{"title":"Sony Trade Up Event","description":"\u003cp\u003eTrade in any working interchangeable lens camera and\/or lens from any brand and receive up to $800 in purchase credit when you apply your trade-in value towards the purchase of eligible products. \u003c\/p\u003e","products":[{"product_id":"sonilmefx6v","title":"Sony FX6 Full-Frame Cinema Camera | Body Only","description":"\u003cp\u003eThe \u003cstrong\u003eSony FX6 Full-Frame Camera\u003c\/strong\u003e has been designed to provide flexible, cinematic imaging within a remarkably compact package. It boasts the capability to capture over 15 stops of dynamic range, incorporates Sony's S-Cinetone gamma for achieving natural skin tones, and supports 10-bit, 4:2:2 XAVC-I recording. This makes the FX6 an excellent choice for enhancing your FX9 or VENICE setups, while also being adept at handling documentary, gimbal, and drone filming independently.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XukIzJs6iY4\" title=\"Introducing Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122451\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4K_Full-Frame_Exmor_R_Sensor.jpg?9978\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003e4K Full-Frame Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments. It operates with a base ISO of 800 and includes a high-sensitivity mode at ISO 12800, ideal for capturing intricate details in low-light conditions. This 10.2 MP image sensor is designed with back-side illumination, ensuring superior performance in dim lighting. It boasts 627 focal plane points for rapid phase-detection autofocus and is compatible with full-frame lenses, delivering a rich and immersive visual experience. Additionally, the sensor's rapid scan speed reduces rolling shutter effects and facilitates high frame rates along with swift autofocus capabilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompact, Single-Operator Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Compact_Single-Operator_Design.jpg?4632\" width=\"288\" height=\"237\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body weighs slightly less than 2 lb, making it a full 2 lb lighter than the FX9. With dimensions of 6 x 4.6\", it incorporates a full-frame sensor within a body size similar to that of the S35-sensor Sony FS5. While the FX6 integrates effortlessly into a professional cinema on-set workflow, it also provides numerous features advantageous for single-operator use. These features include rapid and precise phase-detection autofocus, which encompasses both Face Detection and real-time Eye autofocus, as well as both automatic and manual ND filter settings for swift exposure adjustments. Additionally, the 3.5\" LCD monitor offers time-efficient touchscreen access to essential menu settings and allows for flexible positioning to enhance user comfort. Furthermore, firmware update v1.10 enhances the camera's overall stability and introduces 100p and 120p options in the Slow and Quick Motion frame rate menu when the codec is configured to RAW or RAW and XAVC-I.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultifunctional Enhancement to the Sony Cinema Series\u003c\/h2\u003e\r\n\u003cp\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003c\/p\u003e\r\n\u003cp\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eIt matches the FX9's video capture up to DCI 4K60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOutputs 16-bit raw like the FX9\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony E lens mount\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAlso provides 2-channel XLR audio inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e4K capture vs 6K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/15_Stops_of_Dynamic_Range.jpg?9273\" alt=\"\" style=\"float: left; width: 227px; height: 186.802px;\" width=\"227\" height=\"186.802\"\u003e15+ Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6, with a base sensitivity of ISO 800, provides an ideal dynamic range for shooting in well-illuminated indoor environments and outdoor documentary settings. For more demanding low-light conditions, particularly during dawn and dusk, an improved ISO sensitivity of 12800 is available. This camera boasts an impressive dynamic range of over 15 stops, surpassing the capabilities of the human eye in numerous scenarios, thereby granting filmmakers remarkable creative flexibility in color grading and post-production processes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWide ISO Range\u003c\/h2\u003e\r\n\u003cp\u003eSelect from a standard ISO of 800, a high-sensitivity ISO of 12,800 for capturing images in dim lighting, and a maximum ISO of 409,600 for optimal performance in extremely low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronically Variable ND Filters\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AKB--2Hx7_s\" title=\"Variable ND Filter Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122452\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eConfigure the FX6's built-in neutral density (ND) filter system to automatic mode to ensure accurate exposure in varying lighting conditions. You may also manually adjust the ND filter density in increments ranging from 1\/4 to 1\/128 while capturing images. Both methods will yield well-exposed photographs without altering your selected depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced XAVC Codec Options\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 represents the inaugural compact full-frame camera capable of UHD 4K 4:2:2 recording utilizing the high-quality and efficient XAVC-I codec. Additionally, it provides the option to select from various professional XAVC Intra and XAVC Long codecs, with bit rates varying from 35 to 600 Mb\/s.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHigh Frame Rate Selections\u003c\/h2\u003e\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e100 or 120 fps in HD through UHD 4K \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e150, 180, 200, or 240 fps in Full HD \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60, 100, and 120 fps in Full HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eExpressive Cinematic Look\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Expressive_Cinematic_Look.jpg?7376\" alt=\"\" style=\"float: right; width: 249px; height: 204.042px;\" width=\"249\" height=\"204.042\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eSony's S-Cinetone gamma curve provides a cinematic aesthetic characterized by film-like colors, gentle tones, and attractive skin tone reproduction. This cinematic appearance is not only accessible for in-camera monitoring but can also be recorded and outputted with little to no grading, thereby facilitating a more efficient post-production workflow. The options of S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine further simplify the integration of FX6 footage with your VENICE or FX9 videos, while also offering extensive color grading possibilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Fast_Hybrid_Phase_Detection_Autofocus.jpg?4436\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 supports over 50 native Sony E-mount lenses. Enhanced autofocus options feature Face Detection and Eye Autofocus modes. This allows for swift focusing with remarkable precision, even in dimly lit environments. The phase detection autofocus incorporates seven transition-speed levels and five subject-sensitivity settings.\u003c\/p\u003e\r\n\u003cp\u003eThe advanced features of real-time Eye AF and Face Detection provide reliable and precise focus acquisition during interviews, events, and any situation where accurate focus on individuals is crucial. The sophisticated real-time processing technology enables precise eye focus, even when subjects are gazing downward or upward at sharp angles, thereby allowing the operator to dedicate their attention entirely to framing the optimal shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImage Stabilization and More with Catalyst and Metadata\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Image_Stabilization_and_More_with_Catalyst_and_Metadata.jpg?2299\" alt=\"\" style=\"float: right; width: 173px; height: 142.365px;\" width=\"173\" height=\"142.365\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eCombine the FX6 with Sony's Catalyst Prepare\/Browse software to utilize metadata for stabilizing your images, automatically adjusting gimbal footage orientation, and incorporating flags for more efficient clip filtering during postproduction.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Touchscreen_3-5_LCD_Control.jpg?2925\" alt=\"\" style=\"float: left; width: 184px; height: 140.556px;\" width=\"184\" height=\"140.556\"\u003eTouchscreen 3.5\" LCD Control\u003c\/h2\u003e\r\n\u003cp\u003eThe 3.5-inch LCD monitor of the FX6 provides high-resolution viewing capabilities along with the convenience of touchscreen control for the camera. The quick menu on the LCD allows for easy adjustments to essential settings such as Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eReliable Design and Construction\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Reliable_Design_and_Construction.jpg?6281\" alt=\"\" style=\"float: right; width: 167px; height: 137.427px;\" width=\"167\" height=\"137.427\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body is designed with a magnesium alloy chassis that is both lightweight and robust, ensuring optimal reliability while effectively dissipating heat to support prolonged recording sessions. The exterior seams, buttons, and interfaces have been enhanced with advanced sealing techniques, which significantly bolster the camera's resistance to dust and moisture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4-Channel_Audio_Recording.jpg?3607\" alt=\"\" style=\"float: left; width: 197px; height: 150.486px;\" width=\"197\" height=\"150.486\"\u003e4-Channel Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 provides the capability for up to 4-channel audio recording by integrating inputs from its dual XLR connections, the 2-channel multi-interface shoe input, and the stereo microphone located in the camera's top handle. This functionality allows for the concurrent use of an external microphone to capture the primary audio source while utilizing the built-in microphone for ambient sound or operator voice memos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input\/Output Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features input and output ports that offer a selectable 12G\/6G\/3G-SDI output, allowing for versatile monitoring options. It is equipped with an HDMI output and supports 12-bit raw output through SDI. Additionally, it includes timecode input and output capabilities to facilitate synchronization among multiple cameras. Furthermore, the device is integrated with a built-in Wi-Fi module.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCFexpress Media Slots and Multiple Recording Modes\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/CFexpress_Media_Slots_and_Multiple_Recording_Modes.jpg?5981\" alt=\"\" style=\"float: right; width: 210px; height: 160.417px;\" width=\"210\" height=\"160.417\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 is equipped with dual media slots that accommodate both durable, high-performance CFexpress Type A cards and the more commonly accessible UHS-II\/UHS-1 SDXC cards. It is important to note that CFexpress Type A cards are necessary for capturing UHD 4K at 100\/120 fps and for high-speed HD capture at 150\/180\/200\/240 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eModular, Grab-and-Go Design\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features a modular design that allows for a reduction to its compact form, making it suitable for use with gimbals or drones. Additionally, it can be equipped with optional accessories, including a smart grip and smart handle, which facilitate fingertip control during handheld shooting. The camera is also designed with a 3.5\" LCD screen that can be easily positioned at various locations, ensuring comfortable and ergonomic viewing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Content_Browser.jpg?5558\" alt=\"\" style=\"float: left; width: 213px; height: 174.542px;\" width=\"213\" height=\"174.542\"\u003eContent Browser Mobile Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eUtilize the independently available Content Browser Mobile application in conjunction with a compatible smartphone or remote control. The FX6's Wi-Fi capability allows for remote monitoring as well as control over focus, iris, and zoom functions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812113788974,"sku":"SONILMEFX6V-MAIN","price":6998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/db9dd113-6ce0-4d36-8928-8f6665b05273.jpg?v=1758125903"},{"product_id":"sonilmefx6vk","title":"Sony FX6 Digital Cinema Camera Kit with 24-105mm Lens","description":"\u003cp\u003eDesigned to provide adaptable, cinematic imaging in a remarkably compact package, the \u003cstrong\u003eFX6 Full-Frame Camera Kit\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e combines the FX6 camera with the 24-105mm f\/4 G OSS E-mount zoom lens. Capable of capturing over 15 stops of dynamic range, the camera features Sony's S-Cinetone gamma for achieving film-like skin tones and supports up to 10-bit, 4:2:2 XAVC-I recording. The FX6 is well-equipped to enhance your FX9 or VENICE workflows while also adeptly handling documentary, gimbal, and drone projects independently. This camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments, utilizing a base ISO of 800 and an ISO 12800 high-sensitivity mode for detailed low-light performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XukIzJs6iY4\" title=\"Introducing Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122547\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\u003cp style=\"text-align: left;\"\u003eThe \u003cstrong\u003eSony FX6 Full-Frame Camera\u003c\/strong\u003e has been designed to provide flexible, cinematic imaging within a remarkably compact package. It boasts the capability to capture over 15 stops of dynamic range, incorporates Sony's S-Cinetone gamma for achieving natural skin tones, and supports 10-bit, 4:2:2 XAVC-I recording. This makes the FX6 an excellent choice for enhancing your FX9 or VENICE setups, while also being adept at handling documentary, gimbal, and drone filming independently.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4K_Full-Frame_Exmor_R_Sensor.jpg?9978\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003e4K Full-Frame Exmor R Sensor\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 camera integrates a 4K full-frame Exmor R sensor with a BIONZ XR engine, enabling highly sensitive image capture across various environments. It operates with a base ISO of 800 and includes a high-sensitivity mode at ISO 12800, ideal for capturing intricate details in low-light conditions. This 10.2 MP image sensor is designed with back-side illumination, ensuring superior performance in dim lighting. It boasts 627 focal plane points for rapid phase-detection autofocus and is compatible with full-frame lenses, delivering a rich and immersive visual experience. Additionally, the sensor's rapid scan speed reduces rolling shutter effects and facilitates high frame rates along with swift autofocus capabilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCompact, Single-Operator Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Compact_Single-Operator_Design.jpg?4632\" width=\"288\" height=\"237\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body weighs slightly less than 2 lb, making it a full 2 lb lighter than the FX9. With dimensions of 6 x 4.6\", it incorporates a full-frame sensor within a body size similar to that of the S35-sensor Sony FS5. While the FX6 integrates effortlessly into a professional cinema on-set workflow, it also provides numerous features advantageous for single-operator use. These features include rapid and precise phase-detection autofocus, which encompasses both Face Detection and real-time Eye autofocus, as well as both automatic and manual ND filter settings for swift exposure adjustments. Additionally, the 3.5\" LCD monitor offers time-efficient touchscreen access to essential menu settings and allows for flexible positioning to enhance user comfort. Furthermore, firmware update v1.10 enhances the camera's overall stability and introduces 100p and 120p options in the Slow and Quick Motion frame rate menu when the codec is configured to RAW or RAW and XAVC-I.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMultifunctional Enhancement to the Sony Cinema Series\u003c\/h2\u003e\r\n\u003cp\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003c\/p\u003e\r\n\u003cp\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eIt matches the FX9's video capture up to DCI 4K60\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas the same S-Cinetone, S-Log3, and HLG gamma choices \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOutputs 16-bit raw like the FX9\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony E lens mount\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOffers the same 1\/4 to 1\/128 ND options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAlso provides 2-channel XLR audio inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eFX6 differences from the FX9:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e4K capture vs 6K\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eImproved FX6 specs include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 range\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/15_Stops_of_Dynamic_Range.jpg?9273\" alt=\"\" style=\"float: left; width: 227px; height: 186.802px;\" width=\"227\" height=\"186.802\"\u003e15+ Stops of Dynamic Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6, with a base sensitivity of ISO 800, provides an ideal dynamic range for shooting in well-illuminated indoor environments and outdoor documentary settings. For more demanding low-light conditions, particularly during dawn and dusk, an improved ISO sensitivity of 12800 is available. This camera boasts an impressive dynamic range of over 15 stops, surpassing the capabilities of the human eye in numerous scenarios, thereby granting filmmakers remarkable creative flexibility in color grading and post-production processes.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWide ISO Range\u003c\/h2\u003e\r\n\u003cp\u003eSelect from a standard ISO of 800, a high-sensitivity ISO of 12,800 for capturing images in dim lighting, and a maximum ISO of 409,600 for optimal performance in extremely low-light conditions.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eElectronically Variable ND Filters\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AKB--2Hx7_s\" title=\"Variable ND Filter Cinema Line FX6 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"122548\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eConfigure the FX6's built-in neutral density (ND) filter system to automatic mode to ensure accurate exposure in varying lighting conditions. You may also manually adjust the ND filter density in increments ranging from 1\/4 to 1\/128 while capturing images. Both methods will yield well-exposed photographs without altering your selected depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAdvanced XAVC Codec Options\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 represents the inaugural compact full-frame camera capable of UHD 4K 4:2:2 recording utilizing the high-quality and efficient XAVC-I codec. Additionally, it provides the option to select from various professional XAVC Intra and XAVC Long codecs, with bit rates varying from 35 to 600 Mb\/s.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHigh Frame Rate Selections\u003c\/h2\u003e\r\n\u003cp\u003eFor slow-motion and fast action looks, choose from full-frame rates ranging from:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60 fps in HD to DCI 4K resolutions\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e100 or 120 fps in HD through UHD 4K \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e150, 180, 200, or 240 fps in Full HD \u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eSuper35 choices include:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e1-60, 100, and 120 fps in Full HD\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eExpressive Cinematic Look\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Expressive_Cinematic_Look.jpg?7376\" alt=\"\" style=\"float: right; width: 249px; height: 204.042px;\" width=\"249\" height=\"204.042\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eSony's S-Cinetone gamma curve provides a cinematic aesthetic characterized by film-like colors, gentle tones, and attractive skin tone reproduction. This cinematic appearance is not only accessible for in-camera monitoring but can also be recorded and outputted with little to no grading, thereby facilitating a more efficient post-production workflow. The options of S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine further simplify the integration of FX6 footage with your VENICE or FX9 videos, while also offering extensive color grading possibilities.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Fast_Hybrid_Phase_Detection_Autofocus.jpg?4436\" width=\"288\" height=\"237\" alt=\"\" style=\"float: left; \"\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 supports over 50 native Sony E-mount lenses. Enhanced autofocus options feature Face Detection and Eye Autofocus modes. This allows for swift focusing with remarkable precision, even in dimly lit environments. The phase detection autofocus incorporates seven transition-speed levels and five subject-sensitivity settings.\u003c\/p\u003e\r\n\u003cp\u003eThe advanced features of real-time Eye AF and Face Detection provide reliable and precise focus acquisition during interviews, events, and any situation where accurate focus on individuals is crucial. The sophisticated real-time processing technology enables precise eye focus, even when subjects are gazing downward or upward at sharp angles, thereby allowing the operator to dedicate their attention entirely to framing the optimal shot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImage Stabilization and More with Catalyst and Metadata\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Image_Stabilization_and_More_with_Catalyst_and_Metadata.jpg?2299\" alt=\"\" style=\"float: right; width: 173px; height: 142.365px;\" width=\"173\" height=\"142.365\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eCombine the FX6 with Sony's Catalyst Prepare\/Browse software to utilize metadata for stabilizing your images, automatically adjusting gimbal footage orientation, and incorporating flags for more efficient clip filtering during postproduction.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Touchscreen_3-5_LCD_Control.jpg?2925\" alt=\"\" style=\"float: left; width: 184px; height: 140.556px;\" width=\"184\" height=\"140.556\"\u003eTouchscreen 3.5\" LCD Control\u003c\/h2\u003e\r\n\u003cp\u003eThe 3.5-inch LCD monitor of the FX6 provides high-resolution viewing capabilities along with the convenience of touchscreen control for the camera. The quick menu on the LCD allows for easy adjustments to essential settings such as Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eReliable Design and Construction\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Reliable_Design_and_Construction.jpg?6281\" alt=\"\" style=\"float: right; width: 167px; height: 137.427px;\" width=\"167\" height=\"137.427\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 body is designed with a magnesium alloy chassis that is both lightweight and robust, ensuring optimal reliability while effectively dissipating heat to support prolonged recording sessions. The exterior seams, buttons, and interfaces have been enhanced with advanced sealing techniques, which significantly bolster the camera's resistance to dust and moisture.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/4-Channel_Audio_Recording.jpg?3607\" alt=\"\" style=\"float: left; width: 197px; height: 150.486px;\" width=\"197\" height=\"150.486\"\u003e4-Channel Audio Recording\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 provides the capability for up to 4-channel audio recording by integrating inputs from its dual XLR connections, the 2-channel multi-interface shoe input, and the stereo microphone located in the camera's top handle. This functionality allows for the concurrent use of an external microphone to capture the primary audio source while utilizing the built-in microphone for ambient sound or operator voice memos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eProfessional Input\/Output Interface\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features input and output ports that offer a selectable 12G\/6G\/3G-SDI output, allowing for versatile monitoring options. It is equipped with an HDMI output and supports 12-bit raw output through SDI. Additionally, it includes timecode input and output capabilities to facilitate synchronization among multiple cameras. Furthermore, the device is integrated with a built-in Wi-Fi module.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eCFexpress Media Slots and Multiple Recording Modes\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/CFexpress_Media_Slots_and_Multiple_Recording_Modes.jpg?5981\" alt=\"\" style=\"float: right; width: 210px; height: 160.417px;\" width=\"210\" height=\"160.417\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 is equipped with dual media slots that accommodate both durable, high-performance CFexpress Type A cards and the more commonly accessible UHS-II\/UHS-1 SDXC cards. It is important to note that CFexpress Type A cards are necessary for capturing UHD 4K at 100\/120 fps and for high-speed HD capture at 150\/180\/200\/240 fps.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eModular, Grab-and-Go Design\u003c\/h2\u003e\r\n\u003cp\u003eThe FX6 features a modular design that allows for a reduction to its compact form, making it suitable for use with gimbals or drones. Additionally, it can be equipped with optional accessories, including a smart grip and smart handle, which facilitate fingertip control during handheld shooting. The camera is also designed with a 3.5\" LCD screen that can be easily positioned at various locations, ensuring comfortable and ergonomic viewing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Content_Browser.jpg?5558\" alt=\"\" style=\"float: left; width: 213px; height: 174.542px;\" width=\"213\" height=\"174.542\"\u003eContent Browser Mobile Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eUtilize the independently available Content Browser Mobile application in conjunction with a compatible smartphone or remote control. The FX6's Wi-Fi capability allows for remote monitoring as well as control over focus, iris, and zoom functions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eSony FE 24-105mm f\/4 G OSS Lens\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX6\/Sony_FE_24-105mm.jpg?9935\" alt=\"\" style=\"float: right; width: 254px; height: 254px;\" width=\"254\" height=\"254\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eSony FE 24-105mm f\/4 G OSS Lens\u003c\/strong\u003e is engineered for adaptability, serving as a wide-angle to short-telephoto zoom that presents an optimal single-lens solution for daily photography needs. Its versatile focal length range, combined with a consistent maximum aperture, exceptional optical performance, and user-friendly handling, makes it an excellent choice for casual shooting, street photography, travel, and event coverage.\u003c\/p\u003e\r\n\u003cp\u003eThe optical design incorporates four aspherical elements, which include two Advanced Aspherical elements, effectively diminishing spherical aberrations and distortion across the entire zoom range, thereby enhancing sharpness and clarity. Additionally, three extra-low dispersion elements are utilized to reduce color fringing and chromatic aberrations, resulting in improved color accuracy. Furthermore, a Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting, leading to enhanced contrast and color rendering in challenging lighting conditions.\u003c\/p\u003e\r\n\u003cp\u003eThe constant f\/4 maximum aperture ensures uniform performance across the entire zoom range, providing enhanced control over focus positioning for techniques that require a shallow depth of field. The rounded nine-blade diaphragm enhances the aesthetic quality of bokeh when utilizing selective focus methods. With a lightweight design of approximately 1.5 lb, this lens is an adaptable option for daily photography needs.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32812119752750,"sku":"SONILMEFX6VK-MAIN","price":8298.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/25a97bc9-ad69-4a4e-ab98-8aacae26cea7.jpg?v=1758125826"},{"product_id":"sonsel35f14gm","title":"Sony FE 35mm f\/1.4 GM Lens","description":"\u003cp\u003eThe \u003cstrong\u003eSony FE 35mm f\/1.4 GM\u003c\/strong\u003e is a traditional wide-angle prime lens that features a modern, streamlined design. It is distinguished by its rapid performance and sophisticated optical construction. This adaptable focal length is ideal for a range of applications, including street photography, landscapes, and documentary work, while its wide maximum aperture performs exceptionally well in low-light conditions and allows for effective depth of field management.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rYVFXbBUJQk\" title=\"Introducing FE 35mm F1.4 GM | Sony | Lens\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/sel35f14gm\/G_Master_Optical_Design.jpg?965\" width=\"360\" height=\"295\" alt=\"\" style=\"float: left; \"\u003eG Master Optical Design\u003c\/h2\u003e\r\n\u003cp\u003eThis lens, part of Sony's prestigious G Master series, is engineered to provide an exceptional combination of remarkable resolution and sharpness, along with a unique and aesthetically pleasing bokeh. The inclusion of two XA (extreme aspherical) elements effectively mitigates issues such as astigmatism, field curvature, coma, distortion, and other spherical aberrations, ensuring a high level of sharpness and precise image rendering. Additionally, one extra-low dispersion element is incorporated to diminish chromatic aberrations and color fringing, thereby enhancing clarity and color fidelity. The application of Nano AR Coating II serves to minimize surface reflections, flare, and ghosting, resulting in improved contrast and color reproduction even in challenging lighting conditions. This advanced coating is particularly effective for larger, curved elements and excels at reducing internal reflections.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eWide-Angle Versatility and f\/1.4 Speed\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/sel35f14gm\/Wide-Angle_Versatility_and_f_1-4_Speed.jpg?8849\" alt=\"\" style=\"float: right; width: 359px; height: 240.268px;\" width=\"359\" height=\"240.268\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 35mm focal length is exceptionally adaptable, making it ideal for street photography, landscapes, and documentary work. Additionally, it serves as an excellent creative option for various other genres, including fashion and portrait photography. The fast f\/1.4 maximum aperture enhances performance in low-light environments and aids in managing depth of field, allowing for the creation of selective focus effects. Furthermore, the rounded 11-blade diaphragm enhances the aesthetic quality of bokeh when utilizing selective focus methods.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/sel35f14gm\/Fast_and_Precise_Focusing.jpg?7250\" width=\"360\" height=\"295\" alt=\"\" style=\"float: left; \"\u003eFast and Precise Focusing\u003c\/h2\u003e\r\n\u003cp\u003eThe incorporation of two XD Linear Motors ensures rapid, silent, and accurate autofocus along with effective subject tracking capabilities. This configuration also enhances the natural and intuitive manual focus control through Linear Response, with an AF\/MF switch conveniently positioned on the lens barrel for easy tactile adjustment. The internal focusing mechanism provides enhanced responsiveness in focusing performance while keeping the overall lens length consistent during use. With a minimum focusing distance of 9.8 inches, it is well-suited for capturing dynamic close-up images. Although it offers a wide-angle perspective, the short minimum focusing distance combined with a bright maximum aperture allows for the creation of shallow depth of field images, featuring a prominent close-up subject against a softly blurred background\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDurable and Reliable Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/sel35f14gm\/Durable_and_Reliable_Design.jpg?9087\" width=\"360\" height=\"294\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eIn addition to showcasing remarkable optical performance, G Master lenses are noted for their sturdy and dependable physical design, which incorporates weather sealing and protective coatings. The 35mm f\/1.4 GM stands out among fast wide-angle prime lenses due to its elegant and lightweight construction, measuring 3 x 3.9 inches and weighing 1.1 pounds. Its dust- and moisture-resistant design allows for effective use in adverse weather conditions, while the rubberized control rings enhance handling in colder environments. The front element, treated with a fluorine coating, is resistant to dust, moisture, and fingerprints, making it easy to maintain. Additionally, a focus hold button is conveniently located on the lens barrel, providing intuitive tactile control and quick access to specific settings. The physical aperture ring can be de-clicked, allowing for smooth and silent aperture adjustments, which is particularly advantageous for video recording.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":32814041497646,"sku":"SONSEL35F14GM-MAIN","price":1498.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/f1e786a5-1a4c-413b-a89f-fcbd81d9aede_ec075dfc-c21c-4959-bbc8-01c3c6b67a67.jpg?v=1725112554"},{"product_id":"sonsel85f14gm2","title":"Sony FE 85mm f\/1.4 GM II Lens","description":"\u003cp\u003e\u003cstrong\u003eSony \u003c\/strong\u003ehas enhanced its most sought-after portrait prime lens with the introduction of the \u003cstrong\u003eFE 85mm f\/1.4 GM II Lens\u003c\/strong\u003e, which boasts a slimmer design, improved trimming, and new features. This upgraded lens offers faster autofocus, a more refined bokeh, and functionality that is conducive to video production. With exceptional G Master sharpness and bokeh quality, it provides outstanding image quality that is ideal for capturing stills and videos in portraiture, events, and various applications requiring shallow depth of field.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-TiFpUYVCHg\" title=\"Introducing FE 85mm F1.4 GM II | Sony | α Lens\" frameborder=\"0\" allowfullscreen=\"\" data-dashlane-frameid=\"2204\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/SEL85f14gm2\/Stunning_G_Master_bokeh.jpg?4221\" alt=\"\" style=\"float: left; width: 345px; height: 204.355px;\" width=\"345\" height=\"204.355\"\u003eStunning G Master bokeh\u003c\/h2\u003e\r\n\u003cp\u003eThe FE 85mm f\/1.4 GM II continues the esteemed legacy of the FE 85mm f\/1.4 GM, featuring a newly developed optical design that effectively manages chromatic aberration, resulting in a more natural bokeh effect. An 11-blade circular aperture further enhances this quality, while meticulously controlled spherical aberration, in conjunction with XA (extreme aspherical) elements, reduces the occurrence of onion-ring bokeh. This combination facilitates seamless transitions from sharp focus to rich bokeh at f\/1.4. The inclusion of 2 XA elements ensures exceptional resolution extending to the edges of the image. Capturing eyes and expressions with remarkable clarity is achievable, regardless of the framing. Additionally, Sony's Nano AR Coating II minimizes flare and ghosting across various lighting conditions. The minimum focus distance is 2.79 feet (0.85 meters) for autofocus and 2.63 feet (0.8 meters) for manual focus.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAF Speed and Precision\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/SEL85f14gm2\/AF_Speed_and_Precision.jpg?2159\" alt=\"\" style=\"float: right; width: 372px; height: 233.892px;\" width=\"372\" height=\"233.892\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FE 85mm f\/1.4 GM II features two XD (extreme dynamic) linear motors and advanced high-speed control, resulting in autofocus performance that is up to three times quicker than its predecessor. The tracking of moving subjects has seen an enhancement of up to seven times, ensuring dependable capture even with the very shallow depth of field at f\/1.4. Additionally, the 120 fps functionality of the a9 III, equipped with a global shutter, is fully compatible. This lens provides exceptional creative control, making it an ideal choice for professional portrait photography.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/SEL85f14gm2\/Ideal_for_Filmmaking.jpg?9211\" alt=\"\" style=\"float: left; width: 319px; height: 202.919px;\" width=\"319\" height=\"202.919\"\u003eIdeal for Filmmaking\u003c\/h3\u003e\r\n\u003cp\u003eThe FE 85mm f\/1.4 GM II is an excellent option for filmmakers. It seamlessly integrates with Real-time Recognition AF in a-series cameras, enabling rapid, accurate, and silent subject tracking that ensures sharp focus on dynamic subjects, even at f\/1.4. Focus breathing has been significantly reduced, and in-body breathing compensation is available. The aperture ring can be adjusted for click-less operation, while Linear Response MF provides a smooth and intuitive manual focus experience.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eBody Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/SEL85f14gm2\/Body_Design.jpg?1380\" width=\"360\" height=\"229\" alt=\"\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe device features two customizable focus hold buttons and an AF\/MF switch, allowing for versatile operation. Additionally, the independent aperture ring and Linear Response MF focus control facilitate intuitive handling for creative photography. The FE 85mm f\/1.4 GM II is compatible with 77mm threaded filters.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe inclusion of two Extra-low Dispersion (ED) glass elements effectively minimizes flare and ghosting by eliminating both axial chromatic aberration and chromatic aberration caused by variations in magnification. This design enhances resolution and bokeh, ensuring that edges are rendered with precision, free from fringing or unnatural color distortions, extending seamlessly to the edges of the image.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe design is resistant to dust and moisture, ensuring dependable performance in demanding outdoor environments. The front lens element is treated with a fluorine coating that effectively repels fingerprints, dust, water, oil, and various other contaminants.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41091304390702,"sku":"SONSEL85F14GM2-MAIN","price":1948.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/bd1bec2a-d553-4aae-a806-ee08f58b5fdb.jpg?v=1724867380"},{"product_id":"sonsel2870gm","title":"Sony FE 28-70mm f\/2 GM Lens | Sony E","description":"\u003cp\u003eThe \u003cstrong\u003eSony FE 28-70mm f\/2 GM\u003c\/strong\u003e is a versatile high-performance lens that outperforms traditional f\/2.8 standard zooms with its faster f\/2 maximum aperture. As Sony's inaugural GM zoom featuring a constant f\/2 aperture, it encompasses a practical range from wide-angle to portrait lengths. This lens is ideal for photographers seeking to consolidate a collection of prime lenses into a single zoom without compromising on speed. It effectively covers essential focal lengths, delivers remarkably swift autofocus, and serves as a balanced solution for both photography and filmmaking requirements.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7Y_O5YYQIl0\" title=\"Introducing FE 28-70mm F2 GM | Sony | α Lens\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732035867.jpeg\" width=\"500\" height=\"281\" style=\"float: right; \"\u003eG Master Performance\u003c\/h2\u003e\r\n\u003cp\u003eSony reserves its G Master designation for its top-tier optics, which are characterized by exceptional sharpness, exquisite bokeh, remarkable speed, and overall superior performance. The 28-70mm f\/2 lens exemplifies these qualities, designed to serve as a versatile replacement for multiple prime lenses. Its constant f\/2 maximum aperture is a full stop faster than that of an f\/2.8 lens, enhancing its performance in low-light situations and providing enhanced control over depth of field and the separation between subjects and backgrounds. The incorporation of XA, Super ED, aspherical, and ED elements contributes to high sharpness and smooth rendering, making it suitable for a variety of subjects, including architecture, landscapes, portraits, and weddings.\u003c\/p\u003e\r\n\u003cp\u003eThe Nano AR Coating II effectively reduces flare, enhancing contrast and vibrant colors across diverse lighting environments. The floating focus design ensures consistent high image quality throughout the entire focusing range, achieving uniform sharpness from infinity down to the minimum focusing distance of 1.2 feet. Additionally, the rounded 11-blade diaphragm contributes to a pleasing, circular bokeh effect.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDesigned for Hybrid Shooters\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732035891.jpeg\" width=\"500\" height=\"281\" style=\"float: left; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 28-70mm f\/2 GM lens is designed to excel in both photography and filmmaking, incorporating several advantageous features that enhance its versatility. It is equipped with four XD (extreme dynamic) linear motors, which provide rapid and responsive autofocus performance that is both quiet and smooth. This focusing system supports continuous shooting at speeds of up to 120 frames per second and high-speed video recording at rates of up to 240 frames per second.\u003c\/p\u003e\r\n\u003cp\u003eThe internal focusing mechanism facilitates faster focusing speeds while keeping the lens length consistent during operation. Additionally, the short-throw zoom design allows the lens to extend only 0.7 inches when transitioning from the 28mm to the 70mm position. Consequently, although the lens does not feature a true internal zoom, there is no need to readjust gimbal settings when altering the zoom position.\u003c\/p\u003e\r\n\u003cp\u003eOptical focus breathing has been significantly minimized, and the lens is equipped with the Breathing Compensation feature in certain cameras, which effectively prevents shifts in the angle of view during zoom adjustments. The manual aperture ring can be modified to allow for seamless and silent transitions, while the zoom resistance can be tailored for either a smooth or firm feel, facilitating more accurate control. Weighing 2 pounds, the lens is designed with a rear-heavy distribution, ensuring a balanced structure that enhances comfort during handheld operation.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePortable and Nimble Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732035921.jpeg\" width=\"500\" height=\"283\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eMeasuring 5.5\" long and weighing 2 lb, this lens is 28% larger and 24% heavier than the 24-70mm f\/2.8 GM II while managing to be twice as bright.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eManual aperture ring offers tactile exposure control and the ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eZoom smoothness switch for changing between Smooth and Tight zoom ring torque.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHybrid construction uses both metal and plastic components to maximize both durability and a low weight design.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIncluded lens hood features a locking button and a filter window for easier adjustment of rotating filters (e.g. polarizers, variable NDs).\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41184670056494,"sku":"SONSEL2870GM-MAIN","price":3298.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/2474769e-863e-4ec2-a902-0020489f2a5c.jpg?v=1732036111"},{"product_id":"sonilce1m2b","title":"Sony a1 II Mirrorless Camera","description":"\u003cp\u003eThe \u003cstrong\u003eSony a1 II\u003c\/strong\u003e represents the pinnacle of versatility in their camera lineup, delivering an exceptional combination of speed, video functionality, high-resolution imagery, and a durable, professional-grade design. It integrates many of the well-balanced features from the original a1 into the body of the a9 III, while also incorporating the autofocus and in-body image stabilization technologies introduced with the a7R V. This camera is tailored for working professionals across various fields, including sports, editorial, product, fashion, and advertising photography, while also appealing to landscape, portrait, wedding, and event photographers. Additionally, it offers the advanced video capabilities characteristic of the a1 series, such as 8K recording, along with effective stabilization and framing tools derived from the ZV series.\u003c\/p\u003e\r\n\u003cp\u003eThe a1 II consolidates Sony's leading technologies from all its camera lines into a single, comprehensive body, establishing it as the ultimate all-in-one solution for professional photographers.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xYMNPvgWcdY\" title=\"Introducing Alpha 1 II | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041614.jpeg\" width=\"500\" height=\"281\" style=\"float: left; \"\u003eThe Integration Of Advanced Technologies Results In Exceptional Performance\u003c\/h2\u003e\r\n\u003cp\u003eThe massive volume of data generated by the approximately 50.1 effective megapixel full-frame Exmor RS™ image sensor is processed instantaneously by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit employs sophisticated subject recognition capabilities to accurately identify a diverse array of subjects. These cutting-edge technologies work in unison to facilitate the capture of even the most difficult subjects in remarkable resolution, featuring blackout-free viewing and comprehensive AF\/AE tracking performance at speeds of up to 30 frames per second.\u003c\/p\u003e\r\n\u003cp\u003eThe α1 II is equipped with a specialized AI processing unit that enhances the accuracy of human recognition through advanced pose estimation techniques. Additionally, it is capable of identifying a diverse array of subjects beyond humans, including animals, vehicles, and insects, with remarkable precision. This advancement significantly elevates the performance of Real-time Recognition AF and Real-time Tracking, leading to an overall enhancement in autofocus capabilities.\u003c\/p\u003e\r\n\u003cp\u003eExperience Netflix from a fresh perspective. The Netflix Adaptive Calibrated Mode, developed collaboratively by Sony and Netflix, delivers studio-quality mastering to your home, with brightness levels automatically tailored to the lighting conditions of your environment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eSmarter, Faster Autofocus and Subject Tracking\u003c\/h2\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732038066.jpeg\" style=\"width: 1003px; height: 382.573px;\" width=\"1003\" height=\"382.573\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe focusing system of the a1 II has undergone substantial enhancements compared to its predecessor, now featuring an AI Processing Unit along with improved subject detection and tracking capabilities. The phase-detection autofocus system continues to utilize 759 points, which encompass approximately 92% of the sensor area, enabling focusing down to -4 EV at f\/2. Additionally, advancements in subject tracking and detection have been made, with the camera demonstrating a 30% increase in speed for detecting human eyes and a 50% increase for animal eyes.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFirst seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eXS and XL focus area spot sizes have been added for more subject versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eSensor and Processing\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041714.jpeg\" width=\"492\" height=\"272\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe initial a1 model was recognized for its exceptional imaging capabilities, and the a1 II enhances this with advanced BIONZ XR processing, an AI processing unit, a more robust 8.5-stop in-body image stabilization (IBIS), and the remarkable 50MP stacked BSI CMOS sensor inherited from its predecessor. This combination of sensor and processor enables a maximum shooting rate of 30 frames per second, an extended sensitivity range from ISO 50 to 102400, and an impressive dynamic range of 15 stops. Furthermore, in terms of speed, the a1 II introduces the Pre-Capture and Speed Boost features that were first introduced with the a9 III.\u003c\/p\u003e\r\n\u003cp\u003eContinuous shooting is possible at up to 30 frames per second using an electronic shutter, or 10 frames per second with a mechanical shutter, both of which support autofocus (AF) and auto exposure (AE). The Pre-Capture Shooting feature allows for recording at 30 fps for up to one second before the shutter is fully pressed, ensuring that fleeting moments are not missed. The Speed Boost function enables the adjustment of continuous shooting speed during a burst; by pressing the C5 button while shooting in burst mode, users can switch to a faster or slower shooting speed to match the action being captured. The advanced 5-axis in-body image stabilization system effectively compensates for camera shake, providing up to 8.5 stops of stabilization at the center and 7 stops at the edges, representing a 3-stop improvement over the original model. This device utilizes the same full-frame 50MP stacked BSI CMOS sensor as its predecessor, combining high resolution with rapid performance and minimized rolling shutter effects, catering to both detail-oriented and fast-paced photographers.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041736.jpeg\" width=\"446\" height=\"282\" style=\"float: left; \"\u003eAlpha's Alpha in Video Capabilities\u003c\/h2\u003e\r\n\u003cp\u003eThe original a1's video specifications were pioneering for its era and, in numerous aspects, remain advanced even today. The a1 II retains many of the fundamental resolutions and frame rates while enhancing its video recording functionalities with additional supportive modes and features. Notably, it includes Dynamic Area Stabilization and offers a genuine 24.00 frame rate for a cinematic appearance, along with timecode input available through an optional adapter. Consequently, the a1 II is equally proficient on a professional film set as it is within a photography studio.\u003c\/p\u003e\r\n\u003cp\u003eFamiliar recording formats include 8K at 30 frames per second with 10-bit 4:2:0 sampling, as well as 4K at 120 frames per second with 10-bit 4:2:2 sampling. When utilizing a Super 35 recording area, 4K footage can benefit from 5.8K oversampling to enhance detail, while the full-frame area provides 8.6K oversampling for 8K footage. The inclusion of the S-Cinetone profile, ProRes RAW output via HDMI, and the capability to import LUTs highlight the extensive color control available with the a1 II. The AI subject recognition feature, powered by the AI Processing Unit, enhances the Framing Stabilizer mode, allowing for automatic cropping and recomposition to keep the subject centered within the frame. Dynamic Active Mode Stabilization further ensures precise framing during filming, particularly when capturing footage while walking or in motion. Additionally, the system supports Breathing Compensation mode, which mitigates the effects of focus breathing when using certain lenses.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePre-Capture \u0026amp; Speed Boost-Never Miss a Moment\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041760.jpeg\" style=\"float: right; width: 409px; height: 264.214px;\" width=\"409\" height=\"264.214\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe a1 II not only incorporates the essential technology provided by the sensor but also introduces supplementary features that enhance the camera's overall capabilities.\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePre-Capture: \u003c\/strong\u003eThe a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eSpeed Boost:\u003c\/strong\u003e With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041805.jpeg\" style=\"float: left; width: 293px; height: 293px;\" width=\"293\" height=\"293\"\u003eProfessional Body Design and Connectivity\u003c\/h2\u003e\r\n\u003cp\u003eThe a1-series has consistently represented the pinnacle of Sony's offerings, featuring one of the most robust and sophisticated physical designs in the lineup. The a1 II, however, receives enhancements that align it with the a9 III, particularly regarding button configuration, screen and electronic viewfinder integration, and overall durability. This camera is engineered for professional applications and boasts the most resilient and dependable design within Sony's range.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eVersatile and Durable Design\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe a1 II features the latest Sony mirrorless body design, initially introduced with the a9 III, which incorporates a C5 custom button on the front and an improved grip for enhanced usability.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eFor data transfer, the camera is equipped with an upgraded 2.5GBASE-T wired LAN port, providing increased transfer speeds suitable for demanding tethered shooting scenarios. Additionally, it includes a USB-C port and a full-size HDMI port, with the USB-C port supporting rapid USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe dual memory card slots are compatible with both CFexpress Type A and SD-type memory cards, offering versatile file management options. This dual-slot configuration allows users to partition file types or utilize it for overflow recording. Furthermore, both slots are rated to support UHS-II memory cards, ensuring faster transfer speeds.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eTru-Finder EVF and Tilting Touchscreen LCD\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1732041841.jpeg\" style=\"float: right; width: 276px; height: 276px;\" width=\"276\" height=\"276\"\u003e\n\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIntuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eEnhanced Functionality and Usability\u003c\/h2\u003e\r\n\u003cp\u003eSony has continued to improve the workflows of their professional cameras with upgraded and additional features:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eComposite Shooting Modes\u003c\/h3\u003e\r\n\u003cp\u003eBy capturing multiple images and combining them in post-production, users can achieve image quality and resolutions not possible with just the core sensor technology. The a1 II offers two different options for composite shooting:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003ePixel Shift Multi Shooting:\u003c\/strong\u003e This distinctive compositing mode enables the attainment of a resolution that surpasses the capabilities of the 50.1MP sensor. By collaborating with the sensor-shift image stabilization, this mode shifts the sensor while capturing 16 consecutive images, resulting in the collection of approximately 199MP of data. This process enhances color accuracy and detail beyond what can be achieved with a single exposure. Subsequently, these files can be combined in post-production utilizing the Sony Imaging software suite.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e\n\u003cstrong\u003eNoise Reduction:\u003c\/strong\u003e This approach employs a series of images to diminish noise in a photograph while preserving sharpness and detail. By utilizing data from multiple frames, users can enhance the clarity of intricate details and lessen the effects of noise, avoiding the blurring often associated with traditional noise reduction methods.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41184761413678,"sku":"SONILCE1M2B-MAIN","price":6998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/37bd5025-f44d-4c65-960a-cbf6530445e5_18db7b8f-70bc-45bf-9066-302d6b2963e0.jpg?v=1732130990"},{"product_id":"sonsel400800g","title":"Sony FE 400-800mm f\/6.3-8 G OSS Lens | Sony E","description":"\u003cp\u003eThe \u003cstrong\u003eSony FE 400-800mm f\/6.3-8 G OSS Lens \u003c\/strong\u003erepresents the most extensive reach within the Sony E-mount lens lineup, establishing itself as a formidable super-telephoto option ideal for wildlife, nature, and sports photography. This lens, part of the G Series, exemplifies Sony's commitment to merging the qualities of G and GM lenses, providing users with outstanding performance at a more accessible price point. It incorporates internal zoom technology for enhanced usability and is equipped with dual linear motors that ensure rapid and smooth autofocus capabilities. The Optical SteadyShot stabilization system offers three distinct modes, complemented by a focus limiter and three focus hold buttons for superior control. Additionally, the lens is designed with a fixed, rotating tripod foot to enhance stability and deliver sharper images.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/P7om9s8E6Fk\" title=\"Introducing  FE 400-800mm F6.3-8 G OSS | Sony | α Lens\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eUnprecedented Range\u003c\/h2\u003e\r\n\u003cp\u003eThe FE 400-800mm f\/6.3-8 G OSS represents the inaugural α Lens that encompasses a super-telephoto range from 400 mm to 800 mm. An optional 2x teleconverter is available, which can enhance the maximum focal length to 1600 mm. The lens features an internal zoom mechanism, ensuring that its length remains constant and the center of gravity is maintained within a limited range for improved stability during handling. The zoom ring is designed for smooth and effortless rotation, facilitating accurate zoom adjustments, while the thoughtful design minimizes the risk of unintentional changes in focal length.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1740582082.jpeg\" width=\"300\" height=\"168\" style=\"float: left; \"\u003eCutting-Edge Optical Design\u003c\/h2\u003e\r\n\u003cp\u003eSix Extra-low Dispersion (ED) glass elements proficiently manage chromatic aberration. Additionally, flare and ghosting in backlit situations are effectively minimized. The lens features an 11-blade circular aperture, which contributes to the production of aesthetically pleasing ball bokeh, complemented by an exceptionally smooth and creamy background bokeh when capturing images with a shallow depth of field.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eFast, Precise AF\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1740582100.jpeg\" style=\"float: right; width: 375px; height: 210px;\" width=\"375\" height=\"210\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eTwo precision linear motors are employed to operate the lens's focus group, ensuring rapid and precise focusing capabilities. The tracking system effectively matches the α9 III's maximum burst speed of 120 fps, maintaining continuity even during zooming to capture critical moments without interruption. A focus-range limiter (FULL \/ 10m-NEAR \/ ∞-8m) is available to enhance performance for various subject distances. Additionally, focus breathing is minimized to achieve superior video quality, while the quiet operation broadens the range of potential applications.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1740582125.jpeg\" style=\"float: left; width: 402px; height: 225.12px;\" width=\"402\" height=\"225.12\"\u003eSolid Support For Handheld or Tripod-Mounted Shooting\u003c\/h2\u003e\r\n\u003cp\u003eThe optically stabilized FE 400-800mm F6.3-8 G OSS reaches a focal length of 800 mm while maintaining a weight of only 2475 g (87.4 oz), allowing for handheld use without the risk of shake-induced blur. The stabilization performance is further enhanced when paired with an α body that features image stabilization. For tripod use, the mount foot can be swiftly rotated to accommodate both horizontal and vertical orientations. The lens is constructed with durable materials, ensuring optimized balance, and features a non-removable foot to enhance reliability and overall performance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eHigh-Level Control and Reliability\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1740582162.jpeg\" style=\"float: right; width: 398px; height: 224.207px;\" width=\"398\" height=\"224.207\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe barrel features three focus hold buttons positioned at 90° intervals, facilitating convenient access regardless of orientation. Additional functions may be allocated to these buttons as required. The internal zoom mechanism, combined with a design that resists dust and moisture, enhances overall reliability. The front element is treated with a fluorine coating, which effectively repels contaminants and simplifies the cleaning process. Furthermore, the lens hood has been redesigned to include a locking button and a filter opening, ensuring ease of use.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41309278535726,"sku":"SONSEL400800G-MAIN","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/40107e0d-437b-4389-ab42-79eb7e12d23e.jpg?v=1740582373"},{"product_id":"sonsel50150gm","title":"Sony FE 50-150mm f\/2 GM Lens | Sony E","description":"\u003cp\u003eThe \u003cstrong\u003eSony FE 50-150mm f\/2 GM\u003c\/strong\u003e is a remarkably swift and adaptable normal to short-telephoto zoom lens, notable for its exceptionally bright constant maximum aperture of f\/2. This lens is perfectly suited for portrait photography, weddings, events, as well as indoor and close-range sports. It serves as an excellent option for both photographers and videographers seeking to consolidate multiple prime lenses into one high-speed zoom without compromising on performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o-SZCS4SgRw\" title=\"Introducing FE 50-150mm F2 GM | Sony | α Lens\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1745335933.jpeg\" style=\"float: left; width: 392px; height: 219.52px;\" width=\"392\" height=\"219.52\"\u003eG Master Performance\u003c\/h2\u003e\r\n\u003cp\u003eThe G Master designation by Sony is specifically allocated for its top-tier optics, which deliver exceptional sharpness, exquisite bokeh, remarkable speed, and superior overall performance. The 50-150mm f\/2 lens fulfills all these criteria, aiming to serve as a versatile replacement for multiple prime lenses. Its constant f\/2 maximum aperture is a full stop faster than an f\/2.8 lens, enhancing its performance in low-light situations and providing enhanced control over depth of field and the separation between subjects and backgrounds. The inclusion of XA, Super ED, aspherical, and ED elements ensures high sharpness and smooth rendering, making it suitable for a wide range of subjects, including architecture, landscapes, portraits, and weddings. The Nano AR Coating II effectively reduces flare, resulting in vibrant contrast and vivid colors across various lighting scenarios. The floating focus design guarantees consistent image quality throughout the entire focusing range, achieving uniform sharpness from infinity down to the minimum focusing distance of 1.3 feet. Additionally, the rounded 11-blade diaphragm contributes to a pleasing, circular bokeh effect.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDesigned for Hybrid Shooters\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1745335969.jpeg\" style=\"float: right; width: 364px; height: 203.84px;\" width=\"364\" height=\"203.84\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe 50-150mm f\/2 GM lens is designed for both photography and filmmaking, featuring several advantageous elements that enhance its versatility. It is equipped with four XD (extreme dynamic) linear motors that provide rapid and responsive autofocus performance, characterized by its quiet and smooth operation. This focusing system is capable of supporting continuous shooting speeds of up to 120 frames per second and high-speed video recording at rates of up to 240 frames per second. The internal focusing mechanism facilitates faster focusing speeds while maintaining the lens's length during operation. \u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1745336009.jpeg\" style=\"float: left; width: 384px; height: 215.04px;\" width=\"384\" height=\"215.04\"\u003eAdditionally, the internal zoom feature preserves the overall length of the lens and ensures a consistent center of gravity, making it easier to use with a gimbal or tripod. The lens has been optically optimized to significantly reduce focus breathing and is compatible with the Breathing Compensation function available in select cameras, effectively preventing shifts in the angle of view when adjusting the zoom. The manual aperture ring can be de-clicked for seamless and silent adjustments, and the zoom's resistance can be modified for either smooth or tight operation, allowing for more precise control. Weighing approximately 3 pounds, the lens is designed with a balanced distribution of weight, primarily at the rear, to enhance comfort during handheld use.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003ePortable and Nimble Design\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1745336070.jpeg\" style=\"float: right; width: 426px; height: 238.56px;\" width=\"426\" height=\"238.56\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThis 50-150mm f\/2 lens, despite its impressive maximum aperture and versatile focal range, is designed to be portable and relatively lightweight, making it ideal for handheld shooting and everyday applications. With a length of 7.9 inches and a weight of approximately 3 pounds, it is nearly the same size as the FE 70-200mm f\/2.8 GM OSS II, yet about 30% heavier while offering double the brightness. The manual aperture ring provides tactile control over exposure and can be de-clicked for smooth, silent adjustments or locked in the 'A' position for camera-controlled aperture changes. It features two programmable focus hold buttons and a focus mode switch for intuitive focus management. A zoom smoothness switch allows users to toggle between Smooth and Tight zoom ring torque. \u003c\/p\u003e\r\n\u003cp\u003eThe hybrid construction combines metal and plastic components to enhance durability while maintaining a lightweight profile. Its dust- and moisture-resistant design incorporates rubber gaskets at each seam and a rubber ring sealing the lens mount, ensuring reliable performance in adverse weather conditions. The front lens element is treated with a fluorine coating that repels water, oil, and other contaminants, facilitating easier cleaning. The included lens hood is equipped with a locking button and a filter window for convenient adjustment of rotating filters, such as polarizers and variable ND filters.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41376544718894,"sku":"SONSEL50150GM-MAIN","price":3998.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/28173aee-c4b5-41f4-a4c9-9cb5c7f2eea0.jpg?v=1745336299"},{"product_id":"sonilmefx3a","title":"Sony FX3 Full-Frame Cinema Camera","description":"\u003cp\u003eThe \u003cstrong\u003eSony FX3\u003c\/strong\u003e is engineered with a compact design tailored for individual operators, travel purposes, and as an excellent secondary camera. It integrates elements from both the Cinema Line and Alpha series, resulting in a highly portable cinema camera. The FX3 encompasses all the imaging capabilities typical of its category while presenting a new lightweight, handheld structure characterized by a sleek profile and a \"cage-free\" design that allows for the direct attachment of various accessories to the camera body.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2YXh88hwqnM\" title=\"Introducing Cinema Line FX3 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/Expressive_UHD_4K_Video_Capture.jpg?2437\" alt=\"\" style=\"float: left; width: 301px; height: 247.806px;\" width=\"301\" height=\"247.806\"\u003eExpressive UHD 4K Video Capture\u003c\/h2\u003e\r\n\u003cp\u003eThe FX3 features a 12.1MP Exmor R BSI CMOS sensor, which provides 10.2MP effective resolution in video mode, and is complemented by a BIONZ XR processor. This combination enables the capture of UHD 4K video with internal 10-bit 4:2:2 sampling or 16-bit raw output. The back-illuminated design of the sensor enhances both clarity and sensitivity, offering an ISO range that can be expanded from 80 to 409,600, along with a dynamic range exceeding 15 stops, making it suitable for various lighting conditions. The S-Cinetone mode facilitates color and tonal matching with VENICE, FX9, or FX6 sources, while also supporting S-Log3\/2 gamut and 10-bit HLG for straightforward HDR production. Furthermore, the collaboration between the sensor and processor significantly minimizes rolling shutter effects, and the sensor is equipped with a Fast Hybrid AF system that ensures efficient and precise focusing and subject tracking.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e4K Full-Frame CMOS Exmor R Sensor\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/4K_Full-Frame_CMOS_Exmor_R_Sensor.jpg?1739\" alt=\"\" style=\"float: right; width: 334px; height: 274.991px;\" width=\"334\" height=\"274.991\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe FX3 achieves authentic cinematic expression through its 12.1MP Exmor R sensor and BIONZ XR processor, delivering 10.2MP effective video and 12.1MP still image capture. This full-frame sensor enables shallow depth of field effects, stunning bokeh, and minimizes rolling shutter artifacts. With a base sensitivity range of 80-102,400, it can extend to an impressive 409,600, making it highly effective for low-light photography. Additionally, it offers over 15 stops of dynamic range, allowing for the detailed reproduction of both breathtaking outdoor scenes and meticulously lit indoor environments, providing ample flexibility for color grading.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eS-Cinetone Color\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CJ4qWNcF78g\" title=\"S-Cinetone |  Cinema Line FX3 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe default S-Cinetone color setting of the FX3 produces an exquisite reproduction of skin tones and a softer aesthetic that enhances footage captured with the VENICE, FX9, or FX6. The inclusion of S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support ensures the preservation of rich gradation and color consistency across the Sony Cinema Line cameras. Additionally, HLG HDR offers the convenience of direct HLG playback without requiring any grading.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eVideo Recording\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tYCGGOcTMC0\" title=\"4K 120fps with every frame in focus Cinema Line FX3 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003eAchieve high-resolution, detailed imagery at frame rates reaching 4K 120p, with the capability of capturing up to 5x slow motion at 24p output. The recording options allow for DCI 4K+ output in 16-bit raw format via HDMI to compatible recorders, while simultaneously recording XAVC 4K and proxy files internally. Internal 4K recording supports 4:2:2 10-bit color using both All-Intra and Long GOP codecs. The device is equipped with cooling mechanisms, including a silent fan and heatsink, which effectively manage heat to facilitate continuous recording at up to 4K60. Additionally, it features dual SD card slots that accommodate both CFexpress Type A and SDXC cards, enabling seamless relay or backup recording. Super35 1080p capture is available at frame rates of up to 240p.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/Steady_Focus.jpg?9899\" alt=\"\" style=\"float: left; width: 183px; height: 150.669px;\" width=\"183\" height=\"150.669\"\u003eSteady Focus\u003c\/h2\u003e\r\n\u003cp\u003eSolo shooters can now maintain a sharp focus on the action, thanks to the integration of real-time Tracking and Eye autofocus capabilities powered by AI-driven algorithms, along with an intuitive touchscreen focus feature. The system offers seven options for AF Transition Speed, allowing for precise rack focusing, while five settings for AF Subject Shift provide the flexibility to modify the speed when transitioning from a subject that is in focus. The Fast Hybrid AF system employs 627 points, effectively covering around 89% of the image frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/Ergonomic_Form_for_Solo_Operation.jpg?3166\" alt=\"\" style=\"float: right; width: 235px; height: 193.249px;\" width=\"235\" height=\"193.249\"\u003eErgonomic Form for Solo Operation\u003c\/h2\u003e\r\n\u003cp\u003eThe FX3 features a cage-free design that allows for the direct attachment of ¼\"-20 compatible accessories to the camera or its detachable handle. This innovation reduces both the weight and the time required for setup and breakdown typically associated with a camera cage. Additionally, the arrangement of the record button, focus and menu controls, along with six assignable buttons, facilitates single-handed operation, thereby allowing your left hand to remain free for balancing or managing your lens.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/Easily_Viewable_Tally_Lights.jpg?8302\" alt=\"\" style=\"float: left; width: 215px; height: 177.059px;\" width=\"215\" height=\"177.059\"\u003eEasily Viewable Tally Lights\u003c\/h2\u003e\r\n\u003cp\u003eThe indicators located at the top, front, and rear of the camera provide clear signals to the operator, talent, and sound personnel regarding the recording status, ensuring that movements and dialogue are executed with precise timing.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eQuality Audio Options\u003c\/h2\u003e\r\n\u003cp\u003eProfessional audio recording features consist of:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eA removable XLR adapter handle equipped with two XLR-1\/4\" TRS combo audio inputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA microphone holder along with a 3.5mm input for microphone integration\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSupport for up to 4-channel, 24-bit audio recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eRemote Control, Streaming, and Transfers\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/FX3\/Remote_Control_Streaming_and_Transfers.jpg?3362\" alt=\"\" style=\"float: right; width: 234px; height: 193.304px;\" width=\"234\" height=\"193.304\"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eManage your FX3 remotely through the Imaging Edge Mobile or Imaging Edge Desktop applications, and facilitate file transfers via Wi-Fi or a wired USB Type-C connection, enabling your editor to commence post-production work promptly. Additionally, you can stream your content using your computer in conjunction with the Imaging Edge Webcam application.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\u003c\/h2\u003e\r\n\u003ch2\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/h2\u003e\r\n\u003cp\u003eSony's Catalyst Prepare\/Browse software employs shake metadata to enhance image stability. The software provides a customizable balance between shake compensation and image area cropping, allowing for precise adjustments to the final image.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImproved FX3 Features\u003c\/h2\u003e\r\n\u003cp\u003eThe FX3 enhances the Cinema Line by offering features such as ergonomic, cage-free handheld operation, a battery life that is 1.6 times greater than that of the a7S II, and a USB-PD power option to facilitate longer shooting durations.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41392802955310,"sku":"SONILMEFX3A-MAIN","price":4298.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/902ed7bd-03e0-4676-8159-e35c8a71a20b.jpg?v=1746641048"},{"product_id":"sonilmefx2b","title":"Sony FX2 Digital Cinema Camera","description":"\u003cp\u003eFeaturing a 33MP full-frame sensor, the AI-enhanced \u003cstrong\u003eSony FX2\u003c\/strong\u003e merges the extensive video functionalities of the Cinema Line with improved still image capture in a compact, travel-friendly design. Perfect for filmmakers and content creators on the move, the FX2 includes an S-Log3 photo mode with the option to apply LUTs, and boasts a 3.68m-Dot OLED viewfinder that can tilt from 0 to 90°. Its AI processing unit ensures active image stabilization and real-time subject recognition, which enhances the precision of auto focus and framing.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_J_1dJndLhc\" title=\"Introducing Cinema Line FX2 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446327.jpg\" width=\"350\" height=\"226\" style=\"float: left; \"\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h2\u003e\r\n\u003cp\u003eCombining its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 is capable of capturing vibrant 4K video characterized by natural gradations, realistic colors, and minimal noise in both full-frame and Super 35 modes, ensuring extensive lens compatibility without compromising resolution. In full-frame mode, the FX2 provides 7K oversampling with complete pixel readout, resulting in outstanding sharpness and realism. Engineered to handle a variety of lighting conditions, the FX2 boasts a dynamic range exceeding 15 stops, an ISO that can be expanded up to 102400, and enhanced dual-base ISO technology for recording footage in S-log3 at either 800 or 4000 ISO.\u003c\/p\u003e\r\n\u003ch2\u003eLog Recording Modes\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GLDXKilSHP4\" title=\"Log recording modes | Cinema Line FX2 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTo ensure creative flexibility, Log recording offers three modes: Flexible ISO, Cine EI, and Cine EI Quick. Among these, Cine EI is predominantly utilized in professional filmmaking for footage that necessitates extensive post-production work. Depending on the shooting conditions, select a base ISO of either 800 or 4000 to preserve maximum latitude during the shoot, enabling specific tonal ranges to be refined in post-production to realize your intended cinematic appearance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDCI 4K Video Recording\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446386.jpg\" width=\"350\" height=\"219\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eEngineered for adaptability, the FX2 captures DCI 4K video internally with 10-bit 4:2:2 sampling, or it can output 16-bit raw footage through an HDMI connection. Record video in XAVC S, S-I, and HS formats utilizing Long GOP, All-Intra, H.264, and H.265 codecs. Color and tonal reproduction can be meticulously adjusted with up to 16 user-imported LUTs or by employing the S-Cinematone mode to match the characteristics of VENICE, FX9, FX6, FX3, and other camera systems. The FX2 is equipped with a user-friendly Variable FPS feature for producing timelapses and slow-motion videos, and it is capable of de-squeezing 1.3 and 2.0x anamorphic footage, all within the camera itself.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446430.jpg\" width=\"350\" height=\"227\" style=\"float: left; \"\u003eHybrid Still-Image Capture\u003c\/h2\u003e\r\n\u003cp\u003eA single switch allows the selection of either MOVIE or STILL mode, instantly recalling all associated settings. Besides offering a resolution of 33 MP and the capability for continuous bursts at a rate of up to 10 fps, the camera features a function for [Creating still images from Shot Marks], enabling you to capture still images while recording or playing back video that has a user LUT previously imported.\u003c\/p\u003e\r\n\u003cp\u003eThe Log mode is also accessible for still images, allowing for the capture of JPEG and HEIF still photographs utilizing the S-Log3 gamma curve employed during video recording, thereby facilitating a consistent workflow during post-production. Enhance your still images in editing software like Blackmagic DaVinci Resolve, prepared for diverse applications while preserving the same aesthetic.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAI Subject Recognition\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446453.jpg\" width=\"350\" height=\"227\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe AI processing unit of the FX2 offers numerous enhancements in auto focus, auto framing, and stabilization through the application of deep learning. By analyzing colors, patterns, and depth, the processor ensures sharp focus with real-time subject recognition, capable of identifying individuals, animals, and vehicles. Compared to the FX3 and FX30, human and animal eye recognition has been enhanced by 30%, rendering the FX2 particularly suitable for dynamic shooting situations, such as wildlife photography and sporting events. This sophisticated tracking capability also facilitates accurate auto framing, modifying the recorded composition to keep the subject centered in the frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446477.jpg\" style=\"float: left; width: 289px; height: 183.309px;\" width=\"289\" height=\"183.309\"\u003eComprehensive Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eActive Mode enhances stabilization during walking and shooting. For a more rapid shooting experience, there is Dynamic Active Mode, which employs electronic stabilization to achieve an effect that is up to 30% more effective, allowing for stable footage capture even while in motion. Relevant stabilization metadata is included in the footage to facilitate efficient post-production.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImproved Accessibility\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe FX2 inherits the BIG6 home screen from high-end CineAlta cameras like the VENICE, enabling straightforward adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when in Movie Mode.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe 3\" fold-out touchscreen LCD facilitates intuitive menu navigation and features a tiltable design with a resolution of 1.03m-Dot.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA distinctive feature of the FX2 is its integrated 3.68m-Dot OLED electronic viewfinder, which offers a maximum magnification of 0.7x.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe EVF tilts from 0 to 90°, includes a reversible rubber eye cup, and has a 33mm eye point, ensuring precise framing even in challenging lighting conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eConnectivity \u0026amp; Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eThe FX2 offers extensive connectivity options, including various choices for power input, internal video recording, data output, and both wireless and USB streaming.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit ethernet adaptor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI output\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti-interface hot shoe, micro-USB port and 3.5mm mic and headphone jacks\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCompatible with separately available XLR-H1 Handle Unit for expanded control and audio options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eErgonomic Design\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eConstructed from a lightweight yet durable Magnesium alloy, the FX2 features an enhanced heat-dissipating design and an integrated cooling fan, which guarantees seamless 4K60 recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe upgraded handgrip accommodates a single 16.4Wh NP-FZ100 battery and includes one of the camera's five 1\/4\"-20 female threads—three designated for accessories and two for mounting plates.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNumerous functions are equipped with specific controls, such as the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while an additional seven buttons are available for user-assignable functions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eImproved FX2 Attributes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShoot still images in S-Log3 for flexible color grading in post production\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eCommon FX2\/FX3 Attributes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e10-bit 4:2:2 internal recording or 16-bit RAW output via HDMI\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBIONZ XR processing engine\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA dynamic range of 15+ stops\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41411772842030,"sku":"SONILMEFX2B-MAIN","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/a39399d9-c4dc-449b-b1b5-c3de251c5d39.jpg?v=1748448243"},{"product_id":"sonilmefx2","title":"Sony FX2 Digital Cinema Camera with XLR Handle Unit","description":"\u003cp\u003eFeaturing a 33MP full-frame sensor, the AI-enhanced \u003cstrong\u003eSony FX2\u003c\/strong\u003e merges the extensive video functionalities of the Cinema Line with improved still image capture in a compact, travel-friendly design. Perfect for filmmakers and content creators on the move, the FX2 includes an S-Log3 photo mode with the option to apply LUTs, and boasts a 3.68m-Dot OLED viewfinder that can tilt from 0 to 90°. Its AI processing unit ensures active image stabilization and real-time subject recognition, which enhances the precision of auto focus and framing.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_J_1dJndLhc\" title=\"Introducing Cinema Line FX2 | Sony | α\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446327.jpg\" width=\"350\" height=\"226\" style=\"float: left; \"\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h2\u003e\r\n\u003cp\u003eCombining its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 is capable of capturing vibrant 4K video characterized by natural gradations, realistic colors, and minimal noise in both full-frame and Super 35 modes, ensuring extensive lens compatibility without compromising resolution. In full-frame mode, the FX2 provides 7K oversampling with complete pixel readout, resulting in outstanding sharpness and realism. Engineered to handle a variety of lighting conditions, the FX2 boasts a dynamic range exceeding 15 stops, an ISO that can be expanded up to 102400, and enhanced dual-base ISO technology for recording footage in S-log3 at either 800 or 4000 ISO.\u003c\/p\u003e\r\n\u003ch2\u003eLog Recording Modes\u003c\/h2\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv style=\"text-align: center;\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GLDXKilSHP4\" title=\"Log recording modes | Cinema Line FX2 | Sony\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTo ensure creative flexibility, Log recording offers three modes: Flexible ISO, Cine EI, and Cine EI Quick. Among these, Cine EI is predominantly utilized in professional filmmaking for footage that necessitates extensive post-production work. Depending on the shooting conditions, select a base ISO of either 800 or 4000 to preserve maximum latitude during the shoot, enabling specific tonal ranges to be refined in post-production to realize your intended cinematic appearance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eDCI 4K Video Recording\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446386.jpg\" width=\"350\" height=\"219\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eEngineered for adaptability, the FX2 captures DCI 4K video internally with 10-bit 4:2:2 sampling, or it can output 16-bit raw footage through an HDMI connection. Record video in XAVC S, S-I, and HS formats utilizing Long GOP, All-Intra, H.264, and H.265 codecs. Color and tonal reproduction can be meticulously adjusted with up to 16 user-imported LUTs or by employing the S-Cinematone mode to match the characteristics of VENICE, FX9, FX6, FX3, and other camera systems. The FX2 is equipped with a user-friendly Variable FPS feature for producing timelapses and slow-motion videos, and it is capable of de-squeezing 1.3 and 2.0x anamorphic footage, all within the camera itself.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446430.jpg\" width=\"350\" height=\"227\" style=\"float: left; \"\u003eHybrid Still-Image Capture\u003c\/h2\u003e\r\n\u003cp\u003eA single switch allows the selection of either MOVIE or STILL mode, instantly recalling all associated settings. Besides offering a resolution of 33 MP and the capability for continuous bursts at a rate of up to 10 fps, the camera features a function for [Creating still images from Shot Marks], enabling you to capture still images while recording or playing back video that has a user LUT previously imported.\u003c\/p\u003e\r\n\u003cp\u003eThe Log mode is also accessible for still images, allowing for the capture of JPEG and HEIF still photographs utilizing the S-Log3 gamma curve employed during video recording, thereby facilitating a consistent workflow during post-production. Enhance your still images in editing software like Blackmagic DaVinci Resolve, prepared for diverse applications while preserving the same aesthetic.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eAI Subject Recognition\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446453.jpg\" width=\"350\" height=\"227\" style=\"float: right; \"\u003e\n\u003c\/h2\u003e\r\n\u003cp\u003eThe AI processing unit of the FX2 offers numerous enhancements in auto focus, auto framing, and stabilization through the application of deep learning. By analyzing colors, patterns, and depth, the processor ensures sharp focus with real-time subject recognition, capable of identifying individuals, animals, and vehicles. Compared to the FX3 and FX30, human and animal eye recognition has been enhanced by 30%, rendering the FX2 particularly suitable for dynamic shooting situations, such as wildlife photography and sporting events. This sophisticated tracking capability also facilitates accurate auto framing, modifying the recorded composition to keep the subject centered in the frame.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003e\n\u003cimg src=\"https:\/\/myfiles.space\/user_files\/208404_e3fc09228f7ded09\/208404_custom_files\/img1748446477.jpg\" style=\"float: left; width: 289px; height: 183.309px;\" width=\"289\" height=\"183.309\"\u003eComprehensive Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eActive Mode enhances stabilization during walking and shooting. For a more rapid shooting experience, there is Dynamic Active Mode, which employs electronic stabilization to achieve an effect that is up to 30% more effective, allowing for stable footage capture even while in motion. Relevant stabilization metadata is included in the footage to facilitate efficient post-production.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch2\u003eImproved Accessibility\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe FX2 inherits the BIG6 home screen from high-end CineAlta cameras like the VENICE, enabling straightforward adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when in Movie Mode.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe 3\" fold-out touchscreen LCD facilitates intuitive menu navigation and features a tiltable design with a resolution of 1.03m-Dot.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA distinctive feature of the FX2 is its integrated 3.68m-Dot OLED electronic viewfinder, which offers a maximum magnification of 0.7x.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe EVF tilts from 0 to 90°, includes a reversible rubber eye cup, and has a 33mm eye point, ensuring precise framing even in challenging lighting conditions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eConnectivity \u0026amp; Compatibility\u003c\/h2\u003e\r\n\u003cp\u003eThe FX2 offers extensive connectivity options, including various choices for power input, internal video recording, data output, and both wireless and USB streaming.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit ethernet adaptor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI output\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eMulti-interface hot shoe, micro-USB port and 3.5mm mic and headphone jacks\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCompatible with separately available XLR-H1 Handle Unit for expanded control and audio options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eErgonomic Design\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eConstructed from a lightweight yet durable Magnesium alloy, the FX2 features an enhanced heat-dissipating design and an integrated cooling fan, which guarantees seamless 4K60 recording.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eThe upgraded handgrip accommodates a single 16.4Wh NP-FZ100 battery and includes one of the camera's five 1\/4\"-20 female threads—three designated for accessories and two for mounting plates.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eNumerous functions are equipped with specific controls, such as the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while an additional seven buttons are available for user-assignable functions.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eImproved FX2 Attributes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eShoot still images in S-Log3 for flexible color grading in post production\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eCommon FX2\/FX3 Attributes\u003c\/h2\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e10-bit 4:2:2 internal recording or 16-bit RAW output via HDMI\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eBIONZ XR processing engine\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eA dynamic range of 15+ stops\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eCompact design for cage-free operation\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch2\u003eSony XLR-H1 XLR Handle Unit\u003c\/h2\u003e\r\n\u003cp\u003eIncorporate two XLR inputs to enhance the ergonomic handling of your FX3, FX30, or FX2 using the Sony XLR-H1 XLR Handle Unit. This unit features two combo XLR-1\/4\" inputs in addition to a 3.5mm microphone input. To facilitate easier operation, the handle is equipped with physical controls and dials positioned on the side, complete with covers to safeguard against unintentional adjustments during a take.\u003c\/p\u003e\r\n\u003cp\u003eThere is a microphone holder that can be used to mount a shotgun microphone to your system. It securely mounts to the camera's Multi Interface Shoe with two screws. Additionally, there are three 1\/4\"-20 accessory mounting threads.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eSony FX3\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony FX30\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eSony FX2\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41411772973102,"sku":"SONILMEFX2-MAIN","price":3098.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/files\/639f71f8-10f4-450b-b1c3-37ba157e50e3.jpg?v=1748448260"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2657\/1868\/collections\/1936x1936_Q4_FY2025_TITU.jpg?v=1768920847","url":"https:\/\/kmcamera.com\/collections\/sony-trade-up-event.oembed","provider":"K\u0026M Camera","version":"1.0","type":"link"}