e\r\n\u003cp\u003eThe Touch AF feature enables users to position an autofocus (AF) point by simply tapping the LCD screen, in addition to facilitating rapid manual adjustments using the 8-way multi-controller located on the rear of the camera. This camera is equipped with Eye AF and Head Detection AF, which have been developed through deep learning technology to enhance subject tracking capabilities. Furthermore, it offers human detection for eyes, faces, and heads, ensuring precise tracking of subjects even in situations where AF control may be limited. Users have the flexibility to adjust focus according to their specific subject or shooting conditions. A diverse range of AF modes allows for autofocus shooting that adapts seamlessly to the movement of the subject, enabling users to delegate focusing tasks to the camera and focus on their photographic endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStill Imaging Features\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor\u003c\/h3\u003e\r\n\u003cp\u003eThe still imaging capabilities and functionality of the EOS R5 C camera closely resemble those of Canon's EOS R5 model. It is equipped with the same Canon-engineered CMOS sensor, which boasts approximately 45 effective megapixels, along with a DIGIC X Image Processor that significantly improves operational speed. As a result, users can expect rapid and efficient performance, along with exceptional image quality suitable for large prints, outstanding video, and additional applications.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera offers superior quality and extended ISO capabilities for still images, along with a wide array of features designed to improve performance in diverse and rapidly changing lighting conditions. It is capable of shooting at expanded sensitivities ranging from ISO 50 (L) to ISO 102400 (H).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eHigh-Speed Continuous Shooting\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/h3\u003e\r\n\u003cp\u003eThe Canon EOS R5 Camera features identical subject detection and tracking autofocus capabilities, allowing for shooting speeds of up to 20 frames per second.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eHead and Eye Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Head_and_Eye_Detection.jpg?9883\" alt=\"\" style=\"float: right; width: 206px; height: 116.733px;\" width=\"206\" height=\"116.733\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose \"People\" as the subject detection option for the EOS R5 C, and similar to the EOS R5, it is capable of focusing on a person's eyes, face, or head (in cases where the face is obscured), as well as the entire body if the head is not identifiable.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAnimal Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe innovative Animal Detection AF featured in the EOS R5 is also available for still images, enabling the identification and focusing on the eyes, faces, or bodies of birds, cats, and dogs. This capability extends across nearly the entire image area when used with various Canon lenses. Such advancements present transformative opportunities for capturing wildlife photography, even with subjects that pose significant challenges, such as birds in flight.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eVehicle Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C incorporates Vehicle Detection AF, a feature inherited from the high-performance Canon EOS R3 camera, enhancing subject detection capabilities during still-image photography. This functionality allows for the identification and tracking of cars and motorcycles, particularly in racing scenarios, even at elevated speeds. Additionally, the user-selectable Spot Detection enables the R5 C's autofocus system to focus on the helmets of visible riders or drivers, rather than solely on the front of the vehicle.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAF Area Flexibility\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Flexibility.jpg?7329\" alt=\"\" style=\"float: right; width: 195px; height: 129.458px;\" width=\"195\" height=\"129.458\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose the dimensions of the active autofocus (AF) region, ranging from a specific single AF point to the complete available AF area, and swiftly adjust a user-defined area using the 8-way multi-controller located on the rear of the camera. The EOS R5 C offers the same options for still-image autofocus method selection as the EOS R5 model.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Coverage_of_Approx-_100_x_100_for_Still_Images.jpg?2666\" alt=\"\" style=\"float: left; width: 231px; height: 154px;\" width=\"231\" height=\"154\"\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a broad focus area, covering nearly 100% both horizontally and vertically when utilized with certain RF and EF lenses during still-image capture. In contrast, when using older EF lenses or EF Extender types I and II, the focus area is approximately 80% horizontally and 80% vertically. This capability ensures rapid and remarkable focusing, even when the subject is positioned far from the center of the frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/EV_-6_Low-Light_Autofocus.jpg?1809\" alt=\"\" style=\"float: right; width: 253px; height: 168.667px;\" width=\"253\" height=\"168.667\"\u003eEV -6 Low-Light Autofocus\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera excels in night photography and extremely low-light environments, as its exceptional autofocus (AF) system can function effectively for still images in lighting conditions as low as EV -6, where many other AF systems may struggle or become unresponsive. Additionally, still-image autofocus is achievable with combinations of lenses and Canon RF tele extenders that have maximum effective apertures as narrow as f\/22, allowing for autofocus capabilities even with the RF 800mm f\/11 IS STM paired with the RF 2x Extender.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Canon_RF_24-105mm.jpg?8130\" alt=\"\" style=\"float: left; width: 214px; height: 214px;\" width=\"214\" height=\"214\"\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003c\/h2\u003e\r\n\u003cp\u003eRenowned for its adaptability, the Canon RF 24-105mm f\/4 L IS USM is a zoom lens that spans from wide-angle to short telephoto, distinguished by its consistent f\/4 maximum aperture. This lens is well-suited for a wide range of shooting situations and features a five-stop-effective Image Stabilizer that effectively reduces the effects of camera shake, resulting in sharper images when shooting handheld. Additionally, it includes a customizable Control Ring that can be tailored to modify various exposure parameters, such as aperture, ISO, and exposure compensation. To enhance image quality, the lens employs an advanced optical design with a Super Spectra Coating, which minimizes ghosting and flare, thereby improving contrast and color fidelity in bright or backlit environments. This lens is equally adept for both photography and videography, thanks to its Nano USM autofocus motor, which provides fast, silent, and accurate focusing capabilities.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39711195332654,"sku":"CAN5077C010-MAIN","price":4249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/7ebe00ab-fa23-4079-bdfd-00f13bdc400f.jpg?v=1749747347"},{"product_id":"ric910844","title":"Ricoh Theta X 360 Camera","description":"\u003cp\u003eCapture and view immersive, high-resolution 360° video and still images with the \u003cstrong\u003eTHETA X 360° Camera\u003c\/strong\u003e from \u003cstrong\u003eRicoh\u003c\/strong\u003e. Based around dual 48MP CMOS sensors and twin f\/2.4 lenses, the THETA X records up to 5.7K30 video and 60MP still photos and offers live streaming in 4K30 AVCH\/H.264. A user-friendly 2.25\" touchscreen display enables you to both preview and view your images, start\/stop recording, take photos, and control the camera settings, all without needing to link to a smartphone. This compact camera is also the first of Ricoh's 360° line to offer swappable batteries and microSDXC card recording in addition to the 46GB of internal memory. Real-time, in-camera stitching greatly reduces the time needed to process your 360° videos on your computer and integrated image stabilization smooths out your handheld action. The THETA X connects quickly using Bluetooth 5.0 without needing to enter an SSID (network name) and also offers dual-band Wi-Fi connectivity. Use the separately available cap to protect the camera lenses and to serve as a tabletop stand\u003c\/p\u003e\r\n\u003ch2\u003e5.7K 360° Video and 60MP Stills\u003c\/h2\u003e\r\n\u003ch3\u003eHigh-Resolution Capture\u003c\/h3\u003e\u003cp\u003eThe THETA X enables you to capture immersive 360° views of your travels, events, or commercial properties in the form of up to 11K (60MP) still photos or up to 5.7K video at 30 fps\u003c\/p\u003e\r\n\u003cp\u003eMaximum capture times at 77°F (due to potential overheating):\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e5.7K30 video: 10 minutes\u003c\/li\u003e\r\n    \u003cli\u003e4K60 video: 10 minutes\u003c\/li\u003e\r\n    \u003cli\u003e4K30 streaming: 25 minutes\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eReal-Time Stitching\u003c\/h3\u003e\r\n\u003cp\u003eView your footage on your laptop or PC more quickly thanks to the THETA X's real-time stitching that greatly reduces the processing time needed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e48MP Sensor\u003c\/h3\u003e\r\n\u003cp\u003eThe THETA X combines redesigned a processor and twin 48MP sensors and f\/2.4 lenses to capture scenes as close as 15.7\" from the lens front.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eTwo Still Format Options\u003c\/h3\u003e\r\n\u003cp\u003eThere are two settings for still image capture: 11K for high-resolution capture of bright scenes and a more efficient 5.5K option with the ability to shoot up to 20 stills per second.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eTime Shift Mode\u003c\/h3\u003e\r\n\u003cp\u003eCapture images without being seen in the frame using the Time Shift mode.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTouchscreen Display\u003c\/h2\u003e\r\n\u003cp\u003eThe built-in 2.25\" touchscreen LCD screen enables you to use the THETA X without your smartphone or a remote control. You can even adjust the camera settings and preview your image before shooting. Photos can be taken with a touchscreen tap and users can cycle through shooting modes with a single button on the camera. After shooting, images can be selected on the touchscreen for viewing as favorites on your smartphone.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInterchangeable Batteries\u003c\/h2\u003e\r\n\u003cp\u003eThe THETA X is Ricoh's first 360° camera to use interchangeable DB-110 3.6V, 1350mAh batteries, enabling you to shoot for longer periods. You can also power the camera via its USB Type-C port without needing the optional Extension Adapter.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInternal Plus microSDXC Card Memory\u003c\/h2\u003e\r\n\u003cp\u003eThe camera's 46GB of internal memory can be supplemented with a microSDXC card of 64GB or higher, letting you capture even more footage over the course of your day.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUpdated Smartphone Connectivity\u003c\/h2\u003e\r\n\u003ch3\u003eEasier Bluetooth Connectivity\u003c\/h3\u003e\u003cp\u003eBluetooth connectivity has been upgraded to negate the need to enter an SSID when setting up the connection, saving you both time and effort.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\r\n\u003ch3\u003eMIMO for Faster Transfers\u003c\/h3\u003e\r\n\u003cp\u003eInternal MIMO (Multiple Input Multiple Output) antennas are used to transfer images to your smartphone at rates up to 1.5x faster than the Ricoh THETA V camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImage Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eImproved image stabilization smooths out your action videos at rates up to 5.7K30.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLivestreaming\u003c\/h2\u003e\r\n\u003cp\u003eTo obtain optimal streaming video, the THETA X enables you to adjust your exposure and white balance settings within the camera before you start livestreaming. Livestream your content via USB at a high resolution of 4K30 at rates up to 100Mb\/s in AVC\/H.264 with AAC-LC single-channel audio.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePlug-In Expandability\u003c\/h2\u003e\r\n\u003cp\u003eThe Android-based OS in the THETA X enables the creation of plug-in apps by third-party developers, further expanding the camera's capabilities. A new client mode enables the THETA X to connect directly to your router for easy expansions without requiring a smartphone, laptop, or PC.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eGPS Function\u003c\/h2\u003e\r\n\u003cp\u003eIntegrated GPS and support for A-GPS (Assisted GPS) enable users to obtain accurate positional data from the camera.\u003c\/p\u003e","brand":"Ricoh","offers":[{"title":"Default Title","offer_id":39733014659118,"sku":"RIC910844-MAIN","price":796.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/2998ec08-bc6e-42a3-981a-ec12fcdfb54e.jpg?v=1740436800"},{"product_id":"can0202c002","title":"Canon EOS C100 Mark II Cinema Camera | Body Only","description":"The \u003cstrong\u003eCanon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF\u003c\/strong\u003e is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews. The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow \u0026amp; fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5\" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.\u003cp\u003eThe EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD\/SDHC\/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output. The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage. \u003c\/p\u003e\u003cp\u003eThe Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus. Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and\/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation. The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START\/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software. With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39749257887790,"sku":"CAN0202C002-MAIN","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/0a06a23d-2492-4d4e-97f9-5514fd9e1568.jpg?v=1716415155"},{"product_id":"can4507c002","title":"Canon EOS C70 Cinema Camera | RF Mount","description":"\u003cp\u003eThe\u003cstrong\u003e Canon EOS C70 Cinema Camera\u003c\/strong\u003e integrates essential Cinema EOS video features within a mirrorless-style design, equipped with a Super35 DGO (Dual Gain Output) sensor that captures intricate images with a dynamic range exceeding 16 stops. This model is notable for being the first Cinema EOS camera to utilize an RF mount, allowing compatibility with Canon's range of high-performance RF lenses, which are designed with advanced coatings and image stabilization technology. The cutting-edge DGO system operates by utilizing two distinct gain readings for each photodiode, enhancing saturation in brightly lit areas while minimizing noise in shadowed regions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bmngYNF8vmg\" title=\"Introducing the Canon EOS C70\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe camera supports video resolutions including DCI 4K recording at frame rates from 23.98 to 60 fps, along with high-speed recording options reaching up to 120 fps in UHD 4K and 180 fps in cropped 2K. Professional video capabilities encompass unlimited recording time, Dual Pixel CMOS AF for autofocus management, a motorized ND filter wheel that fits within the shallower RF-mount flange depth, a BNC timecode input\/output connector, and integrated dual mini-XLR audio inputs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Canon_Super35_Dual_Gain_Output_DGO_Sensor.jpg?7486\" alt=\"\" style=\"float: left; width: 272px; height: 153.165px;\" width=\"272\" height=\"153.165\"\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/h2\u003e\r\n\u003cp\u003eCanon's advanced Super35 Dual Gain Output (DGO) Sensor provides an impressive dynamic range exceeding 16 stops and incorporates Canon's proprietary Dual Pixel CMOS Autofocus technology. This DGO Sensor achieves a high dynamic range while ensuring minimal noise by utilizing varied gain levels for each pixel during the readout process. It merges images by employing a saturation-focused amplifier for brighter regions and a noise-reducing amplifier for darker regions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDIG!C DV7 Image Processor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/DIGC_DV7_Image_Processor.jpg?9235\" alt=\"\" style=\"float: right; width: 140px; height: 130.151px;\" width=\"140\" height=\"130.151\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe DIG!C DV7 image processor developed by Canon efficiently processes the vast amount of raw data obtained from the imaging sensor for final output. This DiG!C engine is instrumental in enabling various features, including high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Canon_Log_2_and_3_PQ_and_HLG_Recording.jpg?8954\" alt=\"\" style=\"float: left; width: 268px; height: 166.942px;\" width=\"268\" height=\"166.942\"\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS C70 is compatible with both Canon Log 2, which provides a comprehensive dynamic range, and Canon Log 3, which is more conducive to efficient workflows. These Canon Log formats are specifically engineered to capture the complete tonal spectrum of the CMOS image sensor. When aiming for enhanced dynamic range, superior highlight and shadow retention, and greater flexibility in grading, it is advisable to adopt a log post-production workflow. It is important to note that while Canon Log 2 delivers the widest dynamic range and the highest level of image detail, along with maximum post-production flexibility, it generally necessitates a more extensive color correction process.\u003c\/p\u003e\r\n\u003cp\u003eFor those who wish to enjoy many advantages of a log workflow while minimizing turnaround times, the Canon Log 3 option is recommended, offering a slightly diminished dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHighly Adaptable Shooting Style\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eRF Lens Mount\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/RF_Lens_Mount.jpg?7499\" alt=\"\" style=\"float: right; width: 129px; height: 113.771px;\" width=\"129\" height=\"113.771\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 features an integrated RF lens mount, which ensures compatibility with Canon's growing selection of high-performance RF-mount lenses. The short flange distance of the RF mount significantly decreases the depth of the camera body, contributing to a more compact design.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/EF_Lens_Compatibility_with_Optional_Adapter.jpg?678\" alt=\"\" style=\"float: left; width: 249px; height: 138.389px;\" width=\"249\" height=\"138.389\"\u003eEF Lens Compatibility with Optional Adapter\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 camera enhances lens versatility by being compatible with the optional EF-EOS R 0.71X EF to RF lens mount adapter. This adapter allows for the conversion of full-frame lenses to Super35 format and offers an aperture speed enhancement of approximately one stop. Furthermore, the EF adapter transmits EF lens data through the RF mount, ensuring full Dual-Pixel Autofocus functionality and metadata support for certain lenses.\u003c\/p\u003e\r\n\u003cp\u003eIn addition, other compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDirect Touch Control\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Direct_Touch_Control.jpg?3135\" alt=\"\" style=\"float: right; width: 407px; height: 192.647px;\" width=\"407\" height=\"192.647\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with Direct Touch Control, allowing for swift and effortless access to preferred menu settings via the fully rotatable LCD screen. By simply tapping the 3.5\" display, users can initiate or halt recording, adjust ISO\/Gain, modify color temperature, and control the iris, along with other essential settings. This design facilitates the management of recording parameters found across various menus with one hand, permitting immediate adjustments while handling the camera with a single hand.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e9 x 16 Vertical Capture\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mwPlTg8dZA0\" title=\"Canon Tech Tip: EOS C70 Vertical Video Features\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the integrated 1\/4\"-20 tripod thread located in the grip to orient the EOS C70 for vertical operation, particularly when capturing images intended for digital signage or mobile devices. Additionally, for enhanced visibility, the user interface can be adjusted to accommodate vertical usage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Design Features\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eCompact Design\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is engineered for mobility, featuring a unibody design that offers a compact profile and an integrated ergonomic grip, facilitating comfortable and effortless handheld shooting. As the most compact model in the EOS lineup, it includes two top shoe mounts and is equipped with a removable handle and a microphone holder.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Mini-XLR_Audio_Inputs.jpg?3616\" alt=\"\" style=\"float: left; width: 204px; height: 114.75px;\" width=\"204\" height=\"114.75\"\u003eMini-XLR Audio Inputs\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 offers professional audio recording capabilities through two mini-XLR inputs equipped with phantom power and manual control dials. It supports up to four channels of audio via dual mini-XLR ports, an internal stereo microphone, and a 3.5mm microphone input.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eBuilt-In ND Filters\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Built-In_ND_Filters.jpg?2672\" alt=\"\" style=\"float: right; width: 212px; height: 155.467px;\" width=\"212\" height=\"155.467\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eTailored for the short flange distance of the EOS C70, a slim motorized ND filter unit allows users to swiftly choose from a range of up to 10 stops of neutral density. This feature proves particularly beneficial for ENG shooters or in situations where lighting conditions fluctuate rapidly.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Timecode_Input_Output.jpg?554\" alt=\"\" style=\"float: left; width: 244px; height: 216.677px;\" width=\"244\" height=\"216.677\"\u003eTimecode Input\/Output\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 features a BNC connector on its front panel, allowing users to input and output timecode, thereby facilitating synchronization during multicamera productions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Dual_Pixel_CMOS_Autofocus_with_Touch_AF_and_Face_Detection.jpg?5391\" width=\"672\" height=\"261\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eA notable advancement in the EOS C70 is its Dual Pixel CMOS AF Technology, which utilizes every pixel on the CMOS sensor for both focus detection and image data, leading to enhanced focusing accuracy and superior image quality. Additionally, the EOS C70 is the inaugural Cinema EOS camera to incorporate the EOS iTR AF X autofocus function, which employs a head-detection algorithm created through deep-learning technology.\u003c\/p\u003e\r\n\u003cp\u003eThe EOS C70 marks the inaugural Cinema EOS camera to incorporate EOS iTR AF X, which features a head detection algorithm that utilizes deep learning technology. In Face Detection mode, this advanced algorithm significantly enhances the accuracy of distance measurement and tracking reliability. The Face Detection AF functionality in the EOS C70 allows users to select a subject using the control ring of the RF lens or the camera dial, facilitating adjustments without necessitating a change in hand position or diverting attention from the shot. Additionally, the firmware supports Head Detection, enabling the EOS C70 to recognize a subject's head even when it is turned away, and it modifies the shape of the AF Frame according to the subject being tracked.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Eye_AF.jpg?392\" alt=\"\" style=\"float: left; width: 274px; height: 155.267px;\" width=\"274\" height=\"155.267\"\u003eEye AF\u003c\/h4\u003e\r\n\u003cp\u003eEye AF identifies and monitors the subject's pupil to ensure precise focus. The functionalities of Eye Detection AF, Face Detection AF, and Subject Tracking AF during both slow and fast recording enhance the accuracy of autofocus performance at increased frame rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\u003c\/h4\u003e\r\n\u003ch4\u003eDual Pixel Focus Guide\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Dual_Pixel_Focus_Guide.jpg?4884\" width=\"672\" height=\"273\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with the Dual Pixel Focus Guide, an advanced user interface that provides users with information regarding both front and back focus. This feature indicates whether the focus position is in front or behind, facilitating seamless adjustments during manual focusing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/EIS_with_Coordinated_Control.jpg?63\" width=\"360\" height=\"203\" alt=\"\" style=\"float: left; \"\u003eEIS with Coordinated Control\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 represents a significant advancement in handheld shooting, being the first Cinema EOS camera to feature improved image stabilization with coordinated control. When paired with an RF-mount lens and the electronic IS of the EOS C70, this coordinated control enhances the correction of hand-shake, providing superior vibration reduction compared to the combination of an EF-mount lens and electronic IS. In the 2K format, the Super16 Digital IS of the EOS C70 further enhances performance by utilizing the outer regions of the 4K sensor to stabilize the image.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eAuto ISO\/Gain Control\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Auto_ISO_Gain_Control.jpg?2064\" alt=\"\" style=\"float: right; width: 343px; height: 200.679px;\" width=\"343\" height=\"200.679\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eIn a groundbreaking development for the Cinema EOS series, the EOS C70 features the capability to automatically adjust ISO and Gain Control through its Dual Gain Output (DGO) system. This allows for a seamless transition in gain adjustments, enabling users to focus on framing their shots rather than managing aperture settings when transitioning between environments with significant variations in lighting conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eRC-V100 Support and LANC Compatible\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 camera features a remote LANC terminal that allows for remote operation with the optional Canon RC-V100 controller. This unit grants comprehensive access to essential functions, including start\/stop controls, adjustments for shutter and gain, settings for focus, iris, and zoom, as well as display configurations, white balance, black gamma, and additional features.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eEnhanced Workflow Efficiency\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with dual SD card slots that facilitate simultaneous recording in various formats, such as 4K\/HD and XF-AVC\/MP4. Additionally, the camera has the capability to capture still images while in standby mode in certain video settings.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eStandard and High Frame Rate to 4K 120p\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9jKBq4_1gC0\" title=\"One More Shot - A Canon EOS C70 Short Film\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe EOS C70 features an innovative chip design and the DIG!C DV7 processor, enabling it to operate at standard frame rates between 23.98 and 60 fps, as well as ultra-high frame rates. It allows for video capture at frame rates reaching 120 fps in 4K and up to 180 fps in the 2K crop mode. Additionally, the EOS C70 supports Dual Pixel AF, ensuring precise focus even at elevated frame rates, making it suitable for use with gimbals or drones.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eLog2\/3 and Cube LUT Support\u003c\/h3\u003e\r\n\u003cp\u003eTo enhance flexibility in post-production, this camera is equipped with Canon's Log 2 and Log 3 gamma modes, which deliver an extended dynamic range and superior tonal reproduction for both highlights and shadowed regions of your images. Additionally, the EOS C70 is compatible with .cube 3D LUTs, ensuring precise color reproduction on the LCD screen as well as on external viewing monitors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e4K\/2K Long GOP Support\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with the Long GOP compression method, which allows for extended recording durations at resolutions of up to 4K60p. This inter-frame compression technique identifies variations between frames by referencing both prior and subsequent frames.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39749312970798,"sku":"CAN4507C002-MAIN","price":3499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/18487059-9969-4372-975c-e8dbb31407b4.jpg?v=1758125466"},{"product_id":"can4507c015","title":"Canon EOS C70 Cinema Camera Kit with 24-105mm Zoom Lens","description":"\u003cp\u003eThe\u003cstrong\u003e Canon EOS C70 Cinema Camera\u003c\/strong\u003e integrates essential Cinema EOS video features within a mirrorless-style design, equipped with a Super35 DGO (Dual Gain Output) sensor that captures intricate images with a dynamic range exceeding 16 stops. This model is notable for being the first Cinema EOS camera to utilize an RF mount, allowing compatibility with Canon's range of high-performance RF lenses, which are designed with advanced coatings and image stabilization technology. The cutting-edge DGO system operates by utilizing two distinct gain readings for each photodiode, enhancing saturation in brightly lit areas while minimizing noise in shadowed regions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bmngYNF8vmg\" title=\"Introducing the Canon EOS C70\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"101701\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe camera supports video resolutions including DCI 4K recording at frame rates from 23.98 to 60 fps, along with high-speed recording options reaching up to 120 fps in UHD 4K and 180 fps in cropped 2K. Professional video capabilities encompass unlimited recording time, Dual Pixel CMOS AF for autofocus management, a motorized ND filter wheel that fits within the shallower RF-mount flange depth, a BNC timecode input\/output connector, and integrated dual mini-XLR audio inputs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Canon_Super35_Dual_Gain_Output_DGO_Sensor.jpg?7486\" alt=\"\" style=\"float: left; width: 272px; height: 153.165px;\" width=\"272\" height=\"153.165\"\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/h2\u003e\r\n\u003cp\u003eCanon's advanced Super35 Dual Gain Output (DGO) Sensor provides an impressive dynamic range exceeding 16 stops and incorporates Canon's proprietary Dual Pixel CMOS Autofocus technology. This DGO Sensor achieves a high dynamic range while ensuring minimal noise by utilizing varied gain levels for each pixel during the readout process. It merges images by employing a saturation-focused amplifier for brighter regions and a noise-reducing amplifier for darker regions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDIG!C DV7 Image Processor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/DIGC_DV7_Image_Processor.jpg?9235\" alt=\"\" style=\"float: right; width: 140px; height: 130.151px;\" width=\"140\" height=\"130.151\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe DIG!C DV7 image processor developed by Canon efficiently processes the vast amount of raw data obtained from the imaging sensor for final output. This DiG!C engine is instrumental in enabling various features, including high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Canon_Log_2_and_3_PQ_and_HLG_Recording.jpg?8954\" alt=\"\" style=\"float: left; width: 268px; height: 166.942px;\" width=\"268\" height=\"166.942\"\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS C70 is compatible with both Canon Log 2, which provides a comprehensive dynamic range, and Canon Log 3, which is more conducive to efficient workflows. These Canon Log formats are specifically engineered to capture the complete tonal spectrum of the CMOS image sensor. When aiming for enhanced dynamic range, superior highlight and shadow retention, and greater flexibility in grading, it is advisable to adopt a log post-production workflow. It is important to note that while Canon Log 2 delivers the widest dynamic range and the highest level of image detail, along with maximum post-production flexibility, it generally necessitates a more extensive color correction process.\u003c\/p\u003e\r\n\u003cp\u003eFor those who wish to enjoy many advantages of a log workflow while minimizing turnaround times, the Canon Log 3 option is recommended, offering a slightly diminished dynamic range of 14 stops.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHighly Adaptable Shooting Style\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eRF Lens Mount\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/RF_Lens_Mount.jpg?7499\" alt=\"\" style=\"float: right; width: 129px; height: 113.771px;\" width=\"129\" height=\"113.771\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 features an integrated RF lens mount, which ensures compatibility with Canon's growing selection of high-performance RF-mount lenses. The short flange distance of the RF mount significantly decreases the depth of the camera body, contributing to a more compact design.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/EF_Lens_Compatibility_with_Optional_Adapter.jpg?678\" alt=\"\" style=\"float: left; width: 249px; height: 138.389px;\" width=\"249\" height=\"138.389\"\u003eEF Lens Compatibility with Optional Adapter\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 camera enhances lens versatility by being compatible with the optional EF-EOS R 0.71X EF to RF lens mount adapter. This adapter allows for the conversion of full-frame lenses to Super35 format and offers an aperture speed enhancement of approximately one stop. Furthermore, the EF adapter transmits EF lens data through the RF mount, ensuring full Dual-Pixel Autofocus functionality and metadata support for certain lenses.\u003c\/p\u003e\r\n\u003cp\u003eIn addition, other compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDirect Touch Control\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Direct_Touch_Control.jpg?3135\" alt=\"\" style=\"float: right; width: 407px; height: 192.647px;\" width=\"407\" height=\"192.647\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with Direct Touch Control, allowing for swift and effortless access to preferred menu settings via the fully rotatable LCD screen. By simply tapping the 3.5\" display, users can initiate or halt recording, adjust ISO\/Gain, modify color temperature, and control the iris, along with other essential settings. This design facilitates the management of recording parameters found across various menus with one hand, permitting immediate adjustments while handling the camera with a single hand.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e9 x 16 Vertical Capture\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mwPlTg8dZA0\" title=\"Canon Tech Tip: EOS C70 Vertical Video Features\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"101702\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the integrated 1\/4\"-20 tripod thread located in the grip to orient the EOS C70 for vertical operation, particularly when capturing images intended for digital signage or mobile devices. Additionally, for enhanced visibility, the user interface can be adjusted to accommodate vertical usage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Design Features\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eCompact Design\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is engineered for mobility, featuring a unibody design that offers a compact profile and an integrated ergonomic grip, facilitating comfortable and effortless handheld shooting. As the most compact model in the EOS lineup, it includes two top shoe mounts and is equipped with a removable handle and a microphone holder.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Mini-XLR_Audio_Inputs.jpg?3616\" alt=\"\" style=\"float: left; width: 204px; height: 114.75px;\" width=\"204\" height=\"114.75\"\u003eMini-XLR Audio Inputs\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 offers professional audio recording capabilities through two mini-XLR inputs equipped with phantom power and manual control dials. It supports up to four channels of audio via dual mini-XLR ports, an internal stereo microphone, and a 3.5mm microphone input.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eBuilt-In ND Filters\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Built-In_ND_Filters.jpg?2672\" alt=\"\" style=\"float: right; width: 212px; height: 155.467px;\" width=\"212\" height=\"155.467\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eTailored for the short flange distance of the EOS C70, a slim motorized ND filter unit allows users to swiftly choose from a range of up to 10 stops of neutral density. This feature proves particularly beneficial for ENG shooters or in situations where lighting conditions fluctuate rapidly.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Timecode_Input_Output.jpg?554\" alt=\"\" style=\"float: left; width: 244px; height: 216.677px;\" width=\"244\" height=\"216.677\"\u003eTimecode Input\/Output\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 features a BNC connector on its front panel, allowing users to input and output timecode, thereby facilitating synchronization during multicamera productions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Dual_Pixel_CMOS_Autofocus_with_Touch_AF_and_Face_Detection.jpg?5391\" width=\"672\" height=\"261\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eA notable advancement in the EOS C70 is its Dual Pixel CMOS AF Technology, which utilizes every pixel on the CMOS sensor for both focus detection and image data, leading to enhanced focusing accuracy and superior image quality. Additionally, the EOS C70 is the inaugural Cinema EOS camera to incorporate the EOS iTR AF X autofocus function, which employs a head-detection algorithm created through deep-learning technology.\u003c\/p\u003e\r\n\u003cp\u003eThe EOS C70 marks the inaugural Cinema EOS camera to incorporate EOS iTR AF X, which features a head detection algorithm that utilizes deep learning technology. In Face Detection mode, this advanced algorithm significantly enhances the accuracy of distance measurement and tracking reliability. The Face Detection AF functionality in the EOS C70 allows users to select a subject using the control ring of the RF lens or the camera dial, facilitating adjustments without necessitating a change in hand position or diverting attention from the shot. Additionally, the firmware supports Head Detection, enabling the EOS C70 to recognize a subject's head even when it is turned away, and it modifies the shape of the AF Frame according to the subject being tracked.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Eye_AF.jpg?392\" alt=\"\" style=\"float: left; width: 274px; height: 155.267px;\" width=\"274\" height=\"155.267\"\u003eEye AF\u003c\/h4\u003e\r\n\u003cp\u003eEye AF identifies and monitors the subject's pupil to ensure precise focus. The functionalities of Eye Detection AF, Face Detection AF, and Subject Tracking AF during both slow and fast recording enhance the accuracy of autofocus performance at increased frame rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\u003c\/h4\u003e\r\n\u003ch4\u003eDual Pixel Focus Guide\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Dual_Pixel_Focus_Guide.jpg?4884\" width=\"672\" height=\"273\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with the Dual Pixel Focus Guide, an advanced user interface that provides users with information regarding both front and back focus. This feature indicates whether the focus position is in front or behind, facilitating seamless adjustments during manual focusing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/EIS_with_Coordinated_Control.jpg?63\" width=\"360\" height=\"203\" alt=\"\" style=\"float: left; \"\u003eEIS with Coordinated Control\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 represents a significant advancement in handheld shooting, being the first Cinema EOS camera to feature improved image stabilization with coordinated control. When paired with an RF-mount lens and the electronic IS of the EOS C70, this coordinated control enhances the correction of hand-shake, providing superior vibration reduction compared to the combination of an EF-mount lens and electronic IS. In the 2K format, the Super16 Digital IS of the EOS C70 further enhances performance by utilizing the outer regions of the 4K sensor to stabilize the image.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eAuto ISO\/Gain Control\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Auto_ISO_Gain_Control.jpg?2064\" alt=\"\" style=\"float: right; width: 343px; height: 200.679px;\" width=\"343\" height=\"200.679\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eIn a groundbreaking development for the Cinema EOS series, the EOS C70 features the capability to automatically adjust ISO and Gain Control through its Dual Gain Output (DGO) system. This allows for a seamless transition in gain adjustments, enabling users to focus on framing their shots rather than managing aperture settings when transitioning between environments with significant variations in lighting conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eRC-V100 Support and LANC Compatible\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 camera features a remote LANC terminal that allows for remote operation with the optional Canon RC-V100 controller. This unit grants comprehensive access to essential functions, including start\/stop controls, adjustments for shutter and gain, settings for focus, iris, and zoom, as well as display configurations, white balance, black gamma, and additional features.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eEnhanced Workflow Efficiency\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with dual SD card slots that facilitate simultaneous recording in various formats, such as 4K\/HD and XF-AVC\/MP4. Additionally, the camera has the capability to capture still images while in standby mode in certain video settings.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eStandard and High Frame Rate to 4K 120p\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9jKBq4_1gC0\" title=\"One More Shot - A Canon EOS C70 Short Film\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"101703\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe EOS C70 features an innovative chip design and the DIG!C DV7 processor, enabling it to operate at standard frame rates between 23.98 and 60 fps, as well as ultra-high frame rates. It allows for video capture at frame rates reaching 120 fps in 4K and up to 180 fps in the 2K crop mode. Additionally, the EOS C70 supports Dual Pixel AF, ensuring precise focus even at elevated frame rates, making it suitable for use with gimbals or drones.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eLog2\/3 and Cube LUT Support\u003c\/h3\u003e\r\n\u003cp\u003eTo enhance flexibility in post-production, this camera is equipped with Canon's Log 2 and Log 3 gamma modes, which deliver an extended dynamic range and superior tonal reproduction for both highlights and shadowed regions of your images. Additionally, the EOS C70 is compatible with .cube 3D LUTs, ensuring precise color reproduction on the LCD screen as well as on external viewing monitors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e4K\/2K Long GOP Support\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS C70 is equipped with the Long GOP compression method, which allows for extended recording durations at resolutions of up to 4K60p. This inter-frame compression technique identifies variations between frames by referencing both prior and subsequent frames.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/C70\/Canon_RF_24-105mm.jpg?4025\" alt=\"\" style=\"float: right; width: 273px; height: 273px;\" width=\"273\" height=\"273\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eRenowned for its adaptability, the \u003cstrong\u003eCanon RF 24-105mm f\/4 L IS USM\u003c\/strong\u003e is a zoom lens that spans wide-angle to short telephoto ranges, distinguished by its consistent f\/4 maximum aperture. This lens is well-suited for a variety of shooting situations and is enhanced by a five-stop-effective Image Stabilizer, which reduces the effects of camera shake, resulting in sharper images when shooting handheld. Additionally, it features a customizable Control Ring that allows users to modify various exposure settings, such as aperture, ISO, and exposure compensation. To enhance image quality, the lens employs an advanced optical design with a Super Spectra Coating, which minimizes ghosting and flare, thereby improving contrast and color fidelity in bright or backlit environments. Suitable for both photography and videography, this lens is equipped with a Nano USM autofocus motor that provides fast, silent, and accurate focusing capabilities.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39749319819310,"sku":"CAN4507C015-MAIN","price":4749.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/3b2a9f93-427f-48b8-aa73-99ff8a4e43fc.jpg?v=1749747224"},{"product_id":"blabmdhyperdrstex4khdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003cp\u003eEnhance your broadcast studio, live production, or digital signage setup with the \u003cstrong\u003eHyperDeck Extreme 4K HDR \u003c\/strong\u003efrom \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e, which serves as both a playback and recording deck. This device supports UHD 4K video and enables the saving of H.265 files, along with the use of 3D LUTs, internal caching, and HDR capabilities for video playback.\u003c\/p\u003e\r\n\u003cp\u003eThe HyperDeck is equipped with a 7\" capacitive touchscreen LCD that delivers a clear image and provides access to controls, scopes, and monitoring tools, all of which can be easily managed through swipes or button presses. It includes 12G-SDI and HDMI inputs and outputs, two CFast media slots for recording, and the option to record your video stream to an external disk via USB Type-C.\u003c\/p\u003e\r\n\u003cp\u003eFor those looking to integrate streaming into an existing production rack, the HyperDeck can be operated via RS-422, similar to traditional broadcast decks. Additionally, it features a 3G-SDI monitor output, component analog audio and video inputs, 3-pin XLR inputs and outputs, timecode I\/O, and reference I\/O. The device also offers built-in media caching that can be upgraded to prevent data loss from full cards and disks.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUpdated HyperDeck\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Extreme 4K integrates the renowned dependability of HyperDeck with cutting-edge advancements, including compact H.265 file formats, an optional internal cache, support for 3D LUTs, and HDR capabilities. By enabling recording in native 4K using H.265, it significantly lowers storage expenses while delivering exceptional image quality. The expansive touchscreen provides an optimal view of your recordings and facilitates comprehensive control over all deck settings.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFile and I\/O Formats\u003c\/h2\u003e\r\n\u003cp\u003ePowerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD, and Ultra HD standards up to 2160p60. It includes scopes and upgradable cache, plus SDI, HDMI, and analog video.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInterfaces and Inputs\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Extreme has an innovative 7\" capacitive LCD touchscreen user interface with deck controls as well as a large screen to view your recording. It features two media slots, 12G-SDI I\/O, HDMI I\/O analog connections for archiving, USB Type-C external disk recording, plus a front panel speaker and headphone jack.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLive Production, Signage, and Archiving\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Extreme showcases remarkable versatility, making it an excellent choice for live production as a master recorder, clip player, and for capturing ISO camera feeds. Its analog inputs facilitate the recording of content from vintage videotapes, enabling legacy programming to be utilized on contemporary streaming platforms or in editing processes. Additionally, digital signage is streamlined with the HyperDeck Extreme, which is equipped with 10G Ethernet for rapid media uploads and a straightforward remote control protocol. Furthermore, it can function as a field recorder, featuring HDMI, SDI, and analog inputs, along with integrated scopes and 3D LUTs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eConvert Legacy Programming for Streaming\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Extreme Control enables the connection to traditional broadcast decks, allowing users to establish in and out points for editing purposes. By incorporating HyperDeck Extreme and HyperDeck Extreme Control with each legacy deck, a single operator can efficiently manage continuous archiving. Furthermore, it is feasible to edit across various formats by utilizing Teranex Express, which facilitates the conversion of tapes from SD to HD in a single operation. This system supports a diverse array of decks, including Digital Betacam, 1\" C format, and Betacam SP.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual CFast Media\u003c\/h2\u003e\r\n\u003cp\u003eCFast media compatibility enables recording onto widely accessible flash memory cards. The H.265 file format is compact enough to facilitate extended recordings on standard CFast cards. Additionally, the presence of two CFast card slots permits the replacement of full cards even while recording, thereby enabling limitless recording duration. CFast cards are ideal for broadcasting due to their compact size, high-speed performance, and cost-effectiveness.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e12G-SDI, HDMI, and Legacy Analog\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, and Ultra HD 4K devices. The latest 10G Ethernet is included for high-speed upload using FTP protocols. HyperDeck even includes both AC and XLR power connections.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHDR Support and Bright Wide Gamut LCD\u003c\/h2\u003e\r\n\u003cp\u003eBe ready for the latest HDR workflows with support for the latest HDR standards with an extremely bright screen with a wide color gamut. The built-in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLocalized for Popular Languages\u003c\/h2\u003e\r\n\u003cp\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, and Turkish.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional RS-422 Broadcast Deck Control\u003c\/h2\u003e\r\n\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatible with Controllers, Switchers, Converters\u003c\/h2\u003e\r\n\u003cp\u003eA wide range of Blackmagic Design products is available to use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus, since it uses the industry-standard RS-422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television, and it also has monitor calibration, 3D LUTs, and on-screen scopes.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39786043015214,"sku":"BLABMDHYPERDRSTEX4KHDR-MAIN","price":2995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/125ec170-1cee-4679-a591-463114ecd67a.jpg?v=1741375367"},{"product_id":"blabmdhyperdptshd","title":"Blackmagic Design HyperDeck Shuttle HD","description":"\u003cp\u003eIncorporate a desktop shuttle to facilitate the swift and straightforward playback of video clips with the \u003cstrong\u003eHyperDeck Shuttle HD\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This device boasts a compact design that enables HDMI video input and output, as well as connectivity to a computer or ATEM switch for media playback control via its large search dial and buttons. Additionally, it includes an integrated teleprompter, allowing the use of text files without the need for external software.\u003c\/p\u003e\r\n\u003cp\u003eThe Shuttle HD operates on Blackmagic OS and is capable of handling ProRes and DNx file formats. It is compatible with various editing software, including Premiere Pro, Avid, and DaVinci Resolve. Additionally, it allows for streaming H.264 video to platforms such as YouTube and Vimeo. Users can record video through its SD card slot or via USB Type-C output to an optional drive, and it can also connect to the Blackmagic MultiDock for recording to multiple SSDs. The Ethernet port facilitates external control and enables file transfers over a network.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMastering Recorder\u003c\/h2\u003e\r\n\u003cp\u003eSupport for H.264, ProRes, and DNx file formats enables the recording of authentic broadcast masters. Additionally, users have the option to choose between PCM and AAC audio formats. This feature significantly enhances the quality of mastering, particularly when utilized with ATEM Mini switchers. All necessary components are provided for transmitting shows to broadcasters and for uploading content to streaming platforms such as YouTube.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Player\u003c\/h2\u003e\r\n\u003cp\u003eThe expansive search dial enables a visual exploration of your clip library, allowing you to utilize the previous clip button to set the beginning of the clip. Upon completion of playback, the clip button can be employed to halt the playback at the conclusion of the clip. Additionally, ATEM switchers have the capability to remotely control the HyperDeck Shuttle through Ethernet.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eTraditional Broadcast Deck Controls\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Shuttle features a highly efficient control panel, designed for rapid operation, with buttons reminiscent of those found on conventional broadcast decks. By merely pressing the record button, users can immediately commence recording the video input to a file. The substantial machined metal search dial facilitates shuttle, jog, and scroll functions, enabling quick navigation through clips. Additionally, all deck control operations can be activated remotely via the Ethernet network.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupports SD Cards and UHS-II Cards\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Shuttle is compatible with standard SD and UHS-II cards, eliminating the need for costly proprietary media. SD cards are an ideal option for broadcast applications due to their compact size and affordability. Additionally, recording to external drives via USB Type-C is also possible. By utilizing a USB hub or Blackmagic MultiDock, users can record on multiple drives simultaneously, ensuring continuous recording. When employing H.264 compression, the file sizes are significantly reduced, allowing for extended recording durations even on smaller, budget-friendly cards. For instance, it is possible to achieve up to 157 hours of H.264 recording at 1080p59.94 on a 1TB card.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePopular ProRes, DNx, and H.264 Files\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Shuttle HD is compatible with the most widely used codecs available today, including high-quality DNx and ProRes file formats suitable for broadcasting. Additionally, it offers the efficient H.264 codec for recording in NTSC, PAL, 720p, 1080p, and even true 1080i interlaced formats. This capability allows for impressive compression ratios ranging from 60:1 to 285:1, resulting in compact files that maintain full broadcast quality. Users can also opt for uncompressed PCM audio or AAC audio for uploading files to YouTube. Furthermore, HyperDeck Shuttle HD accommodates both ExFAT, which is utilized on Windows, and HFS+, which is employed on macOS, ensuring that disks can be accessed and read on both operating systems. It also facilitates the recording of extended events into a single video file.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo and Control Connections\u003c\/h2\u003e\r\n\u003cp\u003eThe HDMI input is compatible with cameras and switchers, including the ATEM Mini, while the HDMI output can be linked to monitors for presentations or utilized with ATEM Mini switchers as a long-form media player. Additionally, the rear panel features a 12 VDC power input, and a power supply is provided. The 1 Gigabit Ethernet connection facilitates control and enables remote file uploads.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHDMI Compatibility with ATEM Mini Switchers\u003c\/h2\u003e\r\n\u003cp\u003eWith built-in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors, and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and HD equipment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In Teleprompter\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Shuttle HD, featuring an extensive search dial, can function as a teleprompter. By selecting the teleprompter option in the recording menu, it is capable of reading standard RTF text files, such as scripts, without requiring any specialized software. Scripts can be created using basic text editors like TextEdit. Users can navigate through various scripts using the previous and next clip buttons. Additionally, by simultaneously pressing the jog and scroll buttons, one can scroll through the script in real-time, similar to a conventional teleprompter, while also having the ability to modify the font size and style displayed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eNetwork File Transfers\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Shuttle allows media files to be uploaded remotely using simple FTP client software. With 1G Ethernet built into the HyperDeck Shuttle, file transfers are very fast, and sometimes faster than the SD card media disk. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePowered by Blackmagic OS\u003c\/h2\u003e\r\n\u003cp\u003eThe cutting-edge Blackmagic OS has been developed specifically for high-performance film and broadcast equipment, overseeing all operations on the HyperDeck Shuttle. This operating system uniquely offers immediate power activation while incorporating robust functionalities such as video recording, timecode management, audio control, menu overlays, rapid networking, multi-disk media handling, and localization options. The menus are superimposed on the video output and feature settings that allow for the customization of your HyperDeck Shuttle HD, with the flexibility to switch between light and dark mode displays.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eLocalized for 13 Popular Languages\u003c\/h2\u003e\r\n\u003cp\u003eHyperDeck Shuttle HD supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatible with Software and Streaming Sites\u003c\/h2\u003e\r\n\u003cp\u003eThe HyperDeck Shuttle HD captures files that are compatible with nearly all post-production software. Additionally, when recording in H.264, users can directly upload files from the HyperDeck Shuttle to streaming platforms such as YouTube, Facebook, Vimeo, and Twitter. It is compatible with widely used editing applications including DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, and Avid Media Composer, as it utilizes the same file formats prevalent in post-production. Furthermore, visual effects software like Fusion and Adobe After Effects can also work seamlessly with these files. Since HyperDeck records onto disks formatted for computer use, users can easily mount the disk on any computer and commence editing without the need to transfer files.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/h2\u003e\r\n\u003cp\u003eAs HyperDeck Shuttle doesn't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models, and HyperDeck Shuttle will manage multiple disks for you. 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This 7\" on-camera display boasts a 1920 x 1200 10-bit FRC IPS panel with an impressive brightness of 2200 cd\/m², making it ideal for both outdoor and indoor environments. This upgraded model surpasses the original Shinobi by offering 3G-SDI input and loop output capabilities up to 2K60, HDMI 2.0 input and loop output up to 4K60, signal cross conversion, a camera control port, dual L-series battery slots, and potential for future enhancements through its integrated USB and RJ45 ports.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZSsDIaJAmhA\" title=\"ATOMOS SHINOBI 7\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Shinobi 7, equipped with a touchscreen interface, operates on the latest AtomOS firmware, which includes a comprehensive suite of onscreen analysis tools. These tools encompass multi-scope views, exposure settings, framing assistance, focus aids, waveform displays, RGB parade, and histogram functionalities. Additionally, it is designed with an SDI card input for the integration of custom 3D LUTs and offers support for both SDR and HDR viewing. The AtomHDR display technology enables precise monitoring of log gamma footage, eliminating the need to view flat, desaturated images or apply a LUT to manage dynamic range and color space. This monitor is compatible with widely used log formats from manufacturers such as Sony, Canon, Panasonic, ARRI, RED, and JVC.\u003c\/p\u003e\r\n\u003cp\u003eFurthermore, the device allows for camera control through its 2.5mm control port and optional cables, currently supporting the Z CAM E2 series of cinema cameras. Constructed to endure the demands of production environments, the Shinobi 7 features a lightweight design and can be powered by a dual L-series battery plate or the included power adapter.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAtomHDR\u003c\/h2\u003e\r\n\u003cp\u003eAtomHDR allows for the monitoring of up to ten stops of dynamic range from your camera's LOG image. In contrast, most traditional monitors are limited to displaying only six or seven stops, which suffices for standard footage but results in a LOG image appearing excessively flat. Additionally, it offers advantages over monitoring with a loaded LUT, as the latter can lead to highlight clipping and shadow masking.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupported Log Formats\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eARRI Log CEI160 \/ CEI200 \/ CEI250 \/ CEI320 \/ CEI400 \/ CEI500 \/ CEI640 \/ CEI800 \/ CEI1000 \/ CEI1280 \/ CEI1600\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCanon CLog \/ CLog 2 \/ CLog 3\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFuji F-Log\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eJVC JLog\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNikon N-Log\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony SLog \/ SLog2 \/ SLog3\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePanasonic Vlog\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRED Log3G10 \/ RED LogFilm\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePQ10k\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHLG\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eHDR Monitoring\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSony SGamut \/ SGamut3 \/ SGamut3.cine\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCanon Cinema \/ DCI P3 \/ DCI P3+\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePanasonic V Gamut\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eARRI ALEXA Wide Gamut\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRec. 709 \/ BT.2020\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eJVC\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRED WideGamut \/ RED DragonColor \/ DragonColor2\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRED Color2 \/ RED Color3 \/ RED Color4\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eDCI\/UHD 4K and 2K Input\/Output\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eMonitor 4K footage in DCI or UHD formats via HDMI 2.0 up to 60 fps and up to 2K60 via 3G-SDI.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOutput signal via HDMI and 3G-SDI loop outputs.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe Shinobi 7 features HDMI\/SDI cross conversion support.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eAudio Monitoring\u003c\/h3\u003e\r\n\u003cp\u003eInput\/output audio via HDMI and output audio using the 3.5mm headphone port for convenient audio monitoring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e7\" Daylight Viewable Screen\u003c\/h3\u003e\r\n\u003cp\u003eThe Shinobi 7 features a 7\" IPS LCD 1920 x 1200 screen that is illuminated by a bright 2200 cd\/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eHDR Signal Management\u003c\/h3\u003e\r\n\u003cp\u003eLog and HDR signals can be difficult to monitor with conventional equipment. With the Shinobi's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003ePower Options\u003c\/h3\u003e\r\n\u003cp\u003eThe back of the monitor features dual L-series battery slots for longer shoot durations, and a universal power adapter is also included.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCamera Control\u003c\/h3\u003e\r\n\u003cp\u003eThe monitor features a 2.5mm control port that currently supports control of Z CAM E2 series cinema cameras, while future camera control support is pending.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eAnamorphic De-Squeeze\u003c\/h3\u003e\r\n\u003cp\u003eThe Shinobi 7 supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e3D LUT Management\u003c\/h3\u003e\r\n\u003cp\u003eAn SD card slot allows you to load custom 3D LUTs and apply them to both input and output signals.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":39829277573166,"sku":"ATOATOMSHB002-MAIN","price":699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/23990722-1e1c-4279-bfc4-1c76447c2ea0.jpg?v=1773683726"},{"product_id":"blacinecampochdmftevf","title":"Blackmagic Design Pocket Cinema Camera Pro EVF for 6K Pro","description":"\u003cp\u003eEnhance your Pocket Cinema Camera 6K or 6K Pro with the addition of the \u003cstrong\u003ePocket Cinema Camera Pro EVF\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design.\u003c\/strong\u003e This electronic viewfinder is specifically engineered to fit securely into the EVF slot of the 6K Pro, utilizing an integrated M4 screw for a stable connection. When activated, the EVF automatically disables the built-in touchscreen LCD, preventing any inadvertent adjustments to settings during operation.\u003c\/p\u003e\r\n\u003cp\u003eThe viewfinder features a micro-OLED display with a resolution of 1280 x 960, delivering a sharp and detailed image. It offers various overlays, including status indicators, meters, and settings, positioned in the blank spaces above and below the camera image. The EVF supports input frame rates of up to 60 fps and 24-bit RGB color, ensuring a precise and vibrant representation of your footage. Additionally, the glass diopter allows for adjustments ranging from -4 to +4, and the display includes a digital focus chart. It can swivel up to 70 degrees, and comes with a set of four eyecups, accommodating compact, medium, cinematic left eye, and cinematic right eye configurations.\u003c\/p\u003e\r\n\u003ch2\u003eCompatibility\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eBlackmagic Design Pocket Cinema Camera 6K Pro\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBlackmagic Design Pocket Cinema Camera 6K\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39829370634286,"sku":"BLACINECAMPOCHDMFTEVF-MAIN","price":495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/c26dc883-06a5-4326-ac97-1caaadd45d6f.jpg?v=1741632894"},{"product_id":"blacinecampochdef6k2","title":"Blackmagic Design Pocket Cinema Camera 6K G2","description":"\u003cp\u003eThe \u003cstrong\u003ePocket Cinema Camera 6K G2\u003c\/strong\u003e represents the newest addition to the \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e series of compact Super35 cameras. This cine-style camera incorporates the same 6K S35 sensor, recording capabilities, dynamic range, interface ports, and controls as its predecessor, the 6K Pro, but simplifies certain features to offer a more budget-friendly option. Among the features carried over from the 6K Pro are a 5\" tilting touchscreen LCD, Pro EVF, battery grip options, dual mini-XLR audio inputs, an NP-F570 L-series battery slot, and the enhanced Gen 5 color science. By omitting the internal ND filters and lowering the LCD brightness in comparison to the 6K Pro, Blackmagic provides users with the opportunity to select between two nearly identical 6K models that align with their specific needs.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xnEFUHm4mvc\" title=\"Introducing Blackmagic Pocket Cinema Camera 6K G2\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eSuper35 Image Sensor\/Dual Native ISO\u003c\/h2\u003e\r\n\u003cp\u003eThe Pocket Cinema Camera 6K G2 is equipped with a Super35-sized sensor, offering 13 stops of dynamic range and a dual native ISO of 400\/3200, which can be extended to 25,600. This enables the camera to produce vibrant images at resolutions reaching 6144 x 3456 and frame rates of up to 60 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eGen 5 Color\u003c\/h2\u003e\r\n\u003cp\u003eThe 6K G2 incorporates the same sophisticated Gen 5 color science found in the 6K Pro and URSA Mini Pro 12K cameras, facilitating seamless integration of footage from the 6K Pro, 6K, and BMPCC 4K.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBlackmagic Raw and ProRes Recording\u003c\/h2\u003e\r\n\u003cp\u003eUtilize either Blackmagic Raw or ProRes 422 formats for recording, based on the specific requirements of your project, and make use of the internal CFast 2.0 and SD\/UHS-II card slots for storage. Additionally, connect to an optional ATEM Mini switcher through the full-size HDMI port for live streaming capabilities. For extended recording sessions, output via the USB Type-C port to save longer clips onto an external SSD.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUp to 6K Shooting Resolutions\u003c\/h2\u003e\r\n\u003cp\u003eMultiple resolutions include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e1920 x 1080 (HD)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBoth 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eVersatile Media Capture Options\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCapture longer clips using the USB Type-C output to an external SSD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eBluetooth Camera Remote Control\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eGet full control for your BMCC 6K G2 via Bluetooth from up to 30' away\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUse the Blackmagic Camera Control app for your iPad\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUse third-party apps such as Bluetooth+ or Trigger on your iOS and Android devices\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIdeal for boom, jib arm, or other hard-to-reach setups or locations\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eStudio Camera Features\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eLike the Blackmagic Studio cameras, the BMPCC 6K G2 has a built-in color corrector that works with the ATEM Mini\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSupports the optional pedestal-style focus and zoom controls\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eHorizontal or Vertical Capture\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eEasily create cinematic vertical content for TikTok, YouTube Shorts, and other social media platforms\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOffers vertical aspect ratios like 9:16 and 4:5\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe onscreen display rotates so critical information like frame rate, shutter angle, and frame guides, remains easy to view\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eClips are automatically tagged as vertical so they appear correctly in your timeline\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOnce you’ve finished, it’s easy to upload content to your channel with direct exporting to TikTok and YouTube\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eBody Design\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe 5-inch tilting HDR touchscreen LCD facilitates effortless viewing and adjustment of your settings. The tilting feature proves particularly advantageous when capturing images in elevated or lowered positions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe professional audio support now comprises two mini XLR inputs equipped with phantom +48V power. The audio capabilities feature a 3.5mm stereo input along with a headphone output. Additionally, it includes built-in functionalities such as a stereo microphone system and a mono speaker.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSelect from an extensive selection of Canon EF and EF-S mount lenses. Compatible lenses offer electronic communication for iris adjustment, autofocus, and zoom control.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBoth the 6K G2 camera and the optional battery grip use widely available NP-F570 L-series batteries\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eDaVinci Resolve Studio License Included\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe Blackmagic Design 6K G2 camera comes with a DaVinci Resolve Studio activation key\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIt also comes with a 30W power supply, offering simultaneous battery charging, and an NP-F570 battery\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncludes a lens port cap and a camera strap\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39862117302318,"sku":"BLACINECAMPOCHDEF6K2-MAIN","price":2375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/a9bf0af2-1cc9-475f-b733-b99506a1be65_7411d2c4-14dd-4284-adfe-29d81f5c62b2.jpg?v=1724190495"},{"product_id":"blaswatemscn21me2hd","title":"Blackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher | 1 RU","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher\u003c\/strong\u003e offers robust live event HD switching capabilities, accommodating up to 20 individual 3G\/HD-SDI inputs within a compact 1 RU chassis. This switcher is compatible with both 3G-SDI and HD-SDI signals, allowing connections to a diverse array of cameras and sources. It provides program output through 12 3G-SDI BNC outputs or via USB-C for webcam output. Furthermore, the device features two multiview outputs, each capable of displaying up to 16 routable windows that can showcase inputs, keyed video, graphics, and still images from the media pool, in addition to the program output. Each input is linked to an integrated Fairlight audio mixer, which supports up to 48 audio channels.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1741283706.jpeg\" style=\"margin: 0 auto; display: block; width: 670px; height: 377.88px;\" width=\"670\" height=\"377.88\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe switcher is equipped with a reference video input, and each input is provided with a frame synchronizer, frame rate converter, and format converter. This functionality enables the integration of various cameras and formats, including those without genlock, as well as video inputs from computer sources. It supports both upstream and downstream keyers and effects. All operations are performed live and in real time, eliminating the need for rendering. Control of the switcher can be achieved through the built-in front panel, optional Blackmagic ATEM panels, or the downloadable control software.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBroadcast-Quality Transitions\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Constellation HD offers an extensive selection of broadcast-quality native transitions, including mix, dip, wipe, and additional options. Each transition can be tailored through the system control menus, allowing for modifications in border color, border width, position, direction, and various other parameters. This switcher is equipped with a robust digital video effects processor that facilitates DVE transitions, enabling the current image to be pushed offscreen to unveil a new video beneath. Additionally, the DVE can be utilized to produce graphic wipe transitions. To prevent mistakes, the ATEM Constellation HD incorporates a preview transition feature, allowing users to configure their transitions prior to broadcasting.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBuilt-In DVE\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Constellation is equipped with two independent Digital Video Effects (DVE) units, allowing for the repositioning of graphics and the creation of picture-in-picture layouts. It delivers exceptional quality, with real-time support for positioning, resizing, and scaling. The DVE enables the production of professional-grade picture-in-picture effects, complete with customizable 3D borders, shadows, and lighting effects. Additionally, DVEs can be utilized to craft impressive transitions featuring squeeze and swoosh effects, enhancing the dynamism of your programming. Furthermore, it is possible to merge DVE transitions with custom graphics to develop unique graphic wipe transitions. The 2 M\/E model is enhanced with SuperSource processors, accommodating six DVEs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSuperSource\u003c\/h2\u003e\r\n\u003cp\u003eIn addition to the DVEs located in the M\/E rows, the 2 M\/E model is equipped with advanced SuperSource multilayer processors that feature four additional DVE layers along with a background layer. These layers are recognized by the ATEM Constellation HD as an extra input source. Each SuperSource DVE can utilize any switcher video input, which is then combined with a custom background from the media pool. Essentially, SuperSource functions as an integrated multi-layer VFX switcher. This capability is particularly advantageous for creating picture-in-picture displays during interviews, as it allows for the setup of effects while keeping the primary DVEs available for other functions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiview\u003c\/h2\u003e\r\n\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Broadcast Talkback\u003c\/h2\u003e\r\n\u003cp\u003eTo ensure that teams operate cohesively as a unified creative unit, the ATEM Constellation is equipped with integrated talkback functionality. This feature accommodates a 5-pin XLR headset connector and includes a rear-mounted RJ12 connector, allowing compatibility with industry-standard talkback systems such as ClearCom or RTS. Users benefit from comprehensive talkback management, which encompasses program and engineering loops, sidetone control for monitoring the headset microphone through the headphones, and program mix capabilities. Additionally, the ATEM Constellation HD offers SDI talkback, utilizing SDI channels 15 and 16 for bidirectional communication with Blackmagic Design cameras, while channels 13 and 14 can be designated for engineering talkback. Furthermore, it is feasible to incorporate the talkback microphone into the program audio for voiceover applications.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Pool\u003c\/h2\u003e\r\n\u003cp\u003eThe integrated media pool is designed to store broadcast-quality RGBA graphics and animations, which can be played back immediately by either two or four media players. These media players function as supplementary input sources on the ATEM Constellation HD, eliminating the need for additional SDI inputs for graphics. The media pool is specifically intended for graphics utilized by the media players. The 2 M\/E model is capable of accommodating 40 still images and 400 frame animations. Media management is straightforward with the provided ATEM Software Control, or you can directly download content from Photoshop using the ATEM Photoshop plug-in.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eChroma Keyers\u003c\/h2\u003e\r\n\u003cp\u003eFor news broadcasting or virtual set applications, the ATEM Constellation HD is an excellent choice, as it is equipped with numerous advanced keyers that ensure high-quality chroma and luminance keying. The chroma keyer is exceptionally robust and includes a color picker that allows users to sample background colors, facilitating the automatic generation of key parameters. Users benefit from precise controls for edge and flare adjustments, and a foreground color corrector is also available, enabling the foreground layer to be matched seamlessly with the background layer for cohesive compositions. Additionally, the keyer supports pattern and DVE keying. The 2 M\/E model provides eight ATEM Advanced Keyers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUpstream Chroma Keyers\u003c\/h2\u003e\r\n\u003cp\u003eThe presence of four upstream chroma keyers for each M\/E row provides an ideal solution for constructing virtual sets. With an abundance of ATEM Advanced chroma keyers available, it is possible to assign one keyer to each camera, facilitating a flawless integration of the camera feed with a customized background. The 2 M\/E model is equipped with sufficient keyers to support a virtual set featuring four cameras. Additionally, external image processors can be utilized for virtual sets, or a fixed camera virtual set can be created by loading pre-rendered still image backgrounds from the media players and media pool. Macros can be configured to switch between cameras and load the appropriate background into the media players. This level of flexibility allows for extensive experimentation with various studio configurations.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Rate 3G-SDI Input\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Constellation HD features up to 20 multi-rate 3G-SDI input connections, varying by model, making it compatible with a wide range of HD video sources. It supports all HD television standards, including 720p, 1080i, and 1080p formats. The multi-rate 3G-SDI capability enables seamless switching between HD formats, allowing for immediate adaptation to the specific requirements of any project worldwide. Additionally, the SDI inputs are capable of handling embedded audio and mixing audio from all video sources. Furthermore, the program outputs provide talkback, tally, and camera control information, facilitating the connection of any switcher SDI outputs back to the camera for program return, camera control, and talkback functionalities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio\u003c\/h2\u003e\r\n\u003cp\u003eATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eATEM Software Control Panel\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Software Control Panel provides comprehensive management of your switcher and is available at no cost. It boasts an elegantly designed interface that includes a visual switcher and parameter palettes for efficient adjustments. Multiple users can connect to the switcher through Ethernet, allowing them to collaborate on various aspects of the event simultaneously. Additionally, the ATEM Software Control enables access to camera management, audio mixing, media handling, macro programming, and control of HyperDeck disk recorders. Users can save the complete configuration of the switcher as XML files, and all media is securely backed up from the media pool. The software is compatible with both Mac and Windows operating systems.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSupports Optional Control Panels\u003c\/h2\u003e\r\n\u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39889545527342,"sku":"BLASWATEMSCN21ME2HD-MAIN","price":1695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/e4ac7fa4-d571-448c-aa74-1625999e082c.jpg?v=1741291110"},{"product_id":"can4828c013","title":"Canon PowerShot PICK PTZ Camera | Black","description":"\u003cp\u003eCapturing moments is important. But, it’s also not always easy. Being the family photographer often requires you to pause the moment, asking everybody to pose, making sure everyone is in the frame, and even if all that goes well the person behind the camera doesn’t get to be in the picture. \u003cstrong\u003eCanon PowerShot PICK PTZ Camera\u003c\/strong\u003e changes all this and more. By ensuring that you record experiences as they happen organically, genuinely. No posing, no pausing—just candid memories that can last forever. PICK’s unique algorithm has been years in the making, with a dedicated app to get the image just right. It will automatically search for faces and smiles while adjusting the composition of the frame with its Pan, Tilt, Zoom (PTZ) mechanism. The camera captures and records moments while you’re enjoying them and you don’t have to do anything, no timers, no clicking, no posing—just living in the moment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSimple, portable design\u003c\/h2\u003e\r\n\u003cp\u003eThe PowerShot PICK can go anywhere, thanks to USB-C charging and built-in Wi-Fi, which links to your smart device. Want more control? Just ask - it's voice activated too. Just say, “Hello Pick, take a picture”, and it's done, hands free! Four voice commands cover useful functions like taking a video and finding other people to capture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eUse it as a Wireless Webcam\u003c\/h2\u003e\r\n\u003cp\u003eThe PowerShot PICK also works great as a web cam, using the Wireless Webcam Utility for Mini PTZ Cam, bringing extra ease and usefulness. Only available for Windows 10 PCs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eSmile Tracking and Automatic Filtering\u003c\/h2\u003e\r\n\u003cp\u003eUsing a unique algorithm that was developed over the years by Canon, the PowerShot PICK will automatically search for faces of people nearby once it is switched on, adjusting the composition of the shot and shoot based on facial information with its pan, tilt and zoom (PTZ) mechanism.\u003c\/p\u003e\r\n\u003cp\u003eThe intelligent technology behind the PowerShot PICK means that it can automatically shoot various scenes where people are smiling, with a variation of compositions. Subsequently, recommended scenes will be filtered from the many images taken, making it even easier to select and decide which images you would like to keep and share, saving time and effort.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePortable, Compact, and Lightweight\u003c\/h2\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/compact.jpg?4697\" alt=\"\" style=\"float: left; width: 371px; height: 264.517px;\" width=\"371\" height=\"264.517\"\u003eWeighing only approximately 6 oz (including the microSD card) and measuring under 3.3” x 2.5” in size, the PowerShot PICK can be carried along for use almost anywhere. The PTZ mechanism has a pan direction of maximum approximately ±170 degrees, tilt direction of a maximum approximate of 110 degrees and is capable of up to a maximum of 12x zoom, through a combination of a 3x optical zoom and a 4x digital zoom.\u003c\/p\u003e\r\n\u003cp\u003eThe PowerShot PICK also has a wide-angle coverage of 19mm (in 35mm format equivalent), allowing a large group of people to be included within the scene and it works well in small enclosed areas. This allows users to place the camera at an easy angle to allow continuous footage shooting without having to worry about adjusting the camera. Up to 5 hours of video recording through the camera's built-in battery allows the camera to be portable and can be used anywhere. Also, it can be charged via its USB-C port.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRemote Shooting \u0026amp; Playback\u003c\/h2\u003e\r\n\u003cp\u003eManual capture of photos and videos is possible by using your connected smartphone or tablet as a remote to control the movement and angle of view of the PowerShot PICK.\u003c\/p\u003e\r\n\u003cp\u003eImages shot by the PowerShot PICK can be previewed on the app, which will also highlight the best recommendation from the gallery. Save your favorite shots to your smart device, or generate a highlight video within the app on iOS.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39902134599726,"sku":"CAN4828C013-MAIN","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/4609ab47-c216-46fd-9f47-3b799ae05ee9.jpg?v=1740517825"},{"product_id":"can4828c015","title":"Canon PowerShot PICK PTZ Camera | White","description":"\u003cp\u003eCapturing moments is important. But, it’s also not always easy. Being the family photographer often requires you to pause the moment, asking everybody to pose, making sure everyone is in the frame, and even if all that goes well the person behind the camera doesn’t get to be in the picture. \u003cstrong\u003eCanon PowerShot PICK PTZ Camera\u003c\/strong\u003e changes all this and more. By ensuring that you record experiences as they happen organically, genuinely. No posing, no pausing—just candid memories that can last forever. PICK’s unique algorithm has been years in the making, with a dedicated app to get the image just right. It will automatically search for faces and smiles while adjusting the composition of the frame with its Pan, Tilt, Zoom (PTZ) mechanism. The camera captures and records moments while you’re enjoying them and you don’t have to do anything, no timers, no clicking, no posing—just living in the moment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSimple, portable design\u003c\/h2\u003e\r\n\u003cp\u003eThe PowerShot PICK can go anywhere, thanks to USB-C charging and built-in Wi-Fi, which links to your smart device. Want more control? Just ask - it's voice activated too. Just say, “Hello Pick, take a picture”, and it's done, hands free! Four voice commands cover useful functions like taking a video and finding other people to capture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eUse it as a Wireless Webcam\u003c\/h2\u003e\r\n\u003cp\u003eThe PowerShot PICK also works great as a web cam, using the Wireless Webcam Utility for Mini PTZ Cam, bringing extra ease and usefulness. Only available for Windows 10 PCs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eSmile Tracking and Automatic Filtering\u003c\/h2\u003e\r\n\u003cp\u003eUsing a unique algorithm that was developed over the years by Canon, the PowerShot PICK will automatically search for faces of people nearby once it is switched on, adjusting the composition of the shot and shoot based on facial information with its pan, tilt and zoom (PTZ) mechanism.\u003c\/p\u003e\r\n\u003cp\u003eThe intelligent technology behind the PowerShot PICK means that it can automatically shoot various scenes where people are smiling, with a variation of compositions. Subsequently, recommended scenes will be filtered from the many images taken, making it even easier to select and decide which images you would like to keep and share, saving time and effort.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePortable, Compact, and Lightweight\u003c\/h2\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/compact.jpg?4697\" alt=\"\" style=\"float: left; width: 371px; height: 264.517px;\" width=\"371\" height=\"264.517\"\u003eWeighing only approximately 6 oz (including the microSD card) and measuring under 3.3” x 2.5” in size, the PowerShot PICK can be carried along for use almost anywhere. The PTZ mechanism has a pan direction of maximum approximately ±170 degrees, tilt direction of a maximum approximate of 110 degrees and is capable of up to a maximum of 12x zoom, through a combination of a 3x optical zoom and a 4x digital zoom.\u003c\/p\u003e\r\n\u003cp\u003eThe PowerShot PICK also has a wide-angle coverage of 19mm (in 35mm format equivalent), allowing a large group of people to be included within the scene and it works well in small enclosed areas. This allows users to place the camera at an easy angle to allow continuous footage shooting without having to worry about adjusting the camera. Up to 5 hours of video recording through the camera's built-in battery allows the camera to be portable and can be used anywhere. Also, it can be charged via its USB-C port.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRemote Shooting \u0026amp; Playback\u003c\/h2\u003e\r\n\u003cp\u003eManual capture of photos and videos is possible by using your connected smartphone or tablet as a remote to control the movement and angle of view of the PowerShot PICK.\u003c\/p\u003e\r\n\u003cp\u003eImages shot by the PowerShot PICK can be previewed on the app, which will also highlight the best recommendation from the gallery. Save your favorite shots to your smart device, or generate a highlight video within the app on iOS.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39902134698030,"sku":"CAN4828C015-MAIN","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/11c58ae5-7886-4833-ba80-01aa14fdccff.jpg?v=1740518560"},{"product_id":"blahyperdavida037","title":"Blackmagic Design Video Assist 3G-SDI\/HDMI 7\" Recorder\/Monitor","description":"\u003cp\u003eEnhance your camera's capabilities with professional monitoring and superior recording through the \u003cstrong\u003eVideo Assist 3G-SDI\/HDMI 7\" Recording Monitor\u003c\/strong\u003e by \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This device boasts a vibrant 7-inch display with a resolution of 1920 x 1200 and a brightness of 300 cd\/m², facilitating precise framing and focusing of your shots. It is equipped with 3G-SDI and HDMI inputs, allowing for the recording of video output from both professional and consumer cameras. The monitor supports video resolutions up to 1080p60 in 10-bit 4:2:2 format, along with the ability to handle up to 16 channels of embedded 24-bit 48 kHz audio. Additionally, it includes two balanced 3-pin mini-XLR inputs that support 48V phantom power for high-quality audio recording. The firmware update 3.3.1 introduces a video output via the USB Type-C port, enabling the use of your connected camera as a webcam. It also enhances audio functionality with XLR audio mapping to various channels, external timecode support, and selective channel monitoring.\u003c\/p\u003e\r\n\u003cp\u003eThe Video Assist 3G 7\" records onto SDXC\/SDHC memory cards through dual UHS-I SD card slots. The USB Type-C port can be utilized for recording, configuration, and firmware upgrades. Video recording is accomplished using industry-standard codecs such as Apple ProRes (HQ, 422, LT, or Proxy) and Avid DNxHD.\u003c\/p\u003e\r\n\u003cp\u003eThis monitor features a touchscreen interface that allows for easy adjustment of settings and access to monitoring tools, including histogram, waveform, RGB parade, vectorscope, and various other scopes and exposure aids. A tally light positioned on the top of the monitor indicates when it is operational and recording. Users can select from 11 languages to facilitate navigation of on-screen text displays and menu options. The monitor can be powered using the included 12V power adapter or with separately purchased Sony L-Series type batteries in the dual battery slots.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSupports video formats up to 1080p60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCan be used to upgrade viewing and recording options with older cameras\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e7\" touchscreen LCD screen with customizable overlays\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3G-SDI and HDMI input ports with loop-through outputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3D LUT support for customized viewing\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSends a streaming-friendly 1080p video signal to your computer, enabling the use of your connected camera as a webcam\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDirect metadata entry\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual SD card slots for ProRes recording\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMultiple display tools including focus peaking, zebra, and false color\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWaveform, vectorscope, histogram, and RGB parade\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eXLR audio mapping to different channels\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eExternal XLR timecode\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAbility to select which audio channels you are monitoring\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMultiple Language Displays\u003c\/h2\u003e\r\n\u003cp\u003eChoose from 11 languages for easier use of on-screen text displays and menu options:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eEnglish\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eChinese\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFrench\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eGerman\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eItalian\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eJapanese\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eKorean\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003ePortuguese\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRussian\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSpanish\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTurkish\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMinimum macOS System Requirements\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003emacOS 10.15 Catalina\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003emacOS 10.14 Mojave\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUSB 2.0 port for updates\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eMinimum Windows System Requirements\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eMicrosoft Windows 10 64-bit\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUSB 2.0 port\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":39967410192430,"sku":"BLAHYPERDAVIDA037-MAIN","price":765.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/67421f2a-a14f-408f-9c7a-1aa0c23a154a.jpg?v=1773686255"},{"product_id":"can5077c002-uln","title":"Canon EOS R5C Mirrorless Cinema Camera | Body Only **OPEN BOX**","description":"\u003cp\u003eFor wedding videographers, drone camera operators, and multimedia journalists seeking professional-grade photo and video production capabilities, the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e offers an innovative shooting experience. With a straightforward switch, the R5 C functions as a fully equipped still photo camera, incorporating all the features of the R5 EOS mirrorless model. Conversely, when switched in the opposite direction, it transforms into a full-frame 8K60 Cinema EOS camera, capable of internally recording 12-bit Cinema RAW Light footage. This eliminates the necessity of carrying an additional camera for your production, as both stills and video can be captured within a single, compact unit.\u003c\/p\u003e\r\n\u003cp\u003eThe R5 C boasts several enhancements over its counterparts, the R5 and C70, such as 4K120 recording, HDMI RAW output, support for Canon Log 3 HLG\/PQ, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-capacity LP-E6NH battery, 13 customizable buttons, and a multi-function shoe for XLR adapters. It also retains the dependable features of its predecessors, including Wi-Fi\/Bluetooth connectivity, compatibility with DaVinci Resolve and Canon applications, an electronic RF mount, CFexpress\/SD card slots, and a similar button layout. Additionally, the EOS R5 C is designed to be moisture and dustproof, matching the durability of its cinema counterpart, the EOS C70. All of these features are integrated into a lightweight 1.7 lb body, making it an ideal choice for drone camera applications.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AQblSxDTsEs\" title=\"Canon EOS R5 C: A True Hybrid Camera\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a 45MP full-frame CMOS imaging sensor, which is fundamental to its exceptional image quality and facilitates remarkable 8K60 RAW cinematic video recording. Emphasizing focus and speed, the EOS R5 C enables continuous still-image capture at rates of up to 20 frames per second. Its Dual Pixel CMOS AF II technology allows for precise tracking of rapid movements, even for the most elusive subjects. With 1053 Automatic AF zones, capturing images of people is simplified through Eye, Face, and Head Detection AF, while Animal Detection AF enables intuitive tracking of the entire body, face, or eyes of pets such as cats, dogs, and birds. For those requiring swift performance, Canon has incorporated vehicle subject detection for accurate tracking of cars and motorcycles. Additionally, the camera offers connectivity options, including 5 and 2.4GHz Wi-Fi and Bluetooth, facilitating the transfer of still images.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Control for the Dedicated Video Professional\u003c\/h2\u003e\r\n\u003cp\u003eWhen the main switch of the EOS R5 C is set to the \"video\" position, the well-known Cinema EOS menu system and interface are activated. This transition unlocks advanced video features, including waveform monitors, various video codec options, and comprehensive audio controls, significantly enhancing the video capabilities of the EOS R5 C for skilled camera operators and video content creators. In \"photo\" mode, the menus closely resemble those found on the EOS R5 camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Ergonomic_EOS_Design.jpg?1602\" alt=\"\" style=\"float: left; width: 303px; height: 190.637px;\" width=\"303\" height=\"190.637\"\u003eErgonomic EOS Design\u003c\/h2\u003e\r\n\u003cp\u003eThe body design of the EOS R5 C camera is remarkably compact and lightweight. When combined with a Canon RF lens or an EF lens via the Mount Adapter EF-EOS R, it delivers exceptional performance that fits comfortably in your hand, facilitating effortless handheld shooting for both video and still photography. Its electronic viewfinder is optically extended, providing an eye-level viewing experience akin to that of the traditional EOS R5 camera, and it features the same ergonomic grip design.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCMOS Sensor and DIGIC X Processor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/CMOS_Sensor_and_DIGIC_X_Processor.jpg?543\" alt=\"\" style=\"float: right; width: 287px; height: 162.167px;\" width=\"287\" height=\"162.167\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 8K CMOS sensor, combined with the DIGIC X processor, delivers exceptional video quality at resolutions reaching up to 8K60. The incorporation of the Cinema RAW Light format, particularly in its high-efficiency mode, allows for internal card recording without the necessity of an external recorder. The EOS R5 C camera is equipped to support HDR recording in both Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats, ensuring comprehensive color representation and extensive dynamic range from deep blacks to bright whites, making it ideal for livestreams, broadcasts, and post-production endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e8K60 RAW Recording\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eCQ1cqxvur4\" title=\"Introducing the Canon EOS R5 C Digital Camera\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eCinema RAW Light in 8K offers exceptional capabilities for post-production grading and archiving, while MP4 is tailored for enhanced online performance. The camera also supports internal recording in 5.9K using Super 35mm mode and 2.9K in Super 16mm mode, utilizing CFexpress cards. The Cinema RAW Light video files have been optimized for improved efficiency, enabling 12-bit recording across all frame rates. With the introduction of three newly developed Cinema RAW Light modes—High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT—users can choose the appropriate RAW video mode based on their specific shooting requirements. Additionally, lighter and smaller proxy video files can be recorded during 8K shooting.\u003c\/p\u003e\r\n\u003cp\u003eThe EOS R5 C camera facilitates RAW output through HDMI and ProRes RAW recording with compatible external recorders, such as Atomos devices. By connecting the EOS R5 C to a supported external recorder, users can capture Apple ProRes RAW at resolutions up to 8K30. Furthermore, proxy data can be recorded simultaneously to an SD card within the camera, streamlining post-production workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Different_File_Formats_and_Simultaneous_Recording.jpg?1027\" alt=\"\" style=\"float: left; width: 380px; height: 105.556px;\" width=\"380\" height=\"105.556\"\u003eDifferent File Formats and Simultaneous Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Cinema RAW Light, which facilitates lightweight data sizes for RAW recording. In addition, it supports MXF-based XF-AVC and the adaptable MP4 format. This camera has the capability to record two separate video files concurrently, such as Cinema RAW Light and MP4, across multiple resolutions including 4K and HD, as well as generating lightweight proxy files suitable for various professional applications. XF-AVC provides robust 10-bit 4:2:2 files encapsulated in a .MXF wrapper, ensuring seamless compatibility with non-linear editing systems (NLEs) and established workflows.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eInternal Cooling Fan Enables Nonstop 8K60 Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with an integrated cooling fan that expels heat from within the device, allowing for continuous and nearly unlimited recording of high-definition 8K60 video without any interruptions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eExpanded Interface for Professional Needs\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Expanded_Interface_for_Professional_Needs.jpg?3971\" alt=\"\" style=\"float: right; width: 353px; height: 147.957px;\" width=\"353\" height=\"147.957\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a timecode input\/output terminal, facilitating seamless synchronization during multi-camera shoots and with various interfaces. Additionally, a cable protector is provided as a standard feature to safeguard against cable disconnection or damage to the terminal in the event of excessive force applied during the connection of interface or HDMI cables.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMulti-Function Shoe for Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe multi-function shoe from Canon, equipped with a digital audio interface, is compatible with the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter, allowing for up to 4-channel audio capabilities. This accessory provides two standard XLR inputs with phantom power and a shotgun microphone mount, facilitating digital 4-channel and 24-bit audio recording to satisfy the requirements of professional video production.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiple Power Options\u003c\/h2\u003e\r\n\u003cp\u003eThe incorporation of Cinema RAW Light recording at elevated resolutions and frame rates necessitates increased power to ensure complete functionality of the lenses. When operating in full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light, standard LP-E6NH, LP-E6, or LP-E6N battery packs will be insufficient to support the electronic components of RF lenses or EF lenses connected through an adapter. However, purely mechanical lenses can be utilized without any complications at these settings. To achieve full electronic lens functionality across all Cinema RAW Light resolutions and frame rates, one may employ the CA-946 power adapter in conjunction with the new DR-E6C DC coupler for mains or professional D-Tap battery power sources, or alternatively, a power bank may be used.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e13 Full-Featured Assignable Buttons\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is engineered to offer operational versatility, accommodating the unique workflows of professionals. It features 13 designated, assignable buttons that facilitate a user-friendly and personalized operating experience.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/4K_and_2K_Oversampling.jpg?7787\" alt=\"\" style=\"float: left; width: 258px; height: 145.483px;\" width=\"258\" height=\"145.483\"\u003e4K and 2K Oversampling\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera captures signals from all active pixels of its full-frame 8K sensor, facilitating 4:2:2 10-bit high-definition recording through oversampling in both 4K and 2K video formats. It incorporates an advanced debayering algorithm, and the 4K output derived from the extensive RGB data of the 8K sensor enhances imaging quality, significantly reducing the occurrence of moiré patterns, false colors, aliasing artifacts, and noise.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUp to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Up_to_4K120_Slow_and_Fast_Motion_Recording_Mode.jpg?5481\" alt=\"\" style=\"float: right; width: 256px; height: 144.533px;\" width=\"256\" height=\"144.533\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is capable of capturing High Frame Rate (HFR) films at a maximum of 120 frames per second in DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) with a 4:2:2 10-bit color depth, all without cropping the sensor. This feature is particularly advantageous for filming dynamic scenes filled with rapid action. Furthermore, the camera's swift and user-friendly autofocus system remains operational during HFR recording, making it exceptionally suitable for use with gimbals or drones, thereby ensuring remarkable focus precision whether at HFR or standard frame rates.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Simultaneous_Audio_Recording_Enabled_with_HFR.jpg?6930\" alt=\"\" style=\"float: left; width: 197px; height: 164.68px;\" width=\"197\" height=\"164.68\"\u003eSimultaneous Audio Recording Enabled with HFR\u003c\/h2\u003e\r\n\u003cp\u003eIn contrast to certain other cameras that do not capture audio while shooting in high frame rate (HFR) mode, the EOS R5 C camera is capable of recording .WAV audio as a distinct file separate from the video. This feature significantly reduces the necessity for independent audio recording, allowing for the seamless delivery of both HFR video and audio files within a single, convenient device when capturing slow-motion or fast-motion footage.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon Log 3 Expands Expressive Possibilities\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Canon_Log_3_Expands_Expressive_Possibilities.jpg?1148\" width=\"480\" height=\"270\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with Canon Log 3, a feature commonly found in various Canon models, compatible with numerous Canon EOS and Cinema EOS cameras. This wide dynamic range facilitates extensive grading options post-capture. Canon Log 3 is specifically engineered for straightforward grading processes, allowing for enhancements in shadow detail and tone adjustments. It maintains the user-friendly characteristics of Canon Log while minimizing visible noise. Additionally, it is compatible with other Cinema EOS system cameras, including the EOS C300 Mark III and EOS C70.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Enhanced_Image_Stabilization.jpg?678\" alt=\"\" style=\"float: left; width: 260px; height: 199.875px;\" width=\"260\" height=\"199.875\"\u003eEnhanced Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eImproved image stabilization is realized through the synchronized control of Canon's RF lenses featuring optical image stabilization (IS) when paired with the electronic IS of the EOS R5 C camera during XF-AVC or MP4 recording. The combination of an RF lens equipped with optical IS and the electronic IS in the EOS R5 C facilitates coordinated control, resulting in superior correction of hand-shake effects. This configuration provides enhanced anti-vibration capabilities compared to traditional EF lenses with IS (utilizing the optional Mount Adapter EF-EOS R) in conjunction with electronic IS.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow\u003c\/h2\u003e\r\n\u003cp\u003eThe EOS R5 C camera serves as an outstanding companion to Canon's RF5.2mm F2.8 L Dual Fisheye Lens, enabling the capture of stereoscopic 3D 180° VR video (viewing in 3D necessitates a compatible Head Mount Display). Additionally, a plug-in for Adobe Premiere Pro, along with Canon's EOS VR Utility, is provided to facilitate a seamless workflow from shooting to editing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDual Pixel CMOS AF with iTR AF X\u003c\/h2\u003e\r\n\u003cp\u003eCanon's Dual Pixel CMOS AF technology employs each pixel on the imaging sensor to facilitate focus detection while simultaneously capturing image data, resulting in both precise focusing and superior image quality. When utilizing the majority of Canon RF and EF lenses, autofocus for video can be performed across roughly 80% of the vertical and horizontal dimensions of the screen.\u003c\/p\u003e\r\n\u003cp\u003eThe Touch AF feature enables users to position an autofocus (AF) point by simply tapping the LCD screen, in addition to facilitating rapid manual adjustments using the 8-way multi-controller located on the rear of the camera. This camera is equipped with Eye AF and Head Detection AF, which have been developed through deep learning technology to enhance subject tracking capabilities. Furthermore, it offers human detection for eyes, faces, and heads, ensuring precise tracking of subjects even in situations where AF control may be limited. Users have the flexibility to adjust focus according to their specific subject or shooting conditions. A diverse range of AF modes allows for autofocus shooting that adapts seamlessly to the movement of the subject, enabling users to delegate focusing tasks to the camera and focus on their photographic endeavors.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStill Imaging Features\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003eHigh Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor \u0026amp; DIGIC X Processor\u003c\/h3\u003e\r\n\u003cp\u003eThe still imaging capabilities and functionality of the EOS R5 C camera closely resemble those of Canon's EOS R5 model. It is equipped with the same Canon-engineered CMOS sensor, which boasts approximately 45 effective megapixels, along with a DIGIC X Image Processor that significantly improves operational speed. As a result, users can expect rapid and efficient performance, along with exceptional image quality suitable for large prints, outstanding video, and additional applications.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eDIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera offers superior quality and extended ISO capabilities for still images, along with a wide array of features designed to improve performance in diverse and rapidly changing lighting conditions. It is capable of shooting at expanded sensitivities ranging from ISO 50 (L) to ISO 102400 (H).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eHigh-Speed Continuous Shooting\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHigh-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eSame Subject Detection and Tracking AF as the Canon EOS R5\u003c\/h3\u003e\r\n\u003cp\u003eThe Canon EOS R5 Camera features identical subject detection and tracking autofocus capabilities, allowing for shooting speeds of up to 20 frames per second.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eHead and Eye Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/Head_and_Eye_Detection.jpg?9883\" alt=\"\" style=\"float: right; width: 206px; height: 116.733px;\" width=\"206\" height=\"116.733\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose \"People\" as the subject detection option for the EOS R5 C, and similar to the EOS R5, it is capable of focusing on a person's eyes, face, or head (in cases where the face is obscured), as well as the entire body if the head is not identifiable.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAnimal Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe innovative Animal Detection AF featured in the EOS R5 is also available for still images, enabling the identification and focusing on the eyes, faces, or bodies of birds, cats, and dogs. This capability extends across nearly the entire image area when used with various Canon lenses. Such advancements present transformative opportunities for capturing wildlife photography, even with subjects that pose significant challenges, such as birds in flight.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eVehicle Detection\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C incorporates Vehicle Detection AF, a feature inherited from the high-performance Canon EOS R3 camera, enhancing subject detection capabilities during still-image photography. This functionality allows for the identification and tracking of cars and motorcycles, particularly in racing scenarios, even at elevated speeds. Additionally, the user-selectable Spot Detection enables the R5 C's autofocus system to focus on the helmets of visible riders or drivers, rather than solely on the front of the vehicle.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003eAF Area Flexibility\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Flexibility.jpg?7329\" alt=\"\" style=\"float: right; width: 195px; height: 129.458px;\" width=\"195\" height=\"129.458\"\u003e\n\u003c\/h4\u003e\r\n\u003cp\u003eChoose the dimensions of the active autofocus (AF) region, ranging from a specific single AF point to the complete available AF area, and swiftly adjust a user-defined area using the 8-way multi-controller located on the rear of the camera. The EOS R5 C offers the same options for still-image autofocus method selection as the EOS R5 model.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch4\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/AF_Area_Coverage_of_Approx-_100_x_100_for_Still_Images.jpg?2666\" alt=\"\" style=\"float: left; width: 231px; height: 154px;\" width=\"231\" height=\"154\"\u003eAF Area Coverage of Approx. 100% x 100% for Still Images\u003c\/h4\u003e\r\n\u003cp\u003eThe EOS R5 C camera is equipped with a broad focus area, covering nearly 100% both horizontally and vertically when utilized with certain RF and EF lenses during still-image capture. In contrast, when using older EF lenses or EF Extender types I and II, the focus area is approximately 80% horizontally and 80% vertically. This capability ensures rapid and remarkable focusing, even when the subject is positioned far from the center of the frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/R5C\/EV_-6_Low-Light_Autofocus.jpg?1809\" alt=\"\" style=\"float: right; width: 253px; height: 168.667px;\" width=\"253\" height=\"168.667\"\u003eEV -6 Low-Light Autofocus\u003c\/h3\u003e\r\n\u003cp\u003eThe EOS R5 C camera excels in night photography and extremely low-light environments, as its exceptional autofocus (AF) system can function effectively for still images in lighting conditions as low as EV -6, where many other AF systems may struggle or become unresponsive. Additionally, still-image autofocus is achievable with combinations of lenses and Canon RF tele extenders that have maximum effective apertures as narrow as f\/22, allowing for autofocus capabilities even with the RF 800mm f\/11 IS STM paired with the RF 2x Extender.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39985548394542,"sku":"CAN5077C002-ULN","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/a45c8386-ea51-4f1c-8af6-48271867c5cf.jpg?v=1725713187"},{"product_id":"can5732c002","title":"Canon XA65 Professional UHD 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA65 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera that features many similarities to its XA45 predecessor, including UHD 4K capture, a 1\/2.3\" CMOS sensor, two XLR audio inputs, and one each mini-HDMI and BNC 3G-SDI output, making it suitable for the ENG category for documentary or journalism-style productions. This streamlined model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, XF-AVC and MP4 recording formats, OSD metadata recording, and fast USB-C video-only output with UVC support for live streaming to a computer. The lens optics include an integrated 20x 4K\/HD optical zoom and an eight-bladed circular iris for more natural highlights. The camera's pro-style features include Hybrid, Normal, Face Only, manual focus, Instant, and Canon's Medium autofocus; fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise.\u003c\/p\u003e\r\n\u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA65 features up to four channels of LPCM audio in 720p mode with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCanon 4K Sensor\u003c\/h2\u003e\r\n\u003cp\u003eA 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images, and an 8-blade iris achieves cinema-style out-of-focus highlights. Frame your shot with the ultrabright 3.5\" LCD or use the built-in OLED electronic viewfinder (EVF).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/h2\u003e\r\n\u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUVC Live Streaming\u003c\/h2\u003e\r\n\u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Audio Controls\u003c\/h2\u003e\r\n\u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring a suite of pro audio options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K 20x Optical Zoom Lens\u003c\/h2\u003e\r\n\u003cp\u003eThe Canon lens covers a 29.3mm wide angle (35mm equivalent) with a powerful 612mm reach. Digital zoom boosts the 20x optical zoom to 800x magnification. To minimize camera shake, the camera provides Canon's Dynamic IS 5-axis image stabilization.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/1.jpg?3308\" alt=\"\" style=\"width: 844px; height: 213.458px;\" width=\"844\" height=\"213.458\"\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFast, Precise Focusing with Face Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/2_1.jpg?2459\" alt=\"\" style=\"float: right; width: 293px; height: 174.455px;\" width=\"293\" height=\"174.455\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe X65 features adjustable focusing speeds, and an advanced Hybrid AF system provides fast and precise focusing. Use the ultrabright high-resolution 3.5\" LCD to set focus by touching the AF point on the screen. Face Detection AF and Face Tracking are available, while manual focus is set via the focus\/zoom ring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eXF-AVC and MP4 for Flexible Recording\u003c\/h2\u003e\r\n\u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSlow and Fast Motion Recording\u003c\/h2\u003e\r\n\u003cp\u003eCreative possibilities are further enhanced with Slow \u0026amp; Fast motion recording. Record Slow Motion in 0.4x Full HD or Fast Motion in 4K\/Full HD up to 1200x.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/3_1.jpg?6405\" alt=\"\" style=\"width: 814px; height: 257.72px;\" width=\"814\" height=\"257.72\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input and Output\u003c\/h2\u003e\r\n\u003cp\u003eOutput options include simultaneous backup and relay recording via dual SD cards \u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/4_1.jpg?4266\" alt=\"\" style=\"float: left; width: 180px; height: 185.701px;\" width=\"180\" height=\"185.701\"\u003eand Infrared mode. Record Slow Motion in Full 5x HD or Fast Motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003c\/p\u003e\r\n\u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39999304368174,"sku":"CAN5732C002-MAIN","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/88f96b78-995b-407f-bdec-eb7f1020de3e.jpg?v=1740498404"},{"product_id":"can5733c002","title":"Canon XA60 Professional UHD 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA60 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera that features many similarities to its XA45 predecessor, including UHD 4K capture, a 1\/2.3\" CMOS sensor, two XLR audio inputs, and one mini-HDMI output, making it suitable for the ENG category for documentary or journalism-style productions. This streamlined model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, XF-AVC and MP4 recording formats, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer. The lens optics include an integrated 20x 4K\/HD optical zoom and an eight-bladed circular iris for more natural highlights. The camera's pro-style features include Hybrid, Normal, Face Only, Manual Focus, Instant, and Canon's Medium autofocus; fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise.\u003c\/p\u003e\r\n\u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots, and it outputs to a mini-HDMI port. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI output. On the audio side, the XA60 features up to four channels of LPCM audio in 720p mode with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eShoot, Record, Document, Stream\u003c\/h2\u003e\r\n\u003cp\u003eShoot high quality 4K UHD video with the compact XA60. The camera delivers outstanding oversampled HD, advanced autofocus, a Canon 20x optical zoom lens, HD livestreaming with UVC1 via a USB-C connection to a PC or Mac and can capture footage for recording or sharing later in either XF-AVC or MP4 formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/h2\u003e\r\n\u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUVC Livestreaming\u003c\/h2\u003e\r\n\u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Audio Controls\u003c\/h2\u003e\r\n\u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring a suite of pro audio options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K 20x Optical Zoom Lens\u003c\/h2\u003e\r\n\u003cp\u003eThe Canon lens covers a 29.3mm wide angle (35mm equivalent) with a powerful 612mm reach. Digital zoom boosts the 20x optical zoom to 800x magnification. To minimize camera shake, the camera provides Canon's Dynamic IS 5-axis image stabilization with dynamic mode, resulting in clear, sharp motion video.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/1.jpg?4116\" alt=\"\" style=\"width: 834px; height: 211.422px;\" width=\"834\" height=\"211.422\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFast, Precise Focusing with Face Detection\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/2_1.jpg?1931\" alt=\"\" style=\"float: right; width: 336px; height: 200.057px;\" width=\"336\" height=\"200.057\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe X65 features adjustable focusing speeds, and an advanced Hybrid AF system provides fast and precise focusing. Use the ultrabright high-resolution 3.5\" LCD to set focus by touching the AF point on the screen. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eXF-AVC and MP4 for Flexible Recording\u003c\/h2\u003e\r\n\u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e\r\n\u003ch2\u003eSlow and Fast Motion Recording\u003c\/h2\u003e\r\n\u003cp\u003eCreative possibilities are further enhanced with Slow \u0026amp; Fast motion recording. Record Slow Motion in 0.4x Full HD or Fast Motion in 4K\/Full HD up to 1200x.\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/3_1.jpg?3491\" alt=\"\" style=\"width: 800px; height: 253.287px;\" width=\"800\" height=\"253.287\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input and Output\u003c\/h2\u003e\r\n\u003cp\u003eOutput options include simultaneous backup and relay recording via dual SD cards and Infrared mode. Record Slow Motion in Full 5x HD or Fast Motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39999311544366,"sku":"CAN5733C002-MAIN","price":1899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/40856d76-435f-4cfe-a364-f850f816e2a7.jpg?v=1740500605"},{"product_id":"can5736c002","title":"Canon XA70 UHD 4K30 Camcorder with Dual-Pixel Autofocus","description":"\u003cb\u003eOverview\u003c\/b\u003e\r\n\u003cp\u003e\r\nThe \u003cstrong\u003eCanon XA70 Professional UHD 4K Camcorder \u003c\/strong\u003eis a compact, lightweight camera featuring UHD 4K capture, a 1\" CMOS sensor, two XLR audio inputs, and one mini-HDMI output which fits right into the ENG category for documentary or journalism-style productions. Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer. The lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA70 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism. The camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to a mini-HDMI port. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI output. On the audio side, the XA70 features up to four channels of LPCM audio with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\r\n\u003c\/p\u003e\r\n\r\n\u003cbr\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cb\u003eKey Features\u003c\/b\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e1\" CMOS Sensor, DIG!C DV 6 Processor\u003c\/li\u003e\r\n\u003cli\u003eUp to UHD 4K30 Video Recording\u003c\/li\u003e\r\n\u003cli\u003eMini-HDMI Output\u003c\/li\u003e\r\n\u003cli\u003eIntegrated 15x Optical Zoom Lens\u003c\/li\u003e\r\n\u003cli\u003eDual XLR and Mic\/Line Audio Input\u003c\/li\u003e\r\n\u003cli\u003eUSB Type-C Output with UVC Support\u003c\/li\u003e\r\n\u003cli\u003e5-Axis Optical Image Stabilization\u003c\/li\u003e\r\n\u003cli\u003eDual-Pixel CMOS Autofocus Feature\u003c\/li\u003e\r\n\u003cli\u003eDual SD Relay and Simultaneous Recording\u003c\/li\u003e\r\n\u003cli\u003e3.5\" Touchscreen LCD, Tiltable OLED EVF\u003c\/li\u003e\r\n\r\n\r\n\r\n\u003c\/ul\u003e\r\n\r\n\u003cb\u003eIn the Box\u003c\/b\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eCanon XA70 UHD 4K30 Camcorder with Dual-Pixel Autofocus\u003c\/li\u003e\r\n\u003cli\u003eCanon PD-E1 USB Power Adapter\u003c\/li\u003e\r\n\u003cli\u003eCanon BP-820 Lithium-Ion Single Battery Pack (1780mAh, Retail Packaging)\u003c\/li\u003e\r\n\u003cli\u003eLens Hood with Lens Cover\u003c\/li\u003e\r\n\u003cli\u003eHandle\u003c\/li\u003e\r\n\u003cli\u003eMicrophone Holder\u003c\/li\u003e\r\n\u003cli\u003eLimited 1-Year Warranty\u003c\/li\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39999314722862,"sku":"CAN5736C002-MAIN","price":2699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/products\/674e1fc6-8245-4349-b015-7506f4fdda55.jpg?v=1662576748"},{"product_id":"can5735c002","title":"Canon XA75 UHD 4K30 Camcorder with Dual-Pixel Autofocus","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA75 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera featuring UHD 4K capture, a 1\" CMOS sensor, two XLR audio inputs, and one each mini-HDMI and BNC 3G-SDI output, which fits right into the ENG category for documentary or journalism-style productions. Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer. The lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA75 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism.\u003c\/p\u003e\r\n\u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA75 features up to four channels of LPCM audio with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eShoot, Record, Document, Stream\u003c\/h2\u003e\r\n\u003cp\u003eShoot high quality 4K UHD video with the compact XA75. The camera delivers outstanding oversampled HD, Dual Pixel CMOS AF, a 15x optical zoom lens and HD livestreaming with UVC1 via a USB-C connection to a PC or Mac. Capture footage for recording or sharing later in either XF-AVC or MP4 formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompact Professional UHD 4K Camcorder\u003c\/h2\u003e\r\n\u003cp\u003eThe XA75 captures stunning 4K UHD and Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Oversampled HD delivers Full HD images from the 4K sensor.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/h2\u003e\r\n\u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eUVC Livestreaming\u003c\/h2\u003e\r\n\u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K 15x Optical Zoom Lens\u003c\/h2\u003e\r\n\u003cp\u003eThe XA75's lens covers a 25.5 – 382mm (35mm equivalent) range. Digital zoom boosts the 15x optical zoom to 600x magnification. To minimize camera shake, the camera provides Canon’s Dynamic IS 5-axis image stabilization. Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the ultrabright 3.5\" LCD to set focus by touching the AF point required. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eXF-AVC and MP4 for Flexible Recording\u003c\/h2\u003e\r\n\u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC UHD 4K 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input and Output\u003c\/h2\u003e\r\n\u003cp\u003eOutput options include HDMI, 3G-SDI, simultaneous backup and relay recording via dual SD cards, and Infrared mode. Record 5x slow motion in Full HD or fast motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Audio Options\u003c\/h2\u003e\r\n\u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":39999324061742,"sku":"CAN5735C002-MAIN","price":3199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/d5d6f523-61d9-4e1c-a531-b4b84c34313d.jpg?v=1740503700"},{"product_id":"smamon703ugmdk","title":"SmallHD 703 UltraBright Directors Kit | Gold Mount","description":"\u003cp\u003eThis\u003cstrong\u003e SmallHD 703 UltraBright Directors Kit\u003c\/strong\u003e, featuring a Gold mount battery plate, offers a 7-inch monitor with an impressive brightness of 2200 cd\/m². The kit includes a protective cage, sun hood, accessory handles, a neck strap, screen protectors, a BNC cable, a D-Tap to 2-pin LEMO power cable, and a cleaning cloth. It is designed to facilitate the director's ability to view the camera's perspective, whether indoors or outdoors. The provided handles enable easy gripping, positioning, or holding of the monitor, while the neck strap minimizes the risk of accidental drops by a distracted operator.\u003c\/p\u003e\r\n\u003cp\u003eThe UltraBright monitor ensures excellent visibility in outdoor settings, even under bright sunlight, and the included antireflection screen protector enhances clarity on gray, overcast days filled with glare. For those who do not require anti-glare features, a clear screen protector is also available. Both options safeguard the screen from everyday wear, although it is important to note that the screen protector does not offer protection against impact damage to the monitor or screen.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD 703 UltraBright On-Camera Monitor\u003c\/h2\u003e\r\n\u003cp\u003eMonitoring HD video signals in outdoor environments can present challenges; however, the \u003cstrong\u003eSmallHD 703 UltraBright On-Camera Monitor\u003c\/strong\u003e effectively addresses these issues with its impressive 2200 cd\/m² backlight. The 7-inch LCD, featuring a resolution of 1920 x 1080, delivers a crisp image that is particularly beneficial for focus pulling and image analysis both on set and in the field. Additionally, the high-brightness panel enables the monitor to preview HDR content, enhancing the display's dynamic range and allowing for a broader spectrum of brightness in the visuals.\u003c\/p\u003e\r\n\u003cp\u003eThe monitor's unibody aluminum construction ensures durability while remaining lightweight, and it also functions as a heatsink for the internal components. The LCD panel is safeguarded by a layer of optically-bonded Gorilla Glass, recognized for its clarity and resilience. This optical bonding technique prevents blacks from appearing washed out and minimizes glare from reflections.\u003c\/p\u003e\r\n\u003cp\u003eLocated on the sides of the display are the SDI and HDMI input\/output ports. The inclusion of dual SDI ports facilitates A\/B viewing of two distinct SDI signals, with the secondary port also capable of being configured as an output to transmit an SDI signal to another monitor, switcher, or wireless device. The monitor's comprehensive functionality is accessible through the PageBuilder OS, which offers advanced features within a user-friendly graphical interface.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003ePageBuilder OS\u003c\/h3\u003e\r\n\u003cp\u003ePageBuilder OS offers a user-friendly graphical interface that provides immediate access to the comprehensive features of the 703 UltraBright. Instead of navigating through complex menus, this interface enables users to selectively utilize monitoring tools, including waveform, vectorscope, multiview, LUTs, and focusing aids, across various \"pages.\" Users can effortlessly switch between these pages using the joystick, while the front panel buttons allow for the activation and deactivation of monitoring tools for each individual page.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eColorFlow 3D LUT Processing\u003c\/h3\u003e\r\n\u003cp\u003eTo ensure consistency in your images from production to post-production, ColorFlow enables the importation of 3D LUTs and provides a side-by-side display of the processed image alongside the original. This feature allows for accurate exposure assessment while visualizing the camera's recording. The side-by-side preview can also be utilized in conjunction with the HDR preview function. Additionally, separate LUT-processed images can be transmitted downstream via SDI and HDMI, allowing the 703 UltraBright to display either a log image or a LUT-processed image, while directors or clients connected to the outputs can view images processed with an alternative LUT. Furthermore, an image capture function allows for the saving of a still frame from the incoming video stream onto an SD card, along with the recorded 3D LUT for reference in post-production.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eOn-Set Problem Solving\u003c\/h3\u003e\r\n\u003cp\u003ePageBuilder OS has a dedicated \"Output Preview\" page which allows you to apply LUTs and other image adjustments specific to the output signal from the monitor. Whether you have your camera connected to the HDMI or SDI input on the 703 UltraBright, you are not limited by that protocol; the 703 UltraBright cross-converts to ensure compatibility with downstream hardware.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eHD Scopes\u003c\/h3\u003e\r\n\u003cp\u003eFill the screen with up to three simultaneous scopes, including waveform, vectorscope, and histogram, while still being able to observe the camera feed.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eExposure Tools\u003c\/h3\u003e\r\n\u003cp\u003eExposure Assist supports both ARRI and Spectrum based false color, with built in IRE guides for reference. Utilize 2x Zebra to warn you when reaching a brightness level of your choosing. This is great for matching exposure across shots and cameras.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCustomizable Focus Assist and Peaking Tools\u003c\/h3\u003e\r\n\u003cp\u003eAs recording resolutions advance, the significance of precise focusing also escalates. Focus Assist allows you to emphasize the areas that are in focus using a vivid color. These highlights are readily observable in real-time, facilitating swift focus verification. Additionally, Focus Peaking enhances the image sharpness, providing a more nuanced confirmation of focus without relying on bright outlines. The color and intensity of these features can be customized to suit your preferences.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eVersatile Frame Guides\u003c\/h3\u003e\r\n\u003cp\u003eSelect standard markers and safety areas that can be overlaid on the display as lines or matte overlays, with custom opacity level and colors. Default aspect ratios include 4:3, 1.85, 2.39:1, 16:9, and Custom (user selectable).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003ePower Options\u003c\/h3\u003e\r\n\u003cp\u003eSeparately available DV, V-Mount, or Gold Mount battery plates can be attached to the rear of the display. A mounted battery can power the monitor, as well as attached accessories, through the 12V LEMO pass-through connection.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Battery Plate for 503\/703 UltraBright On-Camera Monitor | Gold Mount\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eGold mount SmallHD Battery Plate for 503\/703 UltraBright On-Camera Monitor \u003c\/strong\u003eis designed to work with and power either the SmallHD 503U or 703U on-camera monitor. The battery plate features a solid locking system that prevents your professional battery from accidentally disconnecting.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Monitor Handles and Neck Strap\u003c\/h2\u003e\r\n\u003cp\u003eThese\u003cstrong\u003e Monitor Handles and Neck Strap\u003c\/strong\u003e from \u003cstrong\u003eSmallHD \u003c\/strong\u003egive you a comfortable way of holding a compatible monitor. Easy to install, the lightweight black rubber handles attach securely to your monitor's side threaded holes using the included screws. The padded neoprene neck strap is adjustable and fastens onto the handles.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSmallHD Smart 5 and 7 Series monitors with 1\/4\"-20 mounting threads\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSmallHD 503U and 703U Ultrabright monitors with separately available Ultrabright Mounting Cage\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eFeatures at a Glance\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAnti-slip rubber handles\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWoven nylon strap with neoprene padding\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAnti-spin handle connection\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eEasy to install and hold\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eSmallHD Thin BNC Cable | 12\"\u003c\/h2\u003e\r\n\u003cp\u003eAt only 2.75mm in diameter this \u003cstrong\u003eThin BNC Cable\u003c\/strong\u003e from \u003cstrong\u003eSmallHD\u003c\/strong\u003e will snake around nearly any component you have in your rig, perfect for use in compact camera setups with an EVF or on-camera monitor which uses SDI.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Thin BNC Cable | 48\"\u003c\/h2\u003e\r\n\u003cp\u003eAt only 2.75mm in diameter this \u003cstrong\u003eThin BNC Cable\u003c\/strong\u003e from\u003cstrong\u003e SmallHD \u003c\/strong\u003ewill snake around nearly any component you have in your rig, perfect for use in compact camera setups with an EVF or on-camera monitor which uses SDI.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD D-Tap to 2-Pin Power Cable | 36\"\u003c\/h2\u003e\r\n\u003cp\u003eOutput power from your Cine 13 monitor to power or charge accessories with this \u003cstrong\u003eD-Tap to 2-Pin Power Cable\u003c\/strong\u003e from \u003cstrong\u003eSmallHD\u003c\/strong\u003e. The cable features a 2-pin LEMO-type connector on one end and a D-Tap connector on the other. The cable can plug into the output of the Cine 13 monitor to output power to other accessories.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Clear Screen Protector for 703 Bolt and 703 UltraBright Monitors\u003c\/h2\u003e\r\n\u003cp\u003eThis \u003cstrong\u003eSmallHD Clear Screen Protector for 703 Bolt and 703 UltraBright Monitors\u003c\/strong\u003e is flexible and features a clear screen with no anti-reflection properties. It protects your screen from incidental contact, scratches, and wear. However, it does not provide impact protection to your screen.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Ultra Matte Screen Protector for 703 Bolt and 703 UltraBright Monitors\u003c\/h2\u003e\r\n\u003cp\u003eThis \u003cstrong\u003eSmallHD Ultra Matte Screen Protector for 703 Bolt and 703 UltraBright Monitors\u003c\/strong\u003e is flexible and features anti-reflection properties that minimize glare. It protects your screen from incidental contact, scratches, and wear. However, it does not provide impact protection to your screen.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmallHD Microfiber Cleaning Cloth\u003c\/h2\u003e\r\n\u003cp\u003eMade from a non-abrasive material, this \u003cstrong\u003eMicrofiber Cleaning Cloth\u003c\/strong\u003e from SmallHD is a safe option for cleaning glass surfaces and coatings on a monitor or camera. It measures approximately 7 x 7\" and is easily stored in a bag or pocket when not in use.\u003c\/p\u003e","brand":"SmallHD","offers":[{"title":"Default Title","offer_id":40012688949294,"sku":"SMAMON703UGMDK-MAIN","price":3199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/d2726d0e-5f30-4264-a8f1-2e379b18ff5a.jpg?v=1773686803"},{"product_id":"sonilmefx30b","title":"Sony FX30 Digital Cinema Camera","description":"\u003cp\u003eUtilizing the capabilities of an advanced APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e offers both everyday content creators and emerging filmmakers a robust yet user-friendly cinema camera, enabling them to elevate their cinematic endeavors. This camera integrates a sophisticated imaging pipeline tailored for cinematic production with an extensive array of features and intuitive controls, forming a comprehensive system suitable for filmmakers at every stage of their journey.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JJ6DZeVnSR8\" title=\"Product Announcement of Cinema Line FX30\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/Super35_Exmor_R_BSI_CMOS_Sensor.jpg?225\" alt=\"\" style=\"float: left; width: 331px; height: 205.059px;\" width=\"331\" height=\"205.059\"\u003e26MP APS-C\/Super35 Exmor R BSI CMOS Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX30 features a sophisticated imaging system that rivals other models within Sony's Cinema Line, enabling it to produce intricate 10-bit UHD 4K visuals at frame rates of up to 120 fps, thereby aligning its specifications with those of a genuine cinema camera. It is equipped with a newly engineered 26MP APS-C Exmor R CMOS sensor and a BIONZ XR processor, which work together to deliver superior 4K imagery utilizing the Super35 (16:9) format. This advanced system can achieve over 14 stops of dynamic range and incorporates Dual Base ISO technology to enhance performance in low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Capture Options\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eProfessional Picture Control\u003c\/h2\u003e\r\n\u003cp\u003eFilmmakers will have the capability to obtain images that are instantly ready for publication for projects requiring quick turnarounds, or they can choose to prioritize superior quality and adaptability in post-production, facilitated by a diverse range of picture control options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eS-Cinetone provides a cinematic appearance without the need for color \u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/S-Cinetone.jpg?8888\" alt=\"\" style=\"float: right; width: 173px; height: 142.107px;\" width=\"173\" height=\"142.107\"\u003egrading\u003c\/h3\u003e\r\n\u003cp\u003eThe S-Cinetone picture profile delivers a cinematic aesthetic in terms of color, skin tones, and other visual elements directly from the camera, eliminating the necessity for post-production color grading.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/The_S-Log3.jpg?6047\" alt=\"\" style=\"float: left; width: 217px; height: 178.662px;\" width=\"217\" height=\"178.662\"\u003eThe S-Log3 format offers boundless opportunities for creative expression.\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped to shoot with an S-Log3 gamma curve, enabling precise production color matching and full utilization of the image sensor's capabilities. This feature provides access to the extensive color gamut of the FX30 and offers over 14 stops of dynamic range, ensuring authentic cinematic image quality during the post-production color grading process.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eUser LUTs provide an accurate image preview\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/User_LUTs.jpg?2993\" alt=\"\" style=\"float: right; width: 234px; height: 192.484px;\" width=\"234\" height=\"192.484\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 allows for the application of customizable LUTs, including both preset and user-generated options, to its LCD monitor display, recorded footage, and HDMI output. This feature enhances your ability to visualize the final image with greater precision. You can configure up to 16 user-defined LUTs along with three preset options for effective monitoring of footage or for previewing a desired aesthetic during shooting. These LUTs can be utilized on the camera's monitor, electronic viewfinder (EVF), and HDMI output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOperation for All Levels\u003c\/h2\u003e\r\n\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eIntuitive Operation and Controls\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/5-Axis_In-Body_Image_Stabilization.jpg?5012\" alt=\"\" style=\"float: left; width: 195px; height: 160.875px;\" width=\"195\" height=\"160.875\"\u003e5-Axis In-Body Image Stabilization\u003c\/h3\u003e\r\n\u003cp\u003eSony has integrated a 5-axis in-body image stabilization system into the FX30, ensuring the production of smooth visuals, even during handheld operation. An Active Mode is provided, which combines optical stabilization with digital enhancements to achieve exceptionally smooth footage. Additionally, the FX30 is capable of recording gyro movement when the optical stabilizers are disabled, allowing for stabilization in post-production to achieve a steady shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eFast Hybrid AF\u003c\/h3\u003e\r\n\u003cp\u003eExperience exceptional autofocus performance characterized by high speed and precision across all modes, including 4K at 120 fps, facilitated by a sophisticated Fast Hybrid AF system that incorporates 495 points distributed over 90% of the image sensor.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N1_Ev6mjTGk\" title=\"Reliable AF | Cinema Line FX30  | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eComprehensive Feature Set\u003c\/h3\u003e\r\n\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eMedia Options\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/Media_Options.jpg?6293\" alt=\"\" style=\"float: right; width: 256px; height: 168.966px;\" width=\"256\" height=\"168.966\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped with a sophisticated and adaptable array of media slots designed for capturing high-bitrate footage at elevated frame rates. This camera includes dual slots for CFexpress Type A and SD cards, enabling users to choose between various media formats based on their specific needs. CFexpress Type A offers exceptionally high speeds suitable for the FX30's most advanced recording capabilities, while SD cards, being more widely used, still provide commendable speed and substantial storage capacities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCatalyst Browse and Prepare Integration\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\r\n\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eErgonomic Form for Solo Operation\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30, designed to complement the FX3, is both lightweight and compact, allowing users to shoot without the necessity of a cage. It also provides the advantage of capturing smooth handheld footage, thanks to its 5-axis in-body image stabilization system.\u003c\/p\u003e\r\n\u003cp\u003eThe camera body is equipped with several threaded mounting points, making it suitable for various accessories, and includes a Multi Interface Shoe that accommodates advanced attachments. Furthermore, an integrated fan guarantees consistent performance during prolonged recording sessions.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eLightweight body weighs just 1.2 lb.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDedicated zoom rocker.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFully customizable button layout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eUpdated Menu System\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eA Plethora of Connectivity Options\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40036652220462,"sku":"SONILMEFX30B-MAIN","price":2098.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/1662f349-d375-4878-8b4c-c4451c276f65.jpg?v=1758125611"},{"product_id":"blaswatemminicext","title":"Blackmagic Design ATEM Mini Extreme","description":"\u003cp\u003eThe\u003cstrong\u003e Blackmagic Design ATEM Mini Extreme\u003c\/strong\u003e serves as an 8-input live production switcher tailored for live streaming applications. It is equipped with a built-in control panel and boasts sophisticated broadcasting capabilities. Beyond live streaming via RTMP protocols, it allows users to output their program as a webcam through USB connectivity. This adaptable switcher accommodates eight independent HDMI inputs, which support all widely used HD signals up to 1080p60. Each input is equipped with individual frame rate and format converters, and it facilitates re-syncing to ensure smooth transitions between various professional and consumer cameras, gaming consoles, and computer sources.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AJP1ujTMUXw\" title=\"ATEM Extreme Switchers | New Features\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eUtilize the control surface's buttons or the software control panel to switch, apply effects, color grade, and key in real time. The CCU functions enable the management of Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras directly from the switcher. The ATEM Mini Extreme accommodates a maximum of nine layers, featuring four upstream keyers and two downstream keyers, along with up to four chroma keyers, four linear keyers, two DVEs with borders and drop shadows, five pattern generators, and two color generators. Tailored for live streaming or webcam production, the Mini Extreme includes HDMI outputs for monitor connections and supports a multiview setup of up to 16 screens.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eStream Live\u003c\/h2\u003e\r\n\u003cp\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eControl Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe front panel is equipped with user-friendly buttons designed for selecting sources, applying video effects, and managing transitions. The source buttons are generously sized, enabling tactile operation. The ATEM Extreme features dedicated buttons for audio mixing, recording, and streaming management, in addition to output selection buttons that facilitate switching the video output among cameras, the program feed, and multiview. On the rear panel, users will find HDMI ports for connecting cameras or computers, additional microphone inputs, a USB port for webcam output, and an HDMI \"AUX\" output for program video.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOutput\u003c\/h2\u003e\r\n\u003cp\u003eYou have the option to utilize the Ethernet connection for network output or to employ the USB Type-C output, allowing your switch to be identified as a webcam input by a wide range of video software, including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and more.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4G and 5G Phone Support\u003c\/h2\u003e\r\n\u003cp\u003eWhen conducting live production on-site, the ATEM Mini Extreme models allow for the connection of an Apple or Android smartphone to the USB port, enabling the use of mobile data. This feature serves as an excellent backup for the primary Ethernet connection, ensuring that your stream remains uninterrupted in the event of a disruption to the hardwired connection. The switcher will seamlessly transition to utilizing the phone as the main connection, and the USB port will simultaneously charge your phone, preventing battery depletion.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultiview Monitoring\u003c\/h2\u003e\r\n\u003cp\u003eThe HDMI output can be set up for multiview, accommodating configurations of 4, 7, 10, 13, or up to 16 views. This includes options for Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCamera Control\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini Extreme is capable of managing the Blackmagic Pocket Cinema Camera 4K and 6K models, provided they are updated to the most recent software version and connected through the HDMI inputs. This device allows for the adjustment of various HDMI camera settings, including iris, gain, focus, detail, and zoom control for compatible lenses. Additionally, users can perform color balancing on the cameras and develop distinctive visual styles utilizing the DaVinci Resolve primary color corrector integrated within the Blackmagic Pocket Cinema Camera 4K and 6K.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMedia Pool\u003c\/h2\u003e\r\n\u003cp\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompatibility\u003c\/h2\u003e\r\n\u003cp\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eRecording\u003c\/h2\u003e\r\n\u003cp\u003eThe ATEM Mini Extreme models facilitate the direct recording of streaming data onto USB flash drives, utilizing the same H.264 video files accompanied by AAC audio that are being streamed. Additionally, the capability to record onto multiple drives is available through a USB hub or the Blackmagic MultiDock, allowing for uninterrupted recording as one drive fills up and the system seamlessly transitions to a second drive. Configuration of recording settings and disk selection is managed through the ATEM Software Control, and a record status display is accessible in the integrated multiview. Furthermore, recording can be initiated on connected Blackmagic Pocket Cinema Cameras.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Effects\u003c\/h2\u003e\r\n\u003cp\u003eOne of the advantages of the ATEM Mini is its ability to deliver professional production quality through a variety of integrated video effects. The cut button facilitates an immediate switch between sources. The auto button, a term commonly used in large broadcast switchers, allows for seamless video effect transitions. Additionally, there are duration buttons for video effects that provide settings of 0.5, 1, 1.5, and 2 seconds. Users can also choose from different types of effects, including mix, which offers a smooth transition between sources, and dip, which transitions by fading to a color. Alternatively, one can utilize engaging DVE effects that shift the image off-screen during source transitions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAudio\u003c\/h2\u003e\r\n\u003cp\u003eThe device is equipped with two independent 3.5mm stereo audio inputs, allowing for the connection of both desktop and lapel microphones. Additionally, a music player can be linked to provide introductory music following the commencement of the live stream but prior to the start of the program. The inclusion of two additional stereo audio inputs ensures that both the host and guest can utilize lapel microphones during interviews. Each audio input on the ATEM Mini is accompanied by control buttons on the panel for adjusting audio levels and enabling inputs into the audio mixer. All models are equipped with a Fairlight audio mixer that integrates all HDMI inputs, and both microphone inputs are routed to the audio mixer, facilitating live mixing from various audio sources. Furthermore, the ATEM Mini Extreme model features a headphone output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBroadcast Features\u003c\/h2\u003e\r\n\u003cp\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40037068734510,"sku":"BLASWATEMMINICEXT-MAIN","price":995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/ac5d9d43-6777-426f-9603-8cfc113bce76.jpg?v=1741280713"},{"product_id":"sonilmefx30","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit","description":"\u003cp\u003eUtilizing the capabilities of an advanced APS-C sensor, the \u003cstrong\u003eSony FX30\u003c\/strong\u003e offers both everyday content creators and emerging filmmakers a robust yet user-friendly cinema camera, enabling them to elevate their cinematic endeavors. This camera integrates a sophisticated imaging pipeline tailored for cinematic production with an extensive array of features and intuitive controls, forming a comprehensive system suitable for filmmakers at every stage of their journey.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JJ6DZeVnSR8\" title=\"Product Announcement of Cinema Line FX30\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/Super35_Exmor_R_BSI_CMOS_Sensor.jpg?225\" alt=\"\" style=\"float: left; width: 331px; height: 205.059px;\" width=\"331\" height=\"205.059\"\u003e26MP APS-C\/Super35 Exmor R BSI CMOS Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX30 features a sophisticated imaging system that rivals other models within Sony's Cinema Line, enabling it to produce intricate 10-bit UHD 4K visuals at frame rates of up to 120 fps, thereby aligning its specifications with those of a genuine cinema camera. It is equipped with a newly engineered 26MP APS-C Exmor R CMOS sensor and a BIONZ XR processor, which work together to deliver superior 4K imagery utilizing the Super35 (16:9) format. This advanced system can achieve over 14 stops of dynamic range and incorporates Dual Base ISO technology to enhance performance in low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced Capture Options\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eProfessional Picture Control\u003c\/h2\u003e\r\n\u003cp\u003eFilmmakers will have the capability to obtain images that are instantly ready for publication for projects requiring quick turnarounds, or they can choose to prioritize superior quality and adaptability in post-production, facilitated by a diverse range of picture control options.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eS-Cinetone provides a cinematic appearance without the need for color \u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/S-Cinetone.jpg?8888\" alt=\"\" style=\"float: right; width: 173px; height: 142.107px;\" width=\"173\" height=\"142.107\"\u003egrading\u003c\/h3\u003e\r\n\u003cp\u003eThe S-Cinetone picture profile delivers a cinematic aesthetic in terms of color, skin tones, and other visual elements directly from the camera, eliminating the necessity for post-production color grading.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/The_S-Log3.jpg?6047\" alt=\"\" style=\"float: left; width: 217px; height: 178.662px;\" width=\"217\" height=\"178.662\"\u003eThe S-Log3 format offers boundless opportunities for creative expression.\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped to shoot with an S-Log3 gamma curve, enabling precise production color matching and full utilization of the image sensor's capabilities. This feature provides access to the extensive color gamut of the FX30 and offers over 14 stops of dynamic range, ensuring authentic cinematic image quality during the post-production color grading process.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eUser LUTs provide an accurate image preview\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/User_LUTs.jpg?2993\" alt=\"\" style=\"float: right; width: 234px; height: 192.484px;\" width=\"234\" height=\"192.484\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 allows for the application of customizable LUTs, including both preset and user-generated options, to its LCD monitor display, recorded footage, and HDMI output. This feature enhances your ability to visualize the final image with greater precision. You can configure up to 16 user-defined LUTs along with three preset options for effective monitoring of footage or for previewing a desired aesthetic during shooting. These LUTs can be utilized on the camera's monitor, electronic viewfinder (EVF), and HDMI output.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eOperation for All Levels\u003c\/h2\u003e\r\n\u003cp\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eIntuitive Operation and Controls\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/5-Axis_In-Body_Image_Stabilization.jpg?5012\" alt=\"\" style=\"float: left; width: 195px; height: 160.875px;\" width=\"195\" height=\"160.875\"\u003e5-Axis In-Body Image Stabilization\u003c\/h3\u003e\r\n\u003cp\u003eSony has integrated a 5-axis in-body image stabilization system into the FX30, ensuring the production of smooth visuals, even during handheld operation. An Active Mode is provided, which combines optical stabilization with digital enhancements to achieve exceptionally smooth footage. Additionally, the FX30 is capable of recording gyro movement when the optical stabilizers are disabled, allowing for stabilization in post-production to achieve a steady shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eFast Hybrid AF\u003c\/h3\u003e\r\n\u003cp\u003eExperience exceptional autofocus performance characterized by high speed and precision across all modes, including 4K at 120 fps, facilitated by a sophisticated Fast Hybrid AF system that incorporates 495 points distributed over 90% of the image sensor.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N1_Ev6mjTGk\" title=\"Reliable AF | Cinema Line FX30  | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eComprehensive Feature Set\u003c\/h3\u003e\r\n\u003cp\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eMedia Options\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX30B\/Media_Options.jpg?6293\" alt=\"\" style=\"float: right; width: 256px; height: 168.966px;\" width=\"256\" height=\"168.966\"\u003e\n\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped with a sophisticated and adaptable array of media slots designed for capturing high-bitrate footage at elevated frame rates. This camera includes dual slots for CFexpress Type A and SD cards, enabling users to choose between various media formats based on their specific needs. CFexpress Type A offers exceptionally high speeds suitable for the FX30's most advanced recording capabilities, while SD cards, being more widely used, still provide commendable speed and substantial storage capacities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCatalyst Browse and Prepare Integration\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003c\/p\u003e\r\n\u003cp\u003eMetadata recorded includes:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eErgonomic Form for Solo Operation\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30, designed to complement the FX3, is both lightweight and compact, allowing users to shoot without the necessity of a cage. It also provides the advantage of capturing smooth handheld footage, thanks to its 5-axis in-body image stabilization system.\u003c\/p\u003e\r\n\u003cp\u003eThe camera body is equipped with several threaded mounting points, making it suitable for various accessories, and includes a Multi Interface Shoe that accommodates advanced attachments. Furthermore, an integrated fan guarantees consistent performance during prolonged recording sessions.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eLightweight body weighs just 1.2 lb.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDedicated zoom rocker.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFully customizable button layout.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eUpdated Menu System\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eA Plethora of Connectivity Options\u003c\/h3\u003e\r\n\u003cp\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eSony XLR-H1 XLR Handle Unit\u003c\/h2\u003e\r\n\u003cp\u003eEnhance your FX3 or FX30 experience with the \u003cstrong\u003eSony XLR-H1 XLR Handle Unit\u003c\/strong\u003e, which provides two full XLR inputs for improved ergonomic handling. This unit features two XLR\/TRS combo inputs and a 3.5mm microphone input. For streamlined operation, the handle is equipped with physical controls and dials positioned on the side, complete with protective covers to prevent unintentional adjustments during recording.\u003c\/p\u003e\r\n\u003cp\u003eFurthermore, the unit includes a microphone holder designed for securely attaching a shotgun microphone to your setup. This holder fastens to the camera's Multi Interface Shoe using two screws. Additionally, there are three 1\/4\"-20 accessory mounting threads available for further customization.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40038662078510,"sku":"SONILMEFX30-MAIN","price":2498.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/f9aa0679-f97b-4264-a19c-b3f5f9ec29d4.jpg?v=1758125683"}],"url":"https:\/\/kmcamera.com\/collections\/professional-video.oembed?page=6","provider":"K\u0026M Camera","version":"1.0","type":"link"}