
Sirui 50mm T2.9 Full Frame 1.6x Anamorphic Lens | Canon RF + Starter Kit + 3-Piece Filter Set + Cleaning Cloth + Camera Case Bundle
Sirui 50mm T2.9 Full Frame 1.6x Anamorphic Lens | Canon RF Features :
Covers Full-Frame Sensor
2.4:1 & 2.8:1 De-Squeezed
10-Blade Iris, Elliptical Bokeh
Front Filter Diameter: 82mm
Focus Scales in Feet & Meters
Aperture Range: T2.9 to T16
Blue Streak Effects
Horizontal FOV of 31mm Spherical Lens
Minimum Focus: 2.5'
What's In the Box
Sirui 50mm T2.9 Full Frame 1.6x Anamorphic Lens | Canon RF
Front Lens Cap
Rear Lens Cap
Drawstring Pouch
Limited 2-Year Warranty
This Bundle Also Includes:
(1) K&M Camera Microfiber Cleaning Cloth
(1) Striker Deluxe Photo Starter Kit (11 Pieces)
(1) Vivitar DC-79 Digital Camera Case [105065]
(1) Vivitar 3-Piece Multi-Coated HD Filter Set (58mm UV/CPL/ND8) [62926]
The Canon RF-mount 50mm T2.9 Anamorphic 1.6x Lens, from Sirui, is designed for filling a theater screen with rich detail, cinematic bokeh, and artistic lens flairs. One of the signature features of this lens is that it produces horizontal blue streaks when pointed at a light source, giving your footage a dreamy or science fiction aesthetic. On full-frame cameras, this lens increases the horizontal angle of view by 60%, equivalent to a wider 31mm spherical lens, and it enables the camera to see well to the left and right of your subject. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio, whereas shooting in 3:2 yields a 2.4:1 final image.
What's In the Box
This Bundle Also Includes:
The Canon RF-mount 50mm T2.9 Anamorphic 1.6x Lens, from Sirui, is designed for filling a theater screen with rich detail, cinematic bokeh, and artistic lens flairs. One of the signature features of this lens is that it produces horizontal blue streaks when pointed at a light source, giving your footage a dreamy or science fiction aesthetic. On full-frame cameras, this lens increases the horizontal angle of view by 60%, equivalent to a wider 31mm spherical lens, and it enables the camera to see well to the left and right of your subject. An image captured in 16:9 is de-squeezed to an anamorphic 2.8:1 aspect ratio, whereas shooting in 3:2 yields a 2.4:1 final image.