Canon EOS R6 Mark III Mirrorless Camera with 24-105mm f/4 Lens

Designed to be a high-performance all-rounder for creatives engaged in both photography and videography, the Canon EOS R6 Mark III skillfully integrates a range of hybrid features, enhanced imaging capabilities, and updated handling and design to accommodate photographers and videographers operating in diverse situations. A newly developed 32.5MP sensor works in conjunction with DIGIC X processing to provide 7K video recording, a maximum of 40 frames per second for photo shooting, enhanced Dual Pixel CMOS AF II with a focus on Register People Priority, a more robust 8.5-stop image stabilization system, and the R6 Mark III now supports both CFexpress Type B and SD memory cards for versatile file storage.

32.5MP Full-Frame Sensor and DIGIC X Processing

Offering a 34% enhancement in resolution compared to its predecessor, the R6 Mark III features a 32.5MP full-frame CMOS sensor that provides improved sharpness, print resolution, and cropping capabilities. This sensor is complemented by a DIGIC X processor, which contributes to outstanding image quality, minimal noise, and an extensive sensitivity range. Furthermore, the processing capabilities effectively manage the sophisticated Dual Pixel CMOS AF II system, along with continuous shooting, video recording, and IBIS functionalities.

Derived from the R3, the upgraded processing of the R6 Mark III is well-suited for the camera's multimedia capabilities. It can handle high-speed bursts as well as high-resolution 7K video, with the DIGIC X enabling up to 40 fps continuous shooting using a silent electronic shutter or 12 fps with a mechanical shutter, incorporating AF and AE readings before each frame. Additionally, there is a Pre-Continuous Shooting feature that allows for the capture of an extra 20 frames before fully pressing the shutter button, ensuring that you do not miss any fleeting movements.

SCN Shooting Modes

Designed for individuals new to photography or those seeking a practical alternative to post-production, various SCN modes can influence the appearance of photos directly within the camera. The R6 Mark III stands as the most sophisticated camera equipped with SCN modes that modify shooting settings based on scene-specific auto exposure. The modes offered encompass Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter. In terms of video usage, options such as Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings are available.

7K Video Recording

Beyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:

• Utilizing a sensor akin to that of the EOS C50 Cinema Camera, the R6 Mark III is capable of internally recording 7K video at up to 60 frames per second in 12-bit Canon RAW Light Movie format. When recording externally to an optional external recorder, it can capture 7K footage at up to 30 frames per second in ProRes RAW format.
  
  
• The Open Gate 3:2 recording feature allows for 7K recording at 30 frames per second in both 10-bit MP4 and 12-bit RAW formats. This Open Gate recording is particularly advantageous for creators of social media content, as it provides a larger recording area to crop from when adapting footage to a vertical 9:16 format or other distinctive aspect ratios such as 1:1, 4:3, or 4:5.
  
  
• Among the most significant enhancements compared to the R6 Mark II, the R6 Mark III boasts greatly improved slow-motion and high-speed recording capabilities. It now accommodates both DCI 4K and UHD 4K recording at rates of up to 119.8 frames per second, enabling 5x slow-motion playback within a 23.98 frames per second timeline. Furthermore, when utilizing DCI 2K and Full HD resolutions, recording at 179.8 frames per second is achievable. Audio recording is supported across all resolutions and frame rate options, with the exception of S&F mode.
  
  
• A newly introduced Slow and Fast Motion (S&F) mode can be accessed via the Mode dial, offering control over resolution, frame rate, playback speed, and compression settings.
  
  
• To ensure exceptionally sharp and clear footage, the 4K FINE mode utilizes oversampling to enhance image quality in both DCI 4K and UHD 4K resolutions within the XF AVC S format.
  
  

LUTs and Color Control

For more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:

• The Canon Log 2 profile is designed to enhance dynamic range, offering over 15 stops of exposure latitude, which allows for greater control during the color grading process.
  
  
• LUTs can be utilized in-camera through the Apply Look function; users have the option to register 17-grid or 33-grid .cube LUTs, which can be saved as Custom Picture files for direct application while recording. Additionally, LUTs can be transferred to the camera using the Canon Camera Connect app.
  
  
• Fourteen Color Filters provide a practical method for directly incorporating color and tone adjustments into JPEG photos or MP4 videos.
  
  
• A newly introduced Custom Picture menu grants immediate access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and various other user-adjustable settings.
  
  

Additional Video Functions

• Pressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.
  
  
• Pre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don't miss an unpredictable moment.
  
  
• Auto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it's level to the scene's horizon.
  
  
• Focus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.
  
  

Dual Pixel CMOS AF II

Updated with technology derived from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an exceptionally quick, responsive, and accurate focusing mechanism suitable for both still images and video requirements. This phase-detection system incorporates intelligent Subject Detection capable of identifying People, Animals, and Vehicles; once recognized, the Dual Pixel CMOS AF II excels at locking onto these subjects and tracking them as they move. For the first time in an EOS 6-series camera, the Register People Priority feature enables you to photograph an individual and register them within the camera, allowing for prioritization over other individuals in a scene. This functionality aids in achieving focus on your desired subject when capturing images in a crowded environment. A maximum of 10 different individuals can be registered simultaneously. Additionally, four new AF area options have been introduced, along with the capability to cancel tracking and subject detection. The R6 Mark III also allows for the registration and recall of various AF settings, facilitating smoother mode transitions. Custom button functions can be configured to register a focus preset position, operating similarly to the focus recall buttons found on Canon's super-telephoto lenses. The Movie Servo AF focus algorithm has been adapted from the C400 and C80 cameras, enhancing the natural appearance of autofocus pulls to resemble manual focus adjustments.

8.5-Stop Sensor-Shift Image Stabilizer

An enhanced In-Body Image Stabilizer (IBIS) now provides compensation for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the edges of the image, resulting in sharper handheld photography in low-light situations and assisting in minimizing the visibility of shake during video recording. This system significantly benefits the use of non-stabilized lenses, but it is also compatible with lenses that incorporate IS with Coordinated Image Stabilization, which integrates both in-body and lens-based IS. Furthermore, Movie Digital IS employs both optical and sensor-shift stabilization techniques in conjunction with digital IS to facilitate the capture of steadier footage while in motion.

Body Design

EVF and Vari-Angle Touchscreen LCD

• The high-resolution 3.69m-dot 0.5" 0.76x electronic viewfinder offers a bright and detailed option for eye-level viewing. Additionally, the OVF View Assist feature enhances the viewfinder experience, providing a more lifelike and realistic perspective with improved dynamic range and rendering that is reminiscent of an optical finder.
  
  
• The rear 3.0" 1.62m-dot LCD touchscreen is designed with a vari-angle feature, which is advantageous for front-facing recording, particularly for vlogging purposes, as well as for capturing images from both high and low shooting angles.
  
  
• For video shooters, the exposure monitoring tools from Cinema EOS cameras are also included, featuring tools such as zebra display, false color, and waveform monitor.
  
  

Reliable and Intuitive Handling

Enabling higher-resolution recording at faster speeds, the R6 Mark III is equipped with dual memory card slots—one CFexpress Type B slot and one SD slot that supports UHS-II V90 cards. This setup allows photographers to capture images continuously for longer durations and enables videographers to record at the highest resolution for extended clips. Designed for durability, this camera features a magnesium alloy chassis and boasts a dust- and moisture-sealed construction that is ideal for use in adverse conditions. The shutter unit has undergone 500,000 cycles of durability testing, matching the performance of the shutter unit found in the R5 Mark II. The Multi-Function Shoe incorporates a series of pins at the front of the design to enhance accessory functionality and supply power to certain accessory types that typically require separate batteries, such as the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, along with the AD-E1 Multi-Function Shoe Adapter to ensure compatibility with older shoe-mounted accessories. Now supporting the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge. It is also compatible with the optional Battery Grip BG-R20, which extends battery life and enhances ergonomics for vertical shooting.

Flexible Connectivity

Wired and wireless connectivity options are provided, facilitating various methods for transferring photos and videos, as well as enabling remote control of the camera. The USB-C 3.2 Gen 2 port allows for in-camera charging and file transfers; this port also permits the use of the camera as a Full HD 30p webcam with support for UVC/UAC protocols. Additionally, there are 3.5mm headphone and external microphone ports. An HDMI port is available for interfacing with an external recorder. Bluetooth and 5/2.4 GHz Wi-Fi enable wireless transfers and remote camera control from mobile devices through the Canon Camera Connect app. The FTP server function caters to professionals' requirements for sending files directly to computers, servers, or NAS devices, while the Canon Content Transfer Professional app addresses more sophisticated transfer needs, including the capability to enter metadata, filter images, and organize files. Drawing from the R5 Mark II, you can conveniently save and load communication settings for networks you frequently visit.

Canon RF 24-105mm f/4 L IS USM Lens

Renowned for its adaptability, the Canon RF 24-105mm f/4 L IS USM is a zoom lens that spans from wide-angle to short telephoto, distinguished by its constant f/4 maximum aperture. Perfect for nearly any shooting situation, this zoom lens is enhanced by a five-stop-effective Image Stabilizer that reduces the effects of camera shake, resulting in sharper handheld images. Additionally, it features a distinctive customizable Control Ring, which can be set up to modify various exposure settings, such as aperture, ISO, and exposure compensation. To enhance image quality, the sophisticated optical design includes a Super Spectra Coating that minimizes ghosting and flare, thereby improving contrast and color fidelity in bright and backlit environments. Suitable for both photography and videography, this lens also integrates a Nano USM autofocus motor, providing fast, silent, and accurate focusing capabilities.

• Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
  
  
• Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
  
  
• Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
  
  
• An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.
  
  
• Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
  
  
• Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
  
  
• As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
  
  
• Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.