Canon EOS R5C Mirrorless Cinema Camera with 24-105 f/4L Lens
Canon EOS R5C Mirrorless Cinema Camera with 24-105 f/4L Lens
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For wedding videographers, drone camera operators, and multimedia journalists seeking professional-grade photo and video production capabilities, the EOS R5 C Mirrorless Cinema Camera from Canon offers an innovative shooting experience. With a straightforward switch, the R5 C functions as a fully equipped still photo camera, incorporating all the features of the R5 EOS mirrorless model. Conversely, when switched in the opposite direction, it transforms into a full-frame 8K60 Cinema EOS camera, capable of internally recording 12-bit Cinema RAW Light footage. This eliminates the necessity of carrying an additional camera for your production, as both stills and video can be captured within a single, compact unit.
The R5 C boasts several enhancements over its counterparts, the R5 and C70, such as 4K120 recording, HDMI RAW output, support for Canon Log 3 HLG/PQ, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-capacity LP-E6NH battery, 13 customizable buttons, and a multi-function shoe for XLR adapters. It also retains the dependable features of its predecessors, including Wi-Fi/Bluetooth connectivity, compatibility with DaVinci Resolve and Canon applications, an electronic RF mount, CFexpress/SD card slots, and a similar button layout. Additionally, the EOS R5 C is designed to be moisture and dustproof, matching the durability of its cinema counterpart, the EOS C70. All of these features are integrated into a lightweight 1.7 lb body, making it an ideal choice for drone camera applications.
Common Features & Technology as the EOS R5
The EOS R5 C camera is equipped with a 45MP full-frame CMOS imaging sensor, which is fundamental to its exceptional image quality and facilitates remarkable 8K60 RAW cinematic video recording. Emphasizing focus and speed, the EOS R5 C enables continuous still-image capture at rates of up to 20 frames per second. Its Dual Pixel CMOS AF II technology allows for precise tracking of rapid movements, even for the most elusive subjects. With 1053 Automatic AF zones, capturing images of people is simplified through Eye, Face, and Head Detection AF, while Animal Detection AF enables intuitive tracking of the entire body, face, or eyes of pets such as cats, dogs, and birds. For those requiring swift performance, Canon has incorporated vehicle subject detection for accurate tracking of cars and motorcycles. Additionally, the camera offers connectivity options, including 5 and 2.4GHz Wi-Fi and Bluetooth, facilitating the transfer of still images.
Video Control for the Dedicated Video Professional
When the main switch of the EOS R5 C is set to the "video" position, the well-known Cinema EOS menu system and interface are activated. This transition unlocks advanced video features, including waveform monitors, various video codec options, and comprehensive audio controls, significantly enhancing the video capabilities of the EOS R5 C for skilled camera operators and video content creators. In "photo" mode, the menus closely resemble those found on the EOS R5 camera.
Ergonomic EOS Design
The body design of the EOS R5 C camera is remarkably compact and lightweight. When combined with a Canon RF lens or an EF lens via the Mount Adapter EF-EOS R, it delivers exceptional performance that fits comfortably in your hand, facilitating effortless handheld shooting for both video and still photography. Its electronic viewfinder is optically extended, providing an eye-level viewing experience akin to that of the traditional EOS R5 camera, and it features the same ergonomic grip design.
CMOS Sensor and DIGIC X Processor
The 8K CMOS sensor, combined with the DIGIC X processor, delivers exceptional video quality at resolutions reaching up to 8K60. The incorporation of the Cinema RAW Light format, particularly in its high-efficiency mode, allows for internal card recording without the necessity of an external recorder. The EOS R5 C camera is equipped to support HDR recording in both Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats, ensuring comprehensive color representation and extensive dynamic range from deep blacks to bright whites, making it ideal for livestreams, broadcasts, and post-production endeavors.
8K60 RAW Recording
Cinema RAW Light in 8K offers exceptional capabilities for post-production grading and archiving, while MP4 is tailored for enhanced online performance. The camera also supports internal recording in 5.9K using Super 35mm mode and 2.9K in Super 16mm mode, utilizing CFexpress cards. The Cinema RAW Light video files have been optimized for improved efficiency, enabling 12-bit recording across all frame rates. With the introduction of three newly developed Cinema RAW Light modes—High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT—users can choose the appropriate RAW video mode based on their specific shooting requirements. Additionally, lighter and smaller proxy video files can be recorded during 8K shooting.
The EOS R5 C camera facilitates RAW output through HDMI and ProRes RAW recording with compatible external recorders, such as Atomos devices. By connecting the EOS R5 C to a supported external recorder, users can capture Apple ProRes RAW at resolutions up to 8K30. Furthermore, proxy data can be recorded simultaneously to an SD card within the camera, streamlining post-production workflows.
Different File Formats and Simultaneous Recording
The EOS R5 C camera is equipped with Cinema RAW Light, which facilitates lightweight data sizes for RAW recording. In addition, it supports MXF-based XF-AVC and the adaptable MP4 format. This camera has the capability to record two separate video files concurrently, such as Cinema RAW Light and MP4, across multiple resolutions including 4K and HD, as well as generating lightweight proxy files suitable for various professional applications. XF-AVC provides robust 10-bit 4:2:2 files encapsulated in a .MXF wrapper, ensuring seamless compatibility with non-linear editing systems (NLEs) and established workflows.
Internal Cooling Fan Enables Nonstop 8K60 Recording
The EOS R5 C camera is equipped with an integrated cooling fan that expels heat from within the device, allowing for continuous and nearly unlimited recording of high-definition 8K60 video without any interruptions.
Expanded Interface for Professional Needs
The EOS R5 C camera is equipped with a timecode input/output terminal, facilitating seamless synchronization during multi-camera shoots and with various interfaces. Additionally, a cable protector is provided as a standard feature to safeguard against cable disconnection or damage to the terminal in the event of excessive force applied during the connection of interface or HDMI cables.
Multi-Function Shoe for Audio Recording
The multi-function shoe from Canon, equipped with a digital audio interface, is compatible with the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter, allowing for up to 4-channel audio capabilities. This accessory provides two standard XLR inputs with phantom power and a shotgun microphone mount, facilitating digital 4-channel and 24-bit audio recording to satisfy the requirements of professional video production.
Multiple Power Options
The incorporation of Cinema RAW Light recording at elevated resolutions and frame rates necessitates increased power to ensure complete functionality of the lenses. When operating in full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light, standard LP-E6NH, LP-E6, or LP-E6N battery packs will be insufficient to support the electronic components of RF lenses or EF lenses connected through an adapter. However, purely mechanical lenses can be utilized without any complications at these settings. To achieve full electronic lens functionality across all Cinema RAW Light resolutions and frame rates, one may employ the CA-946 power adapter in conjunction with the new DR-E6C DC coupler for mains or professional D-Tap battery power sources, or alternatively, a power bank may be used.
13 Full-Featured Assignable Buttons
The EOS R5 C camera is engineered to offer operational versatility, accommodating the unique workflows of professionals. It features 13 designated, assignable buttons that facilitate a user-friendly and personalized operating experience.
4K and 2K Oversampling
The EOS R5 C camera captures signals from all active pixels of its full-frame 8K sensor, facilitating 4:2:2 10-bit high-definition recording through oversampling in both 4K and 2K video formats. It incorporates an advanced debayering algorithm, and the 4K output derived from the extensive RGB data of the 8K sensor enhances imaging quality, significantly reducing the occurrence of moiré patterns, false colors, aliasing artifacts, and noise.
Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit
The EOS R5 C camera is capable of capturing High Frame Rate (HFR) films at a maximum of 120 frames per second in DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) with a 4:2:2 10-bit color depth, all without cropping the sensor. This feature is particularly advantageous for filming dynamic scenes filled with rapid action. Furthermore, the camera's swift and user-friendly autofocus system remains operational during HFR recording, making it exceptionally suitable for use with gimbals or drones, thereby ensuring remarkable focus precision whether at HFR or standard frame rates.
Simultaneous Audio Recording Enabled with HFR
In contrast to certain other cameras that do not capture audio while shooting in high frame rate (HFR) mode, the EOS R5 C camera is capable of recording .WAV audio as a distinct file separate from the video. This feature significantly reduces the necessity for independent audio recording, allowing for the seamless delivery of both HFR video and audio files within a single, convenient device when capturing slow-motion or fast-motion footage.
Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera is equipped with Canon Log 3, a feature commonly found in various Canon models, compatible with numerous Canon EOS and Cinema EOS cameras. This wide dynamic range facilitates extensive grading options post-capture. Canon Log 3 is specifically engineered for straightforward grading processes, allowing for enhancements in shadow detail and tone adjustments. It maintains the user-friendly characteristics of Canon Log while minimizing visible noise. Additionally, it is compatible with other Cinema EOS system cameras, including the EOS C300 Mark III and EOS C70.
Enhanced Image Stabilization
Improved image stabilization is realized through the synchronized control of Canon's RF lenses featuring optical image stabilization (IS) when paired with the electronic IS of the EOS R5 C camera during XF-AVC or MP4 recording. The combination of an RF lens equipped with optical IS and the electronic IS in the EOS R5 C facilitates coordinated control, resulting in superior correction of hand-shake effects. This configuration provides enhanced anti-vibration capabilities compared to traditional EF lenses with IS (utilizing the optional Mount Adapter EF-EOS R) in conjunction with electronic IS.
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera serves as an outstanding companion to Canon's RF5.2mm F2.8 L Dual Fisheye Lens, enabling the capture of stereoscopic 3D 180° VR video (viewing in 3D necessitates a compatible Head Mount Display). Additionally, a plug-in for Adobe Premiere Pro, along with Canon's EOS VR Utility, is provided to facilitate a seamless workflow from shooting to editing.
Dual Pixel CMOS AF with iTR AF X
Canon's Dual Pixel CMOS AF technology employs each pixel on the imaging sensor to facilitate focus detection while simultaneously capturing image data, resulting in both precise focusing and superior image quality. When utilizing the majority of Canon RF and EF lenses, autofocus for video can be performed across roughly 80% of the vertical and horizontal dimensions of the screen.
The Touch AF feature enables users to position an autofocus (AF) point by simply tapping the LCD screen, in addition to facilitating rapid manual adjustments using the 8-way multi-controller located on the rear of the camera. This camera is equipped with Eye AF and Head Detection AF, which have been developed through deep learning technology to enhance subject tracking capabilities. Furthermore, it offers human detection for eyes, faces, and heads, ensuring precise tracking of subjects even in situations where AF control may be limited. Users have the flexibility to adjust focus according to their specific subject or shooting conditions. A diverse range of AF modes allows for autofocus shooting that adapts seamlessly to the movement of the subject, enabling users to delegate focusing tasks to the camera and focus on their photographic endeavors.
Still Imaging Features
High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor
The still imaging capabilities and functionality of the EOS R5 C camera closely resemble those of Canon's EOS R5 model. It is equipped with the same Canon-engineered CMOS sensor, which boasts approximately 45 effective megapixels, along with a DIGIC X Image Processor that significantly improves operational speed. As a result, users can expect rapid and efficient performance, along with exceptional image quality suitable for large prints, outstanding video, and additional applications.
DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400
The EOS R5 C camera offers superior quality and extended ISO capabilities for still images, along with a wide array of features designed to improve performance in diverse and rapidly changing lighting conditions. It is capable of shooting at expanded sensitivities ranging from ISO 50 (L) to ISO 102400 (H).
High-Speed Continuous Shooting
- High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
- High-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings
- A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses
Same Subject Detection and Tracking AF as the Canon EOS R5
The Canon EOS R5 Camera features identical subject detection and tracking autofocus capabilities, allowing for shooting speeds of up to 20 frames per second.
Head and Eye Detection
Choose "People" as the subject detection option for the EOS R5 C, and similar to the EOS R5, it is capable of focusing on a person's eyes, face, or head (in cases where the face is obscured), as well as the entire body if the head is not identifiable.
Animal Detection
The innovative Animal Detection AF featured in the EOS R5 is also available for still images, enabling the identification and focusing on the eyes, faces, or bodies of birds, cats, and dogs. This capability extends across nearly the entire image area when used with various Canon lenses. Such advancements present transformative opportunities for capturing wildlife photography, even with subjects that pose significant challenges, such as birds in flight.
Vehicle Detection
The EOS R5 C incorporates Vehicle Detection AF, a feature inherited from the high-performance Canon EOS R3 camera, enhancing subject detection capabilities during still-image photography. This functionality allows for the identification and tracking of cars and motorcycles, particularly in racing scenarios, even at elevated speeds. Additionally, the user-selectable Spot Detection enables the R5 C's autofocus system to focus on the helmets of visible riders or drivers, rather than solely on the front of the vehicle.
AF Area Flexibility
Choose the dimensions of the active autofocus (AF) region, ranging from a specific single AF point to the complete available AF area, and swiftly adjust a user-defined area using the 8-way multi-controller located on the rear of the camera. The EOS R5 C offers the same options for still-image autofocus method selection as the EOS R5 model.
AF Area Coverage of Approx. 100% x 100% for Still Images
The EOS R5 C camera is equipped with a broad focus area, covering nearly 100% both horizontally and vertically when utilized with certain RF and EF lenses during still-image capture. In contrast, when using older EF lenses or EF Extender types I and II, the focus area is approximately 80% horizontally and 80% vertically. This capability ensures rapid and remarkable focusing, even when the subject is positioned far from the center of the frame.
EV -6 Low-Light Autofocus
The EOS R5 C camera excels in night photography and extremely low-light environments, as its exceptional autofocus (AF) system can function effectively for still images in lighting conditions as low as EV -6, where many other AF systems may struggle or become unresponsive. Additionally, still-image autofocus is achievable with combinations of lenses and Canon RF tele extenders that have maximum effective apertures as narrow as f/22, allowing for autofocus capabilities even with the RF 800mm f/11 IS STM paired with the RF 2x Extender.
Canon RF 24-105mm f/4 L IS USM Lens
Renowned for its adaptability, the Canon RF 24-105mm f/4 L IS USM is a zoom lens that spans from wide-angle to short telephoto, distinguished by its consistent f/4 maximum aperture. This lens is well-suited for a wide range of shooting situations and features a five-stop-effective Image Stabilizer that effectively reduces the effects of camera shake, resulting in sharper images when shooting handheld. Additionally, it includes a customizable Control Ring that can be tailored to modify various exposure parameters, such as aperture, ISO, and exposure compensation. To enhance image quality, the lens employs an advanced optical design with a Super Spectra Coating, which minimizes ghosting and flare, thereby improving contrast and color fidelity in bright or backlit environments. This lens is equally adept for both photography and videography, thanks to its Nano USM autofocus motor, which provides fast, silent, and accurate focusing capabilities.
- Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
- Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
- Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
- An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.
- Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
- Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
- As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
- Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
Imaging |
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Lens Mount | Canon RF |
Sensor Resolution | Actual: 47.1 Megapixel Effective: 45 Megapixel (8192 x 5464) |
Image Sensor | 36 x 24 mm (Full-Frame) CMOS |
Sensor Crop (35mm Equivalent) | Crop Factor: 1x Additional Modes: 1.5x/1.6x/3x *Additional Crop Occurs in Select Video Modes |
Image Stabilization | Digital |
Built-In ND Filter | No |
Capture Type | Stills & Video |
Exposure Control |
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Shutter Type | Mechanical Focal Plane Shutter and Electronic Rolling Shutter |
Shutter Speed | Mechanical Shutter 1/8000 to 30 Seconds Electronic Front Curtain Shutter 1/8000 to 30 Seconds Electronic Shutter 1/8000 to 0.5 Seconds |
Bulb/Time Mode | Bulb Mode |
ISO Sensitivity Range | Photo 100 to 51,200 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode (Extended: 100 to 51,200) Video 100 to 51,200 (Extended: 50 to 102,400) |
Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
Metering Range | -3 to 20 EV |
White Balance | 2500 to 10,000K Presets: ATW, AWB, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent, Shade, Tungsten |
Continuous Shooting | Mechanical Shutter Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG) Electronic Shutter Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG) |
Interval Recording | Yes |
Self-Timer | 2/10-Second Delay |
Still Image Capture |
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Image Sizes | 3:2 JPEG / Raw 44.8 MP (8192 x 5464) 22.5 MP (5808 x 3872) 11.6 MP (4176 x 2784) 3.8 MP (2400 x 1600) 4:3 JPEG / Raw 39.8 MP (7280 x 5464) 19.9 MP (5152 x 3872) 10.3 MP (3712 x 2784) 3.4 MP (2112 x 1600) 16:9 JPEG / Raw 37.7 MP (8192 x 4608) 19 MP (5808 x 3264) 9.8 MP (4176 x 2344) 3.2 MP (2400 x 1344) 1:1 JPEG / Raw 29.8 MP (5456 x 5456) 15 MP (3872 x 3872) 7.8 MP (2784 x 2784) 2.6 MP (1600 x 1600) |
Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
Image File Format | C-RAW, HEIF, JPEG, Raw |
Bit Depth | 14-Bit |
Video Capture |
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Internal Recording Modes | AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/59.94/100/120 fps [160 to 810 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [160 to 810 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps [50 to 310 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:2 10-Bit DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [400 to 540 Mb/s] UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [400 to 540 Mb/s] DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/120 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] AVC-LongG/MP4 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/120 fps [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s] 1920 x 1080p at 23.98/24.00/29.97/50/59.94 fps [35 to 50 Mb/s] 1280 x 720 at 50/59.94 fps [8 to 12 Mb/s] Cinema RAW Light/Raw 12-Bit 8192 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s] 5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s] 2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s] |
External Recording Modes | 4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) up to 59.94 fps UHD 4K (3840 x 2160) up to 59.94 fps |
Fast-/Slow-Motion Support | Yes |
Gamma Curve | Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020 |
Recording Limit | No |
IP Streaming | No |
Built-In Microphone | Mono |
Audio Recording | Raw: 4-Channel MP4: 4-Channel |
Interface |
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Media/Memory Card Slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
Video I/O | 1x Micro-HDMI (Unspecified Signal) Output |
Audio I/O | 1x 1/8" / 3.5 mm TRS Stereo Mic/Line Input 1x 1/8" / 3.5 mm TRS Stereo Headphone Output |
Power I/O | 1x USB-C (9VDC at 3 A) Input |
Other I/O | 1x USB-C (USB 3.2 / 3.1 Gen 2) Output (Shared with Power Input) 1x Canon N3 Control Input 1x DIN 1.0/2.3 (Timecode) Input/Output |
Wireless | 2.4 / 5 GHz Wi-Fi 5 (802.11ac) Bluetooth 5.0 Control |
Mobile App Compatible | Yes: Android & iOS App Name: Canon Camera Connect Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed |
Global Positioning (GPS, GLONASS, etc.) | GPS *Adapter Required or Via Connected Smartphone |
Monitor |
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Display Size | 3.2" |
Resolution | 2,100,000 Dot |
Display Type | Free-Angle Tilting Touchscreen LCD |
Viewfinder |
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Type | Built-In Electronic (OLED) |
Size | 0.5" |
Resolution | 5,790,000 Dot |
Eye Point | 23 mm |
Coverage | 100% |
Magnification | Approx. 0.76x |
Diopter Adjustment | -4 to +2 |
Focus |
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Focus Type | Auto and Manual Focus |
Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
Autofocus Points | Phase Detection: 1053 |
Autofocus Sensitivity | -6 to +20 EV |
Flash |
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Built-In Flash/Light | No |
Maximum Sync Speed | 1/250 Second |
Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
Dedicated Flash System | eTTL |
External Flash Connection | Shoe Mount |
Environmental |
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Operating Temperature | 32 to 104°F / 0 to 40°C |
Operating Humidity | 0 to 85% |
General |
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Battery Type | 1x LP-E6NH Rechargeable Lithium-Ion, 7.2 VDC, 2130 mAh (Approx. 220 Shots) or 1x LP-E6N Rechargeable Lithium-Ion or 1x LP-E6 Rechargeable Lithium-Ion |
Shoe Mount | 1x Hot Shoe |
Tripod Mounting Thread | 1x 1/4"-20 Female (Bottom) |
Dimensions (W x H x D) | 5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm |
Weight | 1.7 lb / 770 g (With Battery, Recording Media) 1.5 lb / 680 g (Body Only) |
Canon RF 24-105mm f/4 L IS USM Lens |
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Focal Length | 24 to 105mm |
Maximum Aperture | f/4 |
Minimum Aperture | f/22 |
Lens Mount | Canon RF |
Lens Format Coverage | Full-Frame |
Angle of View | 84° to 23° 20' |
Minimum Focus Distance | 1.48' / 45 cm |
Maximum Magnification | 0.24x |
Optical Design | 18 Elements in 14 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | Yes |
Filter Size | 77 mm (Front) |
Dimensions (ø x L) | 3.29 x 4.22" / 83.5 x 107.3 mm |
Length at Maximum Extension | 5.94" / 151 mm |
Weight | 1.54 lb / 700 g |