Blackmagic Design HyperDeck Studio HD Pro

The Blackmagic Design HyperDeck Studio HD Pro represents an enhanced 1 RU file-based deck that retains the operational capabilities and control typical of professional tape decks, now presented in a digital format. This iteration improves upon earlier HyperDeck Studio models by incorporating several new features, such as support for 6G-SDI, two additional SD card slots, USB-C recording output, timecode input and output, reference input and output, a reengineered jog/shuttle wheel, Gigabit Ethernet connectivity, and a front-mounted speaker.

The Studio HD Pro captures uncompressed video in 10-bit 4:2:2 color, utilizing either ProRes or DNxHD codecs, and supports H.264 compression when paired with an optional SSD drive that meets the necessary data transfer rates. With two SSD slots and two SD card slots, recording can continue almost indefinitely; as one SSD fills up, the system automatically switches to the other, and the SD card slots are designed for hot-swapping. The device is equipped with one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, and a dedicated SDI monitor output, along with one HDMI input and one HDMI output, all capable of outputting up to DCI 4K. The ports automatically detect the incoming signal and adjust accordingly to SD, HD, or 6G-SDI formats. Additionally, the 3-pin XLR timecode input and output facilitate synchronization with other devices, enabling the creation of a timecode sync chain through daisy-chaining.

The Studio HD Pro is designed as a 1 RU rack-mountable unit, complete with built-in rackmount ears. It features illuminated buttons on the front panel for control and a robust jog/shuttle wheel for analog scrubbing. External control is supported via RS-422 using the Ref input and output ports. The USB-C port enables recording to external drives and can also connect to a computer for use as a source in web streaming. An integrated LCD on the front panel provides video monitoring and displays timecode and transport information.

Professional Broadcast Deck

The latest HyperDeck Studio recorders have undergone a comprehensive redesign, incorporating numerous new features. The upgraded models now boast broadcast-style controls on the front panel and enhanced connectivity options on the rear panel. The LCD display is compatible with both light and dark modes, while the transport control buttons have been reinforced to provide a robust, professional tactile experience. The Pro models are equipped with a machined metal search dial that offers increased weight and a soft rubberized surface for a comfortable grip. Additionally, the search dial is designed with an active clutch, akin to traditional broadcast equipment. With dual media slots, users can swap cards seamlessly without disrupting the recording process. Furthermore, the advanced models are equipped with a front headphone jack and built-in speaker.

Mastering Recorder

All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.

ISO Recording

All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.

Digital Signage

HyperDeck Studio is ideally suited for digital signage applications, as every model is equipped with HDMI output, facilitating connections to large-screen televisions and projectors. The integrated sync generator allows for the synchronization of multiple HyperDeck units, enabling the creation of expansive multiscreen video walls. Additionally, it features FTP capabilities for file uploads and a protocol for remote operation.

Broadcast Archive

HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.

Bright Color LCD Status Display

HyperDeck Studio is equipped with conventional deck-style transport controls, which feature a search dial for jog, shuttle, and scroll functions. The compact LCD provides timecode and transport details, as well as a full-color thumbnail preview of the currently recorded or played clip. Additionally, it presents information regarding the recording status of each card, including video format, frame rate, and audio levels, all within a single display. The LCD also supports video monitoring and includes audio level meters that can be switched between technically precise VU or PPM ballistics. This blend of familiar VTR-style controls and the integrated LCD screen ensures that HyperDeck Studio is exceptionally quick to operate and straightforward to master.

Traditional Broadcast Deck Controls

HyperDeck Studio features a conventional broadcast-style control panel designed for rapid operation. By simply pressing the record button, users can immediately begin recording the video input to a file. The record file format can also be adjusted through the menu options. Transport control buttons are available for playback, rewind, fast forward, previous clip, next clip, and additional functions. The Pro models are equipped with a machined metal search dial that facilitates shuttle, jog, and scroll functions, enabling quick access to clips. Any button activated on the front panel transmits a signal to the rear RS-422 remote output, allowing for looping control across multiple HyperDecks. Additionally, the Plus and Pro models come with a front panel speaker and a headphone socket for real-time audio monitoring.

Supports SD Cards, UHS-II Cards, or SSDs

All models of the HyperDeck Studio are compatible with standard SD cards and UHS-II cards, eliminating the need for costly proprietary media. Additionally, the Pro models feature two SSD slots, allowing for the use of two distinct media types. SD cards and SSDs are ideal for broadcast applications due to their compact size and affordability. When utilizing H.264 compression, the resulting files are remarkably small, enabling extended recording times even on less expensive, smaller cards. Furthermore, recording to external USB drives is also an option. With H.265, it is possible to achieve up to 58 hours of recording in 2160p60 Ultra HD or as much as 157 hours of H.264 recording in 1080p59.94 on a 1TB card, which translates to over six days of HD recording on a single 1TB card.

Dual Media Slots for Nonstop Recording

All models of the HyperDeck Studio are equipped with dual media slots, allowing for uninterrupted recording. When one recording card reaches its capacity, the system seamlessly transitions to the next card. This feature is particularly advantageous for capturing lengthy live events, as it enables the "hot swapping" of a full card for an empty one while recording continues in the other slot. Each slot is equipped with a status indicator, displaying red for recording and green for playback. Additionally, all models now support extended file recordings to a single file, facilitating easier file distribution. The HyperDeck Studio is designed for straightforward repairs, with each card slot containing a separate PCB assembly that can be replaced if it becomes worn due to extensive use.

Record to External USB-C Media Disks

Should there be a need to record onto alternative media types, the USB-C expansion port facilitates the connection of an external flash drive for recording purposes. USB Type-C flash drives offer virtually limitless storage capacity, as they can be larger in size compared to an SD card or SSD. Furthermore, it is feasible to record directly onto a disk array intended for editing, eliminating the need to transfer files prior to commencing post-production. Simply transfer the disk to a computer and begin editing immediately. Additionally, one can incorporate a Blackmagic MultiDock 10G, which features four individual SSD media slots, thereby enhancing compatibility with SSD media for the HyperDeck Studio Mini and Plus models. The built-in LCD also includes menus for managing external disks.

Popular ProRes, DNx, and H.264 Files

HyperDeck is compatible with the most widely used codecs available today. Each model features DNx and ProRes file formats. Additionally, all models support H.264 with quality levels reaching up to full 10-bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. This capability allows for compression ratios ranging from 60:1 to 285:1, resulting in compact files that maintain full broadcast quality. Furthermore, users have the option to select uncompressed PCM audio or AAC audio for file uploads to YouTube. All models are compatible with both ExFAT and HFS+ disk formats and facilitate long-duration single-file recordings. The Plus and Pro models also offer support for ProRes 4444, enabling fill and key playback.

Advanced Broadcast Connections

The HyperDeck Studio offers a diverse array of video and audio connections, which vary depending on the specific model. These connections include options such as 3G-SDI, 6G-SDI, and 12G-SDI. Each model is equipped with HDMI ports for seamless connectivity to televisions and projectors. Additionally, the Pro and Plus models feature a dedicated SDI monitoring output that displays on-screen status. Both the Pro and Plus variants are designed with two SDI outputs, enabling the playback of ProRes 4444 files and facilitating simultaneous fill and key output for use in live production switchers. Furthermore, the internal timecode and reference generator connections can be looped to synchronize multiple units for ISO recording. All models are also provided with AC and locking DC power options.

Choose 3G-SDI, 6G-SDI, or 12G-SDI Models

Multi-rate SDI provides compatibility with a wide range of widely used video standards. The SDI and HDMI interfaces will seamlessly adjust to the appropriate video standards, accommodating standard definition, high definition, and Ultra HD formats based on the specific model. Standard definition formats encompass NTSC and PAL. The 720p HD standards include 720p50 and 720p59.94p. For 1080i HD interlaced formats, the options are 1080i50 and 1080i59.94. The 1080p HD formats consist of 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. Additionally, HyperDeck is capable of supporting 1080PsF formats. HyperDeck Studio also accommodates both level A and level B when operating HD video at 3G-SDI rates.

Fill and Key Outputs for Broadcast Animations

The HyperDeck Studio Plus and Pro models are capable of playing ProRes 4444 HD files through two distinct SDI fill and key outputs. This functionality allows the HyperDeck Studio to serve as a graphics clip player for broadcast animations, as the alpha channel of the ProRes 4444 file is automatically converted to the key SDI output, facilitating real-time keying in a live production switcher. This enables the execution of animated lower-third titles and stingers with key channel outputs, resulting in exceptionally clean multilayered titles. Furthermore, switchers like the Blackmagic Design ATEM models can connect to the HyperDeck Studio via Ethernet, allowing for playback to be triggered in sync with transitions.

USB Webcam Output for Video Software

HyperDeck Studio is designed to ensure compatibility with a diverse array of computer software by incorporating webcam support via a USB connection. When not recording to an external USB drive, users can connect the HyperDeck directly to a computer, allowing for live video input into any video application. The system simulates a standard webcam, while actually providing a broadcast-quality video feed. This functionality guarantees seamless compatibility with all video software, delivering full 1080 HD resolution. The USB webcam capability of HyperDeck Studio is compatible with various video applications, including Zoom, Microsoft Teams, and Skype, as well as live streaming platforms such as Open Broadcaster and XSplit Broadcaster, among others.

Advanced HDR Support and Monitoring 3D LUTs

You will be equipped for the most recent feature film workflows, benefiting from support for advanced HDR standards. All HDR status data is integrated into the SDI connections, enabling downstream equipment to recognize when HDR files are being played. During recording, the SDI and HDMI inputs will automatically identify HDR video standards and appropriately tag the files with the correct HDR information. Static metadata in PQ and HLG formats is managed in accordance with the ST2084 standard. Additionally, the front panel LCD offers an expanded color gamut for both Rec. 2020 and Rec. 709 color spaces. The HyperDeck Studio Plus and Pro models further provide the capability to load a 3D LUT into the monitoring output, allowing for the application of specific looks or the conversion of film to video gamma.

Includes Professional Multi-Channel SDI Audio

HyperDeck Studio offers professional-grade multi-channel SDI audio capabilities, allowing for the recording of up to 16 audio channels. When utilizing the SDI input for recording, users can choose from options to record 2, 4, 8, or 16 channels of audio in real time via the menu. The SDI monitoring status overlay provides additional space for the audio meter display, enabling it to indicate the number of active channels simultaneously, whether that be 2, 4, 8, or 16. The audio meters are engineered to utilize appropriate ballistics, and users have the option to switch between various VU and PPM meter displays through the LCD menu. HyperDeck Studio transcends the role of a mere video recorder by also delivering high-quality audio.

Incredibly Fast Network File Transfers

All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.

Traditional RS-422 Broadcast Deck Control

The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.

Built-In Timecode and Sync Generators

With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.

Blackmagic OS

The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power-on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark modes.

Localized for 13 Popular Languages

HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.

Use All Video Software and Streaming Sites

HyperDeck Studio produces files that are compatible with nearly all post-production software. Additionally, recording in H.264 allows for direct uploads to streaming platforms such as YouTube, Facebook, Vimeo, Twitter, and others. You can utilize widely-used editing applications like DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer, as HyperDeck employs the same file formats utilized in post-production. Furthermore, visual effects software such as Fusion and Adobe After Effects can also work seamlessly with these files. Since HyperDeck records onto disks formatted for computers, you can easily mount the disk on any computer and commence editing without the need for transcoding or file conversion.

Built-In Redundancy Keeps You on Air

Serious broadcasters require redundancy to enhance reliability. The HyperDeck Studio is equipped with redundant features designed to ensure continuous operation. All models come with dual media slots, while the Pro models offer four media slots, allowing for uninterrupted broadcasting even if one slot is compromised. Additionally, the HyperDeck Studio HD Mini model provides three completely independent recorders within a single rack unit, whereas the HyperDeck Studio HD Plus model accommodates two independent recorders in one rack unit. Furthermore, all HyperDeck models are designed with both AC and a locking DC power connection, enabling the use of an external battery pack for redundant power supply.

Designed for Both Portable or Rackmount Use

The HyperDeck Studio HD Mini model offers a portable broadcasting solution that incorporates a majority of its features into a sleek, compact design measuring just 5 inches in width and occupying only one-third of a rack unit. This compactness allows for the installation of three recorders within a single rack unit. By utilizing the optional Teranex Mini Rack Shelf, you can arrange the three units side by side and securely mount them in a standard equipment rack. Additionally, the HyperDeck Studio Mini can be paired with other modules, such as the Teranex Mini Analog to 12G-SDI, facilitating the conversion of analog input to SDI, all within the same rack—ideal for archival purposes. The HyperDeck Studio HD Mini also presents an attractive option when used independently on a desktop, rather than being rack-mounted.

Compatible with Switchers, Disk Docks, and Cameras

A diverse array of Blackmagic Design products is compatible with HyperDeck, including switchers, cameras, and streaming solutions. Since the Mini and Plus models lack SSD slots, the addition of a Blackmagic MultiDock 10G enables the use of standard SSDs, facilitating compatibility with media from other HyperDeck models. HyperDeck Studio will efficiently manage all disks, automatically recording to the disks housed in the MultiDock. Furthermore, the MultiDock can be utilized with HyperDeck Studio Pro models to provide additional SSDs for extended recording durations. Additionally, HyperDeck Studio serves as an excellent mastering recorder when paired with ATEM switchers, functioning as a clip player with fill and key, or for ISO recording through looped switcher inputs.